When asked if they agreed with the statement “The Swedish government and Public Health Agency are doing a good job in their response to the pandemic”, 44 said they either slightly or strongly disagreed, while 25 said they slightly or strongly agreed.
Exactly half of the 80 respondents to The Local’s survey, which was not scientific, said Sweden’s re-opening plan was not cautious enough, and that restrictions should instead be relaxed later or to a lesser extent. A further 17 said the plan was “too cautious” and 23 said it was “proportionate”.
Sweden took its first step on a five-stage re-opening plan at the start of June, increasing the number of people allowed at public events and extending the opening time at restaurants and bars to 10.30pm, among other measures.
“So few follow the restrictions now that it will make very little difference,” said one reader who asked to remain anonymous.
Of our respondents, 45 disagreed with the statement “Recommendations from Swedish authorities are clearly communicated”, while 27 agreed. Only 22 people agreed with the statement “On the whole, I trust people in Sweden to act responsibly regarding the pandemic”.
We asked readers which specific measures they disagreed with, and two common themes were timing and mask-wearing.
Several respondents said that looser restrictions should have been more closely tied to benchmarks in incidence rate or ICU capacity rather than dates, or that the re-opening should have been delayed until more people were vaccinated, as well as multiple responses that recommendations to wear face masks should have been introduced earlier and more widely enforced.
The plan laid out by Sweden’s government is tied to dates rather than other benchmarks, but the government has said it takes into account the Public Health Agency’s expertise and the burden of the pandemic on the healthcare system when deciding which measures to take. This means that if the situation worsens, measures could be delayed beyond the planned date, as has happened previously.
“I think some of the ‘recommendations’ could have been enforced especially in cases of widespread disregard for certain recommendations such as the wearing of masks on transport in Stockholm – if they were going to advise this and had evidence for this then why not enforce it,” said one reader.
A reader from Australia said they had spent two weeks in hospital including six days in intensive care after catching Covid-19, and planned to continue wearing a mask in public places. He believed he contracted the virus after an outbreak at his partner’s place of work, where he said around 50 employees tested positive for Covid-19 as well as “a large number of family and friends”, several requiring hospitalisation.
“After this incident, the company brought in mandatory mask wearing for all its staff; this has been relaxed since June 1st. My partner is continuing to wear a mask!” he added.
The re-opening plan from the government did not include any relaxations for workplaces, so people should still work from home if possible and where that is not possible, employers are responsible for taking measures to limit the risk of the virus spreading. But despite that, several people reported that the re-opening plan had led their workplace to relax measures even beyond those set out in the plan.
One reader, a Swede who has also lived in other countries, said they would work from home to a lesser extent due to the re-opening plan, even though the recommendation to work from home applies until at least the end of September.
Andrea, a Canadian in her 30s, said she would remain in isolation until fully vaccinated due to a genetic condition. Like the Australian reader, her partner’s work, which cannot be done from home, was where she saw the biggest risk, and she was concerned about the impact the re-opening plan could have.
“Where I live, I have not seen people following the guidelines anyway, but they seem to have a lot of trust in the authorities so relaxing restrictions will most likely result in people not taking any precautions. I have not felt safe throughout the entire pandemic. We have had constant scares of my husband being exposed because of his workmates’ risky behaviour,” she said.
Dining out and events
Exactly half of our respondents said they would be changing their behaviour as a result of the re-opening plan.
The most common areas mentioned were plans to dine out more or to attend events such as concerts, films or sports matches.
“It took courage to go against the common pandemic response across the world. I have been disappointed lately by the change of strategy and the tightening of restrictions which feels like succumbing to the pressure of critics, in and outside of Sweden. The drop in cases did not really coincide with a change in measures so it is still unclear what their effectiveness is,” commented Jeremie, a French researcher.
He was one of several readers who praised the fact they had been able to live in relative normality compared to many other countries.
“It will allow me to go to music events, protests, and Pride in July and August,” said one reader, a data scientist. “These public events serve a great purpose, and I feel positive about allowing outdoor unseated events with larger numbers since the timing is just right. That being said, I don’t feel incredibly confident about partaking, especially regarding the safety of others.”
One reader said they would change their behaviour, but not by socialising more, explaining that as a result of relaxed restrictions, “I will be even more cautious because Swedes are going to be even more careless”.
But many said they were frustrated that the relaxations did not make travel from non-EU countries any more of a possibility.
At the moment, fully vaccinated travellers to Sweden are exempt from requirements to test and isolate on arrival, but can still only come to the country if they fall into one of the groups exempt from an entry ban.
“Travel from non-EU countries should be re-opened sooner than August 31st so we can reunite with family living outside of EU,” said reader Charmaine, originally from the Philippines, referring to the date to which the entry ban on non-EU countries has been extended.
“After a year of self-isolation, while also being pregnant and on maternity leave, I am exhausted and all I want is to see my family abroad,” responded one woman who moved for work seven years ago and said she was now planning to leave as a result.
“I will still be in personal lockdown, but with a more loose approach I might go out to meet friends a bit more often,” said Gus, a Brazilian living in Stockholm.
“I have been more careful than the general restrictions [required] since the beginning of the pandemic. A concern now is that relaxed restrictions in combination with mutant strains may lead to a rise in cases which could make it harder to finally travel and see family again,” one German researcher told The Local. “Since the government has decided that universities should return to on-campus teaching, I am also concerned about the next months at work. Many colleagues seem to assume that the pandemic will be over after summer and they begin to plan bigger meetings. If remote attendance is not an option, the chances of getting infected myself will increase substantially.”
“I can’t believe how unwilling so many people have been to follow even the basic, light restrictions we have had. People, in general, have not been keeping distance. Restaurants and cafes have had tables too close all year and people sit at them. People have been throwing private parties throughout the pandemic,” said Rachel, a reader from the US.
“In the past, I have always loved to heap praise on my adopted home. Before this pandemic, if I was asked to predict how Sweden would fare in one, I would have said that we would be leaders for the world in how to keep people safe and healthy. The failures of the government and the people to keep each other safe has hit me hard and I have felt sad and shocked all year. I hope that we as a country use this as an opportunity to take a good, hard look at ourselves, from our government and its policies to our values and cultural expectations.”
Thanks to everyone who responded to our survey. We read all the comments you gave carefully, and will keep them in mind as we continue to report on the coronavirus and other issues that affect your lives in Sweden.
The survey was not scientific, as the purpose was to give a snapshot of how our audience of international residents feel about the response to the pandemic. We closed it after receiving 80 responses, and removed answers that did not include a full name for verification purposes. Some readers asked to remain anonymous.
Tune in to The Local’s new podcast, Sweden in Focus, on Saturday, as we discuss this article in more detail.
Egypt: Excavating the archives of the man who uncovered Tutankhamun’s tomb | Culture
It is rare to travel north in search of Tutankhamun. The young Pharaoh’s tomb is actually to the south, in Luxor, Egypt, as is his mummy, while the vast majority of artefacts buried with him – the famous “wonderful things” that include treasures such as the gold mask – have traditionally had their home at the Egyptian Museum in Cairo. But there is another treasure linked to Tutankhamun, less glittering but also fascinating, in the shape of the archives of the late Howard Carter, the archaeologist who discovered the tomb.
The documents compiled by Carter include maps and plans, detailed records of the thousands of artefacts – 5,300 to be exact, photographs, drawings, slides and both personal and excavation diaries, as well as other materials, such as private letters, telegrams and press clippings, all of which give the discovery context and are an exceptional source of information.
Donated to the center for Egyptology at Oxford University’s Griffith Institute by Carter’s favorite niece and heir, Phyllis Walker who died in 1977, the collection is now the subject of a timely exhibition at Oxford’s Bodleian Library, with additional material from other sources such as the Metropolitan Museum in New York.
Open until February 5, 2023, Tutankhamun: Excavating the Archive, invites visitors to “see beyond” the golden treasures of the young Pharaoh and explore the complexity of the discovery as it unfolded. A celebratory centenary exhibition, it recalls the moment on November 26, 1922, when Carter and his sponsor Lord Carnarvon looked into the tomb for the first time, breaking a seal that had held for over 3,000 years and beginning the excavation of the only untouched ancient Egyptian royal burial site to be found in the Valley of the Kings.
The exhibition features Carter’s first written mention of the find in one of the Lett’s Indian and Colonial Rough Diary pocket notebooks he used to record his activities during the eight months he spent each year in Egypt: “First steps of tomb found,” he scrawled in pencil, conveying irrepressible enthusiasm. The entry takes up the entire page for Saturday, November 4, 1922. It was the fourth day into the last sponsored excavation, as Lord Carnarvon had finally decided to stop paying for the concessionary rights to the Valley of the Kings.
The exhibition goes into the details of the sensational find and how it developed for better and worse, with recognition of the fact that Carter and Carnarvon lied in order to smuggle several small objects out of Egypt. It also explains how the discovery coincided with the proclamation of Egypt’s independence from Britain and the change in the country’s policy regarding its antiquities; and it mentions the infamous “curse” associated with the tomb. Significantly, it acknowledges the shortcomings of European colonial archaeology during that era and hails the essential role of the overlooked Egyptian professionals and laborers in the investigation.
The Egyptians, including many child laborers, appear in numerous photos of the excavation without being identified, reducing them to little more than exotic extras. They were rarely mentioned, and their role was underestimated in official reports. Now, archival research “is making it possible to restore the Egyptians’ role in the excavations,” and to “address the error.”
Donkeys instead of cabs
The exhibition also flags up the neglected role of the women who participated in the venture, such as Minnie, the wife of photographer Harry Burton, author of the famous photos of the excavation, who helped her husband and kept a personal diary that is a valuable source of information. In one passage, she recalls the excitement of visiting the tomb while it was being emptied and how Carter sent a donkey to fetch her home like someone might send a cab.
Coming to Oxford with the sole purpose of seeking out Tutankhamun lends the city an incongruous air of Egypt, even if arriving by bus rather than donkey. The kites spotted en route over the English countryside bring to mind the birds that fly over the pristine skies of Luxor, which are represented in pharaonic temples and tombs as divine creatures. These same birds are also present in Carter’s paintings, such as the 1895 watercolor of a falcon in the chapel of Anubis in the temple of Hatshepsut at Deir el-Bahari. Carter was an excellent draughtsman who came to archaeology precisely because of his artistic ability.
The Bodleian exhibition occupies the treasury room of the library and is small, like Tutankhamun’s tomb, but equally full of documentary wealth, though it requires immersion and the determination of an archaeologist to extract the information from the 20-odd showcases fittingly shrouded in gloom and mystery.
In a preamble, data is given on the reign of the young Pharaoh. For example, it is emphasized that his death was unexpected, and his burial consequently improvised, which explains many of its unusual characteristics. It is also mentions that the tomb remained substantially intact despite being visited by thieves shortly after first being sealed – they did not gain access to the mummy and the tomb was again rearranged and resealed so that what Carter encountered was virtually untouched. While it is written on a vaulting that the body of Tutankhamun is still in the sarcophagus, it was, in fact, removed from the stone coffin years ago and is exhibited in the same enclosure, but in a modern heated urn installed in the antechamber.
Obsession with the tomb
The tour begins with the climax of the discovery noted in Carter’s diary, before delving into the background of the discoverer himself, who was a complex personality who never married and had no children. A photo shows him at the age of 19, the same age as Tutankhamun when he died. An 1892 letter from the great Egyptologist Flinders Petrie, who took him to Egypt, offers this insight: “His interest is in painting and natural history (…) He is of no use to me as an excavator.”
There is then a space dedicated to “the long search” – a period that began after a proclamation in 1913 by excavation sponsor Theodore Davis that the Valley is exhausted; enter Carnarvon, who hired Carter, as he was obsessed with the idea that there was still a tomb to be found. It is thrilling to actually see a map drawn by Carter’s own hand with the excavations between 1917 and 1922, when the tomb was not yet located, lying concealed beneath the remains of the ancient workers’ huts from the neighboring tomb of Ramses VI. And then, the great moment of the discovery and the first actual foray into the tomb, around four o’clock in the afternoon on November 26, by Carter, Carnarvon, his daughter and several others.
A page from Carter’s excavation diary contains the account of that Great Moment in his own handwriting. The hole in the door, the candle inserted, and Carnarvon asking: “Can you see anything?” The answer, Carter noted, was not the famous “yes, wonderful things” which he later claimed in subsequent records, but the less dramatic “yes, it’s wonderful.”
It was the beginning of an amazing scientific adventure that would last until December 1932, the 10 years it took to empty the tomb. Carnarvon died on April 5, 1923, without seeing the opening of the sarcophagus and the mummy of Tutankhamun, which was not examined until November 11, 1925. A letter from Carter to Egyptologist Alan Gardiner describes some of the emblematic artefacts observed in the antechamber: carts, beds with strange animal shapes, two life-size figures of guardians… “So far, it is Tutankhamun,” he writes.
Burton’s photos displayed in the exhibition are “the most famous archaeological images ever taken,” and these, together with the drawings of the different rooms of the tomb and the artefacts as they were discovered transport us to the key moments of the discovery. The exhibition also explains the conservation challenges faced by the archaeologists and the solutions they came up with to preserve the objects. Then there is documentation of the complex system of rails used to transport the tomb’s contents in wagons to the river to be shipped to the museum.
Particularly moving is a large portrait of an anonymous Egyptian boy photographed in 1927 by Burton wearing one of Tutankhamun’s necklaces, demonstrating how it would have been worn. Years later, Hussein Abd el Rasul, a member of the local Qurna family, identified himself as the sitter. The exhibition points out that “many stories have been told about the image and who the boy was and his role in the excavation.”
A group of Egyptian schoolchildren stopped in front of the photo the other day listening very attentively to the explanations of their teachers. Despite the lack of recognition for the Egyptians who worked on the tomb’s excavation, some names have nevertheless been salvaged thanks to the gratitude Carter expressed in his writings, such as the name of the foreman, Ahmed Gerigar and his colleagues Gad Hassan, Hussein Abu Awad and Hussein Ahmed Said.
Besides criticizing the patronizing attitude toward the Egyptians involved in the excavation, the exhibition flags up the pursuit of profit, especially Lord Carnarvon’s. It suggests that the origin of the famous curse on those tampering with the tomb mentioned in a delightful yellowed telegram in 1923 to “Carter Tutankhamun Thebes” from Dublin warning that if trouble continues he must reseal the tomb, was partly revenge by certain media angered by the aristocratic Carnarvon’s exclusive contract with The Times.
Curses and criticism aside, public excitement at the find was such during the 1920s that it inspired a boardgame and a rash of songs. Meanwhile, the archive, which continues to be enriched and has been digitized for open access (www.griffith.ox.ac.uk), is invaluable to the study of the tomb’s material, a work that Carter left unfinished.
For those whose appetite for “wonderful things” is not yet sated, the Ashmolean Museum close by houses an extraordinary collection of Egyptian antiquities, such as the large statues of the god of fertility Min who appears excited at the sight of a sensual bust of Antinous, Hadrian’s lover who drowned in the Nile; an impressive stone head of a crocodile; the precious coffins and the mummy of the Theban priest Djed-djehuty-iuef-ankh and the Amarna pieces, which are closely linked to Tutankhamun as they represent his family, Akhenaten, Nefertiti and the princesses, as well as to people and places he saw during his lifetime. The ostraca collection compiled by Gardiner, who collaborated with Carter, is also on display there.
Hollywood: They have it all, and take it on the road, too: These are the luxury RVs of the stars | Culture
RVs have long been considered a fairly modest means of travel, an option that combines transportation and accommodation and that allows you to enjoy a more affordable vacation – bearing in mind that the comforts that they offer have little or nothing to do with those of a five-star hotel. However, this image has evolved in recent years, and the alternative of touring the world with your house in tow is gaining more and more followers, including some movie and music stars. Some use them for tourism and others to move between cities while they promote something or as a dressing room during shootings or tours, but they all have a few things in common: their enormous dimensions, their luxurious amenities and their million-dollar price tags.
At the beginning of July, all the details of Dolly Parton’s mansion on wheels were released. More than an RV, this one is a bus. Dubbed Suite 1986, it is 45 feet long and Dolly has traveled more than 300,000 miles and visited more than 60 American cities in it. It houses all kinds of luxuries and personal belongings of the country music star — a display case for her wigs, a wide bed with pink velvet sheets, or a Parisian-inspired dressing table, among other things — and it is available to rent from $10,000, with a two night minimum stay. The Dollybus is part of the hotel complexes offered under the Dollywood label, the universe created in her image and likeness, which also includes a theme park inspired by Disney’s Hollywood Studios in Florida, numerous hotels and spas and a water park.
Another celebrity who likes to have a traveling home is Jennifer Lopez. The Bronx Diva owns a 1,200-square-feet trailer that is valued at $2 million and, like Parton’s, is also available to rent, for between $400 and $850 a night, when the singer is not using it. Its name is Baby Girl and, judging by the pictures, it has it all: in two spacious floors you can find amenities like a huge leather sofa, furniture made from materials like granite or marble, and all kinds of image and audio technologies, including everything from large TVs to state-of-the-art audio setups. An exclusive design by Anderson Mobile Estates, an American company specializing in this type of high-end vehicle, completely customizable to the customer’s taste.
The same company built Will Smith’s RV, known as The Heat, which the actor purchased in 2000 to use while filming. It is 55 feet long, has two floors and it is valued at 2.5 million dollars. It includes a projection room with a 100-inch screen and
capacity for thirty people, an ample lounge, a bathroom with sauna, first-rate materials like granite and leather, and technological devices everywhere.
Leonardo DiCaprio’s RV does not fall far behind: it is 52 feet long, with four modules that can be extended to further expand the space. Of course, it includes all the necessary amenities, with eccentric details like two fireplaces and a large recycled glass shower valued at more than $40,000.
Justin Bieber’s RV also has its fair share of eccentricities. In 2020, the Canadian singer purchased for $2.5 million a bus turned luxurious mansion that he takes on his tours and that he himself showed off in the American edition of GQ Magazine. Equipped to the last detail, it offers wonders such as underfloor heating, ceilings with LED lights, a steam shower, and an infrared sauna.
Other celebrities, after years of traveling with their house in tow, have decided to part with theirs. That is the case of Tom Hanks. The legendary actor auctioned off his RV last year: the trailer that was his home during the shooting of movies like Forrest Gump or Apollo 13 was sold for $235,200, an almost trivial figure when compared to those of his colleagues.
Among so much luxury on wheels, Chris Hemsworth’s RV is also surprising for its modest dimensions. It was made by the Australian company Lotus Trooper, and it is equipped for all kinds of terrain. Despite its limited size, it includes things like Italian leather sofas and a designer kitchen; with this vehicle, the actor who brings Thor to life in the Marvel Cinematic Universe likes to enjoy family getaways, as he himself has shown on his social media.
Whether it is to go on road trips or as a place to rest between concerts or shootings, it is clear that the biggest music and movie stars cannot resist the opportunity to take all the comforts of home anywhere they go, preferably in rolling eccentricities that reinvent a concept popularized in the 1960s by the hippie movement – and look more fit for a Transformers movie than for an actual highway.
Writer Salman Rushdie attacked while giving a speech in New York | USA
Indian-born writer Salman Rushdie was attacked on Friday while giving a lecture in Chautauqua County, a town of about 140,000 inhabitants in western New York state. The first images of the event that have been shared on social networks show Rushdie on the floor, being attended by attendees and emergency services.
New York state police announced in a press release that the writer suffered an apparent stab wound to the neck, and was transported by helicopter to an area hospital. His condition is not yet known. An Associated Press reporter witnessed a man storm the stage at the Chautauqua Institution and begin punching or stabbing Rushdie as he was being introduced. The 75-year-old author was pushed or fell to the floor, and the man was restrained. The assailant has been arrested.
Rushdie’s book The Satanic Verses has been banned in Iran since 1988, as many Muslims consider it blasphemous. A year later, on February 14, 1989, Iran’s late leader, Ayatollah Ruhollah Khomeini, issued a fatwa calling for Rushdie’s death. The theocratic Iranian regime also offered a reward of more than $3 million for anyone who killed the writer, who holds dual British and US citizenship.
Iran’s government had long since distanced itself from Khomeini’s decree, but anti-Rushdie sentiment has persisted. In 2012, a semi-official Iranian religious foundation raised the reward for Rushdie’s death from $2.8 million to $3.3 million.
Rushdie, an English-language writer and perennial contender for the Nobel Prize in Literature, downplayed that threat then and said there was “no evidence” that people were interested in the reward. That year, Rushdie published a memoir, Joseph Anton, about the fatwa.
The 75-year-old author achieved international fame with the novel Midnight’s Children, which was published in 1980 and won him the Booker Prize, the UK’s most prestigious literary prize, the following year. The book sparked controversy in India for allegedly derogatory remarks towards the then prime minister of the country, Indira Gandhi.
With an overflowing imagination, his style has been compared to the magical realism of Gabriel García Márquez and Carlos Fuentes, among others. He himself has recognized on numerous occasions his important links with Latin American literature. His latest book Quixote (2020) adapts Cervantes’ classic to the situation that the United States under the Donald Trump administration.
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