President Putin of Russia and President Lukashenko of Belarus in the throne room of the Moscow Patriarch. Together with Ukraine, Russia and Belarus form Holy Rus’. Note the blue and gold Ukrainian Flag displayed proudly between Putin and Patriarch Kirill, along with all the other flags of Russian Orthodox Lands.
One of the most common criticisms of organised religion is that it involves itself in the affairs of politics and war.
People say: “Why are religious leaders getting involved in political discussions? Politics is Politics, religion is religion, never should the two meet.”
Non-religious people point to the Papal States and the Spanish Inquisition as examples of religion being too political. Likewise, many religious people have reasonable concerns that religion could be corrupted by politics and used for nefarious ends.
Meanwhile, throughout history, there has always been a close relationship between the Orthodox Church and various states; this is true from the times of the Roman (Byzantine) Empire to the Russian Empire and even in modern countries such as Greece, Romania, and, of course, Russia.
“Should the Orthodox Church have a close relationship with the State?”
In Orthodox countries, the answer is obvious – of course, it should!
But should the Church involve itself in the State, which may involve itself in the dangerous affairs of politics and warfare?
Yes, because the Orthodox Church, does not see itself as much as an “invisible church, a body of the elect” but as a spiritual hospital.
Our Father Among the Saints, John Chrysostom, Archbishop of Constantinople says:
Enter into the Church and wash away your sins. For here there is a hospital and not a court of law. Do not be ashamed again to enter the Church, be ashamed when you sin, but not when you repent.
The Orthodox Church always saw it first and foremost as a place to heal people from a mortally ill condition, the disease of sin.
In Orthodox theology, the term mortally ill is quite literal; Orthodox people believe that death is the direct result of sin.
This is the Orthodox understanding of original sin, rather than making us all born “guilty”, we believe original sin infected the human race with a terminal illness – death, and a fondness for death.
Where are hospitals and clinics most needed in the world more than anywhere else? In places where people are the sickest, in places of war and suffering.
While the Church cherishes her dignity as an ivory tower rising from a city surrounded by seven hills and seven walls, she is also a missionary church.
Her people, especially her clergy, go where they are called and most needed.
If politics and war are where the darkest human actions are expressed, then that is exactly where the Church must be, to be a lighthouse on moonless nights to lead souls to safe harbour.
One might go as far as to say it is the opinion of Orthodoxy, especially Russian Orthodoxy, that the Church must involve itself in war and politics to prevent war and pacify the darker side of political intrigue.
Although Americans and their relatively young civilization assure the world that the Church and State must be separate, Russians actually believe that removing or separating the Church from the State destroys another ideal Americans hold very dear, namely: checks and balances.
For Russians, the Church is a moral check on the State. Were it not for the Russian Orthodox Church, Russia could have been destroyed many times by both foreign enemies and domestic fifth columns.
One could say that the Russian State – one of the most ancient states and the birthplace of patriotism – originated from the Orthodox Church because it was by the Baptism of Rus’ that Saint Vladimir of Kiev united Russia.
These two entities cannot be truly separated in Orthodox countries because in many cases it was the Church which first formed the national consciousness of the nation itself, or preserved it during times of occupation. As President Putin himself has said, it is not possible to imagine Russia without the Orthodox Church.
Moreover, Russians remember what happened when Russian revolutionaries implemented Communism, a foreign ideology (invented by German and English thinkers) which, first and foremost, tried to sever the ancient relationship between Church and State.
Communism, really foreign to the Russian context, was physically imported into Russia, when the German Empire, during WW1, secretly returned Lenin to Russia so he could spread the plague of revolution, something more effective and deadly than any biological weapon.
The Russia-hating revolutionaries tried to separate the Church from the State because they knew that it would destroy both. And because they knew they could never corrupt the State without first attacking its moral foundation.
Russians remember well what it was like to live under a system that hated the Church.
When Lenin and his Bolshevik elk tried to remove the Church from ALL aspects of Russian life, these saboteurs and traitors promised that without the Church corrupting the state, politics could become truly focused on helping humanity, and Russia would thrive.
The result, however, was actually the endless destruction of Russian lives.
“The Market Place of Our Democracy” by Glazunov depicts the inevitable result of not only Communism, but the pernicious result of the “westernizing” trend we experienced in our country in the 1990’s. Russia, her people, and culture were effectively prostituted like Biblical Israel in heathen Babylonian or Egyptian captivity.
It is when the Russian Church and State operate in symphony, that the reflowering of Orthodoxy in Russia becomes possible.
The Russian State and Church are like two heads on an eagle with the same body, they operate differently, but they are both crucial to the survival of the whole.
This relationship is very practical as well.
Patriarch Kirill spoke perfectly when he addressed sailors of the Northern Fleet in Severomorsk in 2016. His Holiness said the Church attaches “[a] very great importance to cooperation with the Armed Forces”.
Critics immediately stop here, and use this as an example of the Church being overly politicised, or supportive of violence, but if they would only read on, they would see the Patriarch believes this relationship helps ensure peace!
The Patriarch said that the condition of servicemen’s souls is “an essential part of maintaining peace.”
Have cynics ever stopped to consider that maybe if the Church were more involved with the state, and if Priests were amongst the soldiers in their darkest hours, they could bring light into the nights of war?
Russian servicemen certainly do, when asked if they wanted more Priests in their ranks, the result was an overwhelming Da!
The Church maintains the spiritual well-being of Russian servicemen because this is not only good for them and Russia, but as Russia is a nuclear power, the presence of the Church and her mission for peace amongst the Russian military is a guarantee of world peace.
Patriarch Kirill of Moscow and Ignatius IV of Antioch (+2012), the leader of Syrian Christians. Antioch, the ancient capital of Syria is where, according to the Bible, the disciples of Jesus Christ were first called Christian. (Acts 11:26). Syrian President Assad, (pictured in signs), is a protector of Christians in Syria, believing them an inseparable part of the countries history.
Patriarch Kirill urged President Putin to protect Christians in Syria, and Putin answered the call.
Just like Saint Vladimir Svyatoslavich of Kiev sent his elite Varangian “Viking” Guard to the Roman Empire to fight jihadists, Vladimir Vladimirovich [Putin] is combating terrorism to save Christians in Syria.
If you disagree, I dare you to go to an Antiochian Orthodox Church, and ask Syrian immigrants to tell you their stories, and to ask them which country is really helping them.
What you hear may surprise you.
So next time you think to break a thousand year union, ask yourself this, when was the last time you’ve seen a western leader bow and kiss the relics of Saint Nicholas himself?
A video introducing Russian Faith
History: El Argar, the great society that mysteriously vanished | Culture
El Argar, an early Bronze Age culture that was based within modern Spain, is one of the great enigmas of Spanish and world archaeology. After emerging in 2200 BC, it disappeared 650 years later. Experts debate that it collapsed in 1550 BC either because of the depletion of the natural resource that sustained it – which resulted in the population fleeing or dying of starvation — or because of a massive popular revolt against the ruling class.
The Argaric culture was “the first society divided into classes in the Iberian Peninsula” – as defined by the Autonomous University of Barcelona (UAB) – and the creator of the world’s first Parliament. Following its demise, the civilization vanished from memory… until an archaeologist named Rogelio de Inchaurrandieta came across Argaric artefacts in 1869 and began to ask questions.
Inchaurrandieta exhibited his discovery at the International Archeology Congress in Copenhagen (1866-1912). He spoke of an unknown civilization from the Bronze Age that he had found on a steep hill in the municipality of Totana, in Spain’s Region of Murcia. He displayed gold and silver objects and spoke of a large, fortified city that lacked any type of connection with known historical societies. Nobody believed him.
But in 1877, the Belgian brothers Luis and Enrique Siret arrived in Murcia in search of mining prospects. They ended up confirming the existence of the unknown society, including what had been its large urban center, which extended 35,000 square kilometres through the southeast of the Iberian Peninsula. This site was methodically excavated: agricultural tools, precious metals and even the remains of princesses were preserved.
The study El Argar: The Formation of a Class Society, by archaeologists Vicente Lull, Rafael Micó, Roberto Risch and Cristina Rihuete Herrada from UAB, points out that El Argar “is one of the emblematic cultures of the early Bronze Age in Europe. The large settlements on its hills, the abundance of well-preserved [tombs] in the subsoil of the towns, as well as the quantity, variety and uniqueness of the artefacts, have since attracted the attention of numerous researchers.”
Vicente Lull, professor of Prehistory at the Autonomous University of Barcelona and one of the world’s most recognized experts on this society, admits that the Argaric “is in fashion.” “Specialists come from all over the world to take an interest in this unique civilization… it is unparalleled, with first-rate technological development, which left nothing in its wake, but advanced everything. It’s like searching for the lost civilization.”
Experts agree that the discovery of El Argar marked a break with respect to the preceding Copper Age, regarding technological development, economic relations, urban and territorial organization patterns and funerary rites.
The Sirets, at the end of the 19th century, excavated ten Argaric sites and opened more than a thousand tombs, resulting in the destruction of the human remains. However, they carefully drew everything they found.
“The culture of El Argar is the first [class-based] society in the Iberian Peninsula. The central settlements accumulated an important part of the production surpluses and the work force. The effects of said control are manifested in the normalization of ceramic and metallurgical products and in the restricted circulation and use, above all, of metallic products,” assert the experts from UAB.
But not all the inhabitants of these cities accumulated wealth to the same extent, as evidenced by the exhumed goods of the ruling class. In 1984, Vicente Lull and Jordi Estévez distinguished three social groups. The most powerful class – made up of 10 percent of the population – enjoyed “all the privileges and the richest trappings, including weapons such as halberds and swords.” 50 percent of individuals, meanwhile, were of modest means and had recognized social-political rights, while 40 percent of residents were condemned to servitude or slavery.
“One of the characteristics of this society is that it was closed in on itself. Its defenses not only served as protection, but also created a cloistered society dominated by an oppressive ruling class,” Lull notes. Such aristocratic oppression likely could have triggered the end of the civilization.
The end of El Argar gave way to the late-Bronze Age. The causes of the collapse of Argaric society seem to have been various socio-economic and ecological factors. Possibly, the overexploitation of the environment led to ecological degradation that made economic and social reproduction unfeasible. The end of El Argar is characterized by the depletion of natural resources, work tools and the workforce, the latter in the form of high infant mortality and more diseases. Perhaps this situation led to an unprecedented social explosion and complete disappearance of this civilization, as evidenced by the fact that many of the unearthed buildings show signs of having been burned on all four sides.
Following the destruction, there was complete silence, only broken by the permanence in Alicante and Granada of some small Argaric groups – populated by the fleeing ruling classes – that survived another century.
Of the hundreds of Argaric tombs studied, one stands out that archaeologists call the Princess of La Almoloya, a young woman who died in the year 1635 BC. She was buried at the head of a unique building with her linens, ceramics and thirty valuable objects made of gold, silver, amber and copper. Beneath her grave, the body of a man who had died years before was found.
About 100 kilometres from Pliego, in Antas – the economic and political center of El Argar – a building was found that included a large room, with benches and a podium. It could accommodate 50 people. The researchers assume that it was a kind of parliament, perhaps the first in the world.
“We will never know what was discussed there,” says Lull, “because the Argarics, despite their development, did not master writing. It’s a mystery about a mystery.”
Olivia Newton-John, the ‘Grease’ star who became a global icon | Culture
She always felt more comfortable as a singer than as an actress, but it was her role as Sandy in the musical Grease (1978) that made her a global icon. Olivia Newton-John died Monday at the age of 73 from breast cancer at her ranch in California. The news was confirmed by her husband.
In a statement posted on social media, her widower John Easterling said: “Dame Olivia Newton-John (73) passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. We ask that everyone please respect the family’s privacy during this very difficult time.”
“Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer. Her healing inspiration and pioneering experience with plant medicine continues with the Olivia Newton-John Foundation Fund, dedicated to researching plant medicine and cancer.”
Olivia Newton-John was the granddaughter of Nobel Prize-winning physicist Max Born, a Jew exiled to the United Kingdom from Nazi Germany. She was born in Cambridge, England, in 1948, and when she was only five years old, her family moved to Melbourne in Australia, where her father worked as a German teacher. She started out very young in the world of music, performing first with a group of schoolmates and then as a solo singer. At the age of 17, she won a talent contest on Australian television, which saw her move to the United Kingdom, where at 18 she recorded her first single.
While living in England, the singer was briefly performed with Pat Carroll. After separating (he had to return to Australia when his visa expired), she released her first album in 1971, If Not for You. The title paid tribute to a Bob Dylan song that had also been recorded by George Harrison.
Newton-John represented the United Kingdom at the 1974 Eurovision Song Contest, with the song Long Live Love, chosen by popular vote among six options. She came fourth, while ABBA won the contest with the song Waterloo.
The British-Australian actress is known worldwide for starring in the 1978 musical Grease, alongside John Travolta. Her role as Sandy catapulted her to fame with songs such as You’re the One that I Want, Summer Nights and Hopelessly Devoted to You. Newton-John was initially reluctant to accept the role that would make her career. She wasn’t sure she wanted to be an actress and also felt that, at 28 years of age, she wasn’t the best fit for a high school student.
Finally, after several screen tests and at the insistence of Travolta, who was 23 at the time, but already a star thanks to the movie Saturday Night Fever, she accepted. “I couldn’t have done the film if I hadn’t met John, because I wasn’t sure about doing it. He convinced me,” confessed Newton-John in an interview conducted in early 2019. The film script was changed slightly to account for the singer’s Australian accent.
The actress maintained a lifelong friendship with Travolta, who posted a message mourning her death on social media on Monday: “My dearest Olivia, you made our lives so much better. Your impact was incredible. I love you so much. We will see you down the road and we will all be together again. Yours from the first moment I saw you and forever! Your Danny, your John!” The two appeared in public for the last time in December 2019, dressed as their characters from Grease.
Grease was the highest-grossing film of the year of its release and its soundtrack, which is also the soundtrack of an entire generation, remained at the top of the charts for weeks. The actress was nominated for a Golden Globe and appeared at the Oscars ceremony the following year singing Hopelessly Devoted to You, which was nominated for Best Song.
Before Grease shot her to worldwide fame, Newton-John released the song Let Me Be There, which won her a Grammy for best female country vocal performance.
After Grease, she starred in films such as Xanadu and topped the charts with songs such as Physical, from 1981. The same-named album was the first to have a music video for each song. As a singer, she won four Grammy Awards, although she was never very popular with critics.
From 1984 to 1995, Newton-John was married to actor Matt Lattanzi, with whom she had a daughter, Chloe Rose. Her next partner, camera operator Patrick McDermott, who disappeared at sea in 2005. In 2008, she married tycoon John Easterling, the founder of Amazon Herb Company.
In 2019, Newton-John was diagnosed again with stage four breast cancer with metastases in the back. The actress, who had battled the disease in 1992 and in 2013, told the television show 60 Minutes Australia that she did not know how long she had left to live. “For me, psychologically, it’s better not to have any idea of what they expect or what the last person that has what you have lived, so I don’t, I don’t tune in,” she said.
Newton-John called on Australia to allow the use of marijuana for medicinal and palliative use, in line with California, where she lived. Her daughter has a cannabis farm in Oregon.
Her loved ones also recognize her fundraising work for cancer research. In one of her most famous campaigns, the singer auctioned off some of her personal clothes, including outfits she wore on Grease.
Justified: Generation Z doesn’t like Justin Timberlake anymore: the ‘new king of pop’ apologized too late | Culture
Twenty years ago, Rolling Stone magazine crowned Justin Timberlake (Memphis, Tennessee, 41 years old) “the new king of pop.” This summer, a video of the singer dancing at Washington’s Something in the Water festival accumulated millions of views on social networks, but not for the reasons he would like. Commenters called the star “creepy,” “hilarious” and “embarrassing.”. “Justin Timberlake still thinking he has any swag left while wearing those Old Navy khakis on stage,” jeered one Twitter user. “This is the height of gentrification,” wrote another. When did Justin Timberlake, once the biggest star on the planet, the world’s best pop dancer and the coolest man in the entertainment industry, become a pop culture piñata? Timberlake has been irritating public opinion for 20 years. Now, all the backlash is hitting him at once.
Timberlake released his first solo album, Justified, in 2002 at the age of 21. The promotional campaign coincided with his breakup with Britney Spears. He used the “Cry Me A River” music video, which featured a lookalike of the pop singer, to make it clear that she had cheated on him. Timberlake revealed on two different radio shows that he had had sexual relations with Spears, despite the fact that during their courtship both had proclaimed their intention to be virgins at marriage.
Timberlake continued talking about Spears over the years. In 2013, he referred to her in a Saturday Night Live sketch about his ancestors’ wishes for their descendents: “He’ll date a popular female singer. Publicly they’ll claim to be virgins, but privately, he’ll hit it.” At a 2007 concert, while Spears was in a rehabilitation center for her mental problems and addictions, he alluded to her more indirectly: he ended “Cry Me A River” singing the chorus of Amy Winehouse’s “Rehab.”
In 2004, Timberlake participated in the Super Bowl halftime show alongside Janet Jackson. At the end of the performance he uncovered her breast for 9/16 of a second before an audience of 143 million viewers. More than 200,000 viewers complained to CBS. In the midst of the Iraq war, the so-called Nipplegate incident occupied ample space in the conservative media, which fueled the controversy to the point of sinking Jackson’s career. Radio and television channels stopped broadcasting her, ABC canceled a movie about Lena Horne that she was going to star in and Disney World removed a statue of Mickey Mouse dressed as Jackson.
Timberlake, by contrast, suffered no consequences. The Grammys canceled Jackson’s planned appearance, but Timberlake did perform, winning two awards and using his speech to apologize. He didn’t mention his stage partner. At no time did Timberlake publicly defend, support or apologize to her. What he did do was criticize the singer’s interview with Oprah Winfrey, in which Jackson claimed to have felt betrayed by Timberlake. Many fans believe he insulted her on the song “Give It To Me:” “Could you speak up and stop the mumbling? I don’t think you’re getting clear. Sitting on the top it’s hard to hear you from way up here. I saw you trying to act cute on TV. Just let me clear the air. We missed you on the charts last week. Damn that’s right, you wasn’t there.” “Give It To Me” reached number one on the United States’ charts.
Timberlake’s album Future Sex/Love Sounds was the third best-selling album of 2006. Three of its songs went on to reach number one: “Sexyback,” “My Love” and “What Goes Around Comes Around,” which also attacks Spears.
His wedding to actress Jessica Biel in 2012 generated controversy. A video, orchestrated by one of his friends to be projected during the reception, was leaked in which several homeless people from Los Angeles congratulated Timberlake and expressed their regret at not being able to attend the event, which was held in Puglia (Italy) and cost six million euros. The friend in question paid €30 to each homeless person for their participation. That month, Shriners Children’s Hospital announced the end of its relationship with Timberlake.
The current of public opinion definitively turned against him until 2016. Grey’s Anatomy actor Jesse Williams gave a speech at the BET gala about the need to rebel against cultural appropriation: “we’re done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment.” Timberlake reacted by tweeting “#inspired,” to which journalist Ernest Owens replied, “Does this mean you are going to stop appropriating our music and culture? And apologize to Janet.” “Oh, you sweet soul,” replied the singer. “The more you realize that we are the same, the more we can have a conversation. Bye.” Given the controversy, Timberlake deleted the tweet but insisted that “we are all one…one human race.”
That exchange sparked a media conversation about cultural appropriation and the well-intentioned passivity of white celebrities. Timberlake has built his career drawing on black aesthetics, musicians and culture. His sound has oscillated between R&B, hip hop, funk and soul, but for him, as Candance McDuffy wrote in Glamour, “black culture is a lucrative disguise that he can remove as soon as it ceases to benefit him.” Or as Luria Freeman summed it up in Vibe, “Justin owes his voice to the black community, but he remains silent.”
In early 2018, Timberlake released his fourth album, Man Of The Woods. He traded his image as a neo-Sinatra heartthrob for flannel, jeans, and fur coats, finding himself in the wilderness of the Wild West (the singer has a ranch in Montana). Criticism raged against the project. “Justin Timberlake relaunches his brand, now as a white man,” The Outline headlined. “Montanans laughed at the notion that a multimillion-dollar home at a private ski resort, filled with other non-Montanans, would evoke ‘the Wild West’; others suggested that he’d watched The Revenant or listened to Bon Iver once and co-opted the signifiers,” observed Anne Helen Petersen on Buzzfeed.
Critics saw Justin Timberlake’s reinvention as another disguise. “Justin Timberlake hasn’t suddenly reclaimed his white masculinity for the first time with Man of the Woods. It’s been with him all along. It’s just that now it’s become impossible to ignore,” wrote Constance Grady for Vox.
The night Justin Timberlake performed at the 2018 Super Bowl halftime show, becoming the first person to take that stage three times, #JusticeForJanet was a trending topic on Twitter. While Jackson’s career remained in shambles 14 years after Nipplegate, Timberlake returned to the scene in style. In addition, many fans considered Prince’s appearance in a giant hologram yet another jab by Timberlake at black culture and an act of disrespect towards Prince, who had stipulated that he did not wish to appear in holograms because he considered them demonic. The press considered it one of the least memorable intermissions of the Super Bowl.
At the beginning of last year, the documentary series The New York Times Presents devoted an episode to Britney Spears’ career and another to the collapse of Janet Jackson’s career after the Super Bowl. In both, perhaps the two most emblematic episodes of misogyny in 2000s pop culture, Timberlake played an antagonistic role. And in both he went unpunished. “Timberlake’s shine has worn off, leaving behind an uncomfortable tale of a man who enjoyed continued success at the expense of other people’s losses,” wrote journalist Chelsea McLaughlin.
Look, it took a scathing documentary to get Justin Timberlake to issue a “heartfelt apology” (likely drafted by his publicist) to Britney Spears & Janet Jackson. He spent nearly 20yrs benefiting from cultural appropriation & misogyny. He’s a jerk – and his apology comes too late.
— Elgin Charles (@ElginCharles) February 13, 2021
Last month, Rolling Stone, the same magazine that two decades ago proclaimed him the new king of pop, analyzed Timberlake’s viral dance in Washington. It blamed Generation Z for the singer’s new status. “Zoomers, particularly those on TikTok, are really good at making previously lauded white men seem remarkably uncool. This is a curse that has now befallen Justin Timberlake, the once pop prince.” But singer’s decline in popularity goes beyond social media run-ins. “The new reckoning around him feels like a cultural exorcism, a chance to use the boy band vessel to purge ourselves of the evils he now represents to many,” writes Maria Sherman at Slate.com. “Timberlake has become the perfect emblem of a bygone era that rewarded guys exactly like him—until it didn’t.”
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