Connect with us


The bad family: A group of friends divided by jail open up in film | Culture

Short sentences have a cost. A large part of the veteran prisoners segregates the new inmate, whom the officials also inherently distrust. The newcomer becomes the focus of intense scrutiny: why does he have trouble sleeping? Is there a reason to keep his cell so clean and tidy? Did he skip dessert at lunch, again? Meanwhile, long-term inmates pull rank and are not subjected to this kind of inspection. At least this is what Andrés P. Gómez, 28, concluded after his time at the Villabona Penitentiary Center in Asturias, Spain, where he was locked up for three months. By then, he was already preparing a documentary about the deep mark that prison had left on him and his group of friends. The result is titled La mala familia (The bad family), directed by Nacho A. Villar and Luis Rojo.

The film, which will be available on Netflix in a few months, is an urgent documentary about six working-class boys who face the legal consequences of a brawl. One night of alcohol and testosterone in the center of Madrid, things turned ugly. Six years later they all face prison terms, although initially only Gómez will serve time; the incarceration of the others depends on them paying a fine of €330 (about $360) a month for two years. Failure to pay, even once, would put their freedom at risk. Doubt undermines their friendship. Narrated from a place of absolute honesty, the film opens with Gómez pleading guilty before the judge, full of regret. Today he has rebuilt his life and works as a delivery person. “I accept my sentence, but if I feel freed it is not because of jail, but because of the movie,” he says.

Directors Nacho A. Villar (left) and Luis Rojo at the gates of the Román Valero de Usera stadium, in Madrid.
Directors Nacho A. Villar (left) and Luis Rojo at the gates of the Román Valero de Usera stadium, in Madrid.Claudio Álvarez

Gómez was arrested in Asturias, still wearing his work overalls; he barely had time to notify his sentimental partner. “The episode had occurred when I was 18. When I was thrown into jail I was already more organized, more focused. It was a blow. Until then I had been deceiving myself, telling me that the day would never come,” he relates. He served a sentence in the Therapeutic and Educational Unit of the Villabona prison, where receiving visits and sending letters are limited to two or three people per inmate. The toilets in the unit can only be used for 10 minutes; after that time, the person in charge usually goes to take a look, in order to avoid drug use. The time limits and the enormous weight of the routine pierced Gómez’s chest. “I was so overwhelmed that I thought about ending it all,” he confesses. Until he was released with parole, largely thanks to the documentary.

The directors had worked hard to defend the social nature of the project, which redeemed its protagonists. “That was the support that we could offer him from our privilege,” says Villar. “It must be noted that it was an exception; most of the prisoners with sentences of less than one year have to stick it out.” The shooting crew set up shop two weeks before Gómez’s first leave in a marsh on the outskirts of Madrid. The idea was to bring together the entire Bad Family, as they call themselves since their teenage years, when they met at urban music concerts, squares south of the city and skate parks. Rojo points out: “This story was best told in the field, without towers or graffiti to camouflage the character. The neighborhood is not a set; it’s something you carry with you.”

“We wanted them to get out of the pressure zones, their everyday zones, to connect with their emotions,” adds the filmmaker. A total of 19 young people camped there, including the defendants, all waiting for Gómez’s visit. The camera witnessed conversations and hugs without intervening in any way. However, there was a script with some topics that had been agreed upon in advance; the matter of the consequences of not paying the fine, for instance, was crucial to round off production. None of those involved was fully aware of the situation of the others, perhaps out of anger or shame. The issue came up for the first time during a sequence shot that oozes truth. Some of them were close to giving up. The fine they have to pay is higher than their rent. Others refuse to end up in jail, and will bear the weight on behalf of others.

A scene from ‘La mala familia’ by Nacho A. Villar and Luis Rojo.
A scene from ‘La mala familia’ by Nacho A. Villar and Luis Rojo.

At this point, it could be said that the film shapes the reality. “We were no longer faced with the simple documentation of the facts with which we started the movie; it was not fiction, either. Everything happened spontaneously,” states Rojo. Behind the tact of the images is his sensitive view of a reality that lends itself to clichés. That is the trademark of the Brbr collective, of which both directors are part, rooted in Madrid’s underground scene. They are also responsible for some of C. Tangana’s videos, although they devote most of their time to advertising communication. For their first feature film they bet on a raw portrait of alienation, loss, power and friendship. A friendship that also binds them to Gómez, who had already worked with them as an actor. “The film is only a very small part of the journey we have taken together. The change in the collective dynamic is evident, now they talk about things, they are more transparent among themselves,” Villar concludes.

The best proof that the project transcends the screen is called Yamel, another of the affected. Throughout the film, he expresses his fear of going to jail; today, as in a self-fulfilling prophecy, he is in prison for causes unrelated to the fight. Visiting him and writing him often are two resolutions of the group, which otherwise has not suffered any more casualties and is at peace with the law. Celebrating a year of freedom, Gómez closes his eyelids tightly and confesses: “I want to let my guard down, share my problems so they don’t weigh me down. I had to hit bottom to get well. When I was little, things could have been explained to me in a different way, without accumulating so much hatred, which distances you from people. Now I’m happy to help out a friend, to offer my little tricks to move forward, as other fuckers did with me.” In the process, he has gotten rid of his ghosts, and the Bad Family is closer than ever.

Sign up for our weekly newsletter to get more English-language news coverage from EL PAÍS USA Edition

Source link

Continue Reading


  1. Avatar

    best online casinos

    July 20, 2023 at 6:54 pm

    My spouse and I stumbled over here coming from a different website and
    thought I might check things out. I like what I see so i am just following you.

    Look forward to looking into your web page for
    a second time.

  2. Avatar

    horse racing online betting

    July 23, 2023 at 5:46 am

    Hello, I would like to subscribe for this web site to take most up-to-date updates, so where can i do it please help.

  3. Avatar

    online casino usa real money

    July 23, 2023 at 12:33 pm

    hi!,I love your writing so so much! proportion we keep in touch more about
    your article on AOL? I require a specialist on this space to
    solve my problem. Maybe that’s you! Having a look ahead to see you.

  4. Avatar

    July 25, 2023 at 12:17 pm

    Wonderful article! This is the kind of info that are supposed to be shared around the web.

    Disgrace on Google for not positioning this publish upper!
    Come on over and discuss with my website . Thank you =)

  5. Avatar

    world series betting

    July 28, 2023 at 5:20 am

    There’s definately a lot to know about this topic. I love all of the points
    you’ve made.

  6. Avatar

    casinos online

    July 28, 2023 at 6:28 am

    Hurrah, that’s what I was looking for, what a material!
    existing here at this blog, thanks admin of this web page.

  7. Avatar

    bitcoin cash casino

    July 28, 2023 at 10:56 pm

    I have read so many articles about the blogger lovers however this article is really a pleasant paragraph, keep it up.

  8. Avatar


    July 29, 2023 at 6:50 am

    Hi I am so thrilled I found your weblog, I really found you by error, while I was searching
    on Yahoo for something else, Nonetheless I am here now and
    would just like to say many thanks for a incredible post and a all
    round thrilling blog (I also love the theme/design), I don’t
    have time to read it all at the moment but I have bookmarked it and
    also included your RSS feeds, so when I have time I will be back to read a lot more, Please do keep up the fantastic work.

  9. Avatar


    July 29, 2023 at 12:28 pm

    I go to see everyday a few sites and blogs to read articles
    or reviews, but this website offers quality based posts.

  10. Avatar


    August 1, 2023 at 8:18 am

    Hello There. I discovered your blog the use of msn. That is an extremely well written article.
    I’ll make sure to bookmark it and return to learn more of your useful information. Thanks for the post.
    I’ll definitely comeback.

  11. Avatar


    September 2, 2023 at 10:47 am

    Hey There. I found your blog the use of msn. That is a really neatly written article.

    I’ll be sure to bookmark it and come back to read extra of your
    helpful info. Thanks for the post. I will certainly comeback.

  12. Avatar

    bitcoin casino sites

    September 8, 2023 at 10:51 pm

    I was recommended this blog by my cousin. I’m
    not sure whether this post is written by him as nobody else know such detailed about my trouble.
    You’re wonderful! Thanks!

  13. Avatar

    best slot machines

    September 9, 2023 at 1:01 pm

    It’s the best time to make some plans for the long run and it is
    time to be happy. I have read this post and if I may I desire to suggest you few fascinating issues
    or tips. Maybe you could write subsequent articles relating to this article.
    I wish to read more things approximately it!

  14. Avatar

    florida casino

    September 9, 2023 at 5:16 pm

    My partner and I stumbled over here from a different web page and thought I might as well check things
    out. I like what I see so now i am following
    you. Look forward to checking out your web page yet again.

Leave a Reply

Your email address will not be published. Required fields are marked *


From the living room to the vault: the story of a painting that no one knew was a Van Dyck | Culture

The painting The presentation of the baby Jesus to Saint Barbara, by the Flemish painter Anton van Dyck, remains secure in an insurance company’s safe deposit box in Seville waiting to find out what its next destination will be. For several generations this canvas, measuring 130 by 92 cm, has been hanging in pride of place at a family home in Jaén (southern Spain). The family always looked at it with admiration, but little did they know that every day they were sitting under a masterpiece.

To the astonishment and disbelief of the family, a Madrid art company authenticated the painting as a work by Anton van Dyck (1599-1641) last year. Along with Rubens, the artist is considered the most important of the Flemish painters. The heir to this family legacy, who has been inundated with offers from famous auction houses, has the Museum of Fine Arts of Seville at the top of his list of buyers. Managed by the Junta de Andalucía, the museum has already shown its interest in adding the painting to their art collection.

The Andalusian Ministry of Culture confirmed to EL PAÍS that the family wrote to them in July to inform them of the existence of the canvas, but now they are waiting to resume contact to delve deeper into the matter. “If, as it seems, it is a Van Dyck, anything that enriches the collection of the Museum of Fine Arts is of interest to us, of course it is,” says a spokesperson from the Ministry. The painting is kept under lock and key and the owner, at the moment, has not allowed photos to be taken.

“The owner of the painting has no intention of speculating, but he does have a special interest in it staying in Seville, the city where the family now lives and with which he has a special connection,” says Luis Baena, the lawyer representing the painting’s owner, who wishes to remain anonymous for the moment. Van Dyck is a key painter in the development of the Sevillian baroque due to the influence he had among 17th century artists.

It is thought that the painting might have reached the home of this family in Jaén through Seville (where part of the family lived) in the 17th century. This was when more than a hundred Flemish families, mainly merchants and bankers, settled in the Andalusian city. After its authenticity was certified, the canvas, which showed obvious signs of deterioration as it was a painting from the first third of the 17th century, was restored by a workshop of renowned Andalusian professionals.

At the moment, The presentation of the baby Jesus to Saint Barbara does not have an official appraisal, although its owners anticipate that they will ask for “a fair and reasonable price.” In any case, it is known that, after coming to light, this work of art will be significantly revalued. Just this year, art collector Albert B. Roberts bought an oil sketch of Saint Jerome with an angel that had been found in a shed in upstate New York for over $600. After offering the work to Sotheby’s auction house, he sold it for more than $3 million. Part of those profits went to the Albert B. Roberts Foundation, which provides financial support to artists and various charities.

“It is very difficult to specify an approximate value of this type of work of art. Each painting has its own features,” says Consuelo Durán, who manages the Durán auction house. In any case, up to more than €9 million ($9.4 million) have been paid for Anton van Dyck’s works in the past. That was the amount that Alfred Bader and Philip Mold paid in 2009 at an auction at Sotheby’s in London, which set a record for works by the Flemish painter.

In a case similar to what occurred with the Andalusian family, a priest from the county of Cheshire in the United Kingdom bought a portrait for £400 ($482) in 2014. It was later revealed that it was a sketch of one of the magistrates that the Dutch artist portrayed in 1634. The resulting painting decorated the walls in Brussels city hall until it was destroyed in a French attack on the Belgian capital 61 years later.

Anton Van Dyck became the first court painter in England after a long stay in Italy. He is universally known for his portraits of the Genoese nobility and of Charles I, king of England and Scotland, his family members and his court. In addition to portraits, for which he was highly appreciated, he also dealt with biblical and mythological themes, introducing some notable pictorial innovations.

Sign up for our weekly newsletter to get more English-language news coverage from EL PAÍS USA Edition

Source link

Continue Reading


8 Reasons Why Highly Intelligent Individuals Tend To Embrace Messiness At Home

By Darren Wilson

In the realm of intellectual brilliance, the concept of order and tidiness often takes a backseat. Highly intelligent individuals, driven by a relentless pursuit of knowledge and innovation, forge their paths in a world of ideas and creativity.

This propensity for intellectual pursuits can give rise to living spaces that may seem cluttered and untamed to the untrained eye.

Here, we dive into eight compelling reasons why some of the brightest minds in history tend to gravitate towards messy households, shedding light on the unique relationship between intelligence and chaos.

1. Unkempt Homes Foster Creativity and Novelty

For highly intelligent individuals, a chaotic environment serves as a crucible for creativity.

Studies from the University of Minnesota have shown that disorderly settings encourage thinking outside the box. In experiments, participants in cluttered rooms generated ideas perceived as more enjoyable and innovative.

This environment fosters a unique brand of creativity, allowing brilliant minds to explore uncharted territories of thought.

2. Disinclination to Adhere to Social Norms

Conformity rarely finds a place in the lives of the highly intelligent. These individuals possess an independent streak that extends to their living spaces.

They question the societal expectation of a meticulously clean home, choosing instead to embrace the chaos that mirrors their unconventional thinking.

Their rejection of conformity extends to their environment, where their independent spirit takes precedence over tidiness.

3. Energy Allocated to Intellectual Pursuits

The pursuit of intellectual endeavors consumes the majority of their energy. Immersed in research, contemplation, and problem-solving, these individuals leave minimal room for routine tasks like cleaning.

This single-minded dedication to intellectual pursuits manifests in a living space that reflects their prioritization of knowledge over cleanliness.

4. Immersed in Thoughts, Oblivious to Surroundings

The minds of highly intelligent individuals are a whirlwind of intellectual activity. Lost in contemplation about the nature of existence and the complexities of the universe, they often become oblivious to their immediate surroundings.

This profound mental engagement takes precedence over the physical environment, resulting in spaces that may appear untamed to others.

“In the world of a true entrepreneur, chaos and creativity dance in perfect harmony.”

– Raza H. Qadri

5. Cleaning Appears Boring and Monotonous

Geniuses often find routine tasks like cleaning to be uninspiring and monotonous.

Their minds are wired to seek intellectual stimulation and challenge, rendering cleaning a lower priority.

They possess a higher threshold for messiness, requiring mental engagement that everyday tasks cannot provide.

6. Independence Trumps Social Approval

Independence is a hallmark of highly intelligent individuals. They chart their paths, setting their own standards and disregarding external validation.


This autonomy extends to their living spaces, where their personal preferences dictate the level of tidiness. They clean not to conform but to accommodate their own thresholds of disorder.

7. Priority on World-Changing Pursuits

For these exceptional minds, the pursuit of groundbreaking ideas takes precedence over mundane tasks.

Cleaning, considered peripheral in the grand scheme of their intellectual pursuits, is deferred to allow room for the development of technologies and solutions that shape the course of progress.

8. Aversion to Mundane Tasks

The brilliance of these minds lies in their ability to envision a transformative future. The act of cleaning pales in comparison to the exhilaration of ideation and innovation.

Cleaning becomes a secondary concern, reserved for moments when disorder reaches an insurmountable level. The brilliance of their minds manifests not in pristine living spaces, but in the ideas and innovations that have the power to change the world.

8 Reasons Why Highly Intelligent Individuals Tend To Embrace Messiness At Home

“Glimpse” by PS Art

In the tapestry of intelligence, the threads of brilliance are often interwoven with chaos. Highly intelligent individuals find their stride amidst clutter, using their mental prowess to craft worlds of innovation and creativity. While their living spaces may appear untamed, they stand as a testament to the extraordinary minds that inhabit them.

In the pursuit of groundbreaking ideas and transformative technologies, the genius of messiness finds its place. It is a reminder that the true measure of brilliance lies not in the pristine order, but in the world-altering ideas that emerge from the minds of these exceptional individuals.

Thank You For Your Love And Support!

— By Darren Wilson | Team ‘THE VOICE OF EU

— For more information & news submissions:

— Anonymous news submissions:

Continue Reading


Copyright Dispute: DC Comics And ‘Fables’ Author Clash over Ownership, Author Aims for Public Domain

A detail from a 'Fables' cartoon by Bill Willingham. Image courtesy of the publisher ECC.
A detail from a ‘Fables’ cartoon by Bill Willingham. Image courtesy of the publisher ECC.

This is a story full of fairy tales. In some ways, it even resembles one. And yet it also proves that, in the real world, things rarely end happily ever after. A few days ago, Bill Willingham, the father of the celebrated Fables comic book series, announced that he was sending his most cherished work to the public domain, that is, to everyone. That’s only fair, since that is also where he got the main characters of his stories, from Snow White to the Wolf, from Pinocchio to Prince Charming, who were then relocated to modern New York. In this tale, the hero has long-faced mistreatment at the hands of the villains, DC Comics, the owner of Vertigo, which publishes the work in the United States, and its executives.

“If I couldn’t prevent Fables from falling into bad hands, at least this is a way I can arrange that it also falls into many good hands,” Willingham wrote in an online post in which he decried the label’s repeated attempts to take over his creations and opposed them with this final extreme remedy. But the company responded that it considers itself to be the true owner of the series.

In a statement published by the specialized media IGN, the company threatened to take “necessary action” to defend its rights. Thus, the end of the dispute is uncertain. But it is unlikely that everyone will end up happily ever after.

In the meantime, in a new post, Willingham celebrated the massive support he received. In fact, for the moment, he has declined all interview requests — he did not respond to this newspaper’s request, nor did the publisher — arguing that he preferred to spend the next few days working on new artistic projects. Meanwhile, the dispute continues.

Fables is one of the most celebrated graphic novels of the last 20 years, and it has spawned spin-offs and a video game adaptation (The Wolf Among Us).

This situation also touches on a key issue, namely, the intellectual property rights of characters and works, especially in a sector where, for decades, dozens of cartoonists and screenwriters have accused comic book giants Marvel and DC of pressuring them to cede their ideas and accept commissioned contracts.

Willingham sums it up as a policy aimed to make creators sign “work for hire” agreements and crush them. All of this makes a gesture that was already intended to make a splash even more resonant.

A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC
A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC.

Indeed, the battle over intellectual property is as old as contemporary comics: the copyrights for Superman, Batman and The Fantastic Four all have unresolved disputes and complaints from Jerry Siegel, Bill Finger and Jack Kirby over the contemptuous treatment they suffered. And heavyweight Alan Moore has been lamenting for years that DC took away his ownership of famous works like Watchmen.

Along with prestige and principles, tens of millions of dollars are at stake, especially now that the film industry has become interested in comics.

“When you sign a contract with DC, your responsibilities to them are carved in stone, where their responsibilities to you are treated as “helpful suggestions that we’ll try to accommodate when we can, but we’re serious adults, doing serious business and we can’t always take the time to indulge the needs of these children who work for us” the Fables author wrote on his blog. Following the impact of his original message, Willingham posted two other texts. He maintains that he had thought about sending his work into the public domain when he passed away, but that “certain events” have changed his plans: among them, he lists the changes in management and attitude at the top of the publishing company; the multiple breaches of obligations such as consultations about covers, artists for new plots and adaptations; DC’s forgetfulness when it came to pay, which forced him to demand invoices of up to $30,000; the suspicious frequency with which the publisher attributed it to “slipping through the cracks” (to such an extent that the author insisted that they stop using that expression); and the time and chances he gave them to respect the pact, renegotiate it or even break it and consensually separate.

A detail from the cover of the first volume of Bill Willingham's comprehensive collection of 'Fables.'
A detail from the cover of the first volume of Bill Willingham’s comprehensive collection of ‘Fables’.

“Shortly after creating Fables, I entered into a publishing agreement with DC Comics. In that agreement, while I continued to own the property, DC would have exclusive rights to publish Fables comics, and then later that agreement was expanded to give DC exclusive rights to exploit the property in other ways, including movies and TV.

DC paid me a fair price for these rights (fair at the time), and as long as they behaved ethically and above-board, and conducted themselves as if this were a partnership, all was more or less well. But DC doesn’t seem to be capable of acting fairly and above-board.

In fact, they treated this agreement (as I suppose I should have known they would) as if they were the boss and I, their servant. In time that got worse, as they later reinterpreted our contracts to assume they owned Fables outright,” Willingham laments. Hence, he concluded that “you can’t reason with the unreasonable.”

Having ruled out a lawsuit as too expensive and time-consuming at 67 years of age, he found a more creative solution: if they prevented him from owning his works and benefiting from them as he was entitled to do, he would not let the publisher do so either. Or, at least, everyone could use the comics as they wished. But the label was quick to clarify in its statement to IGN: “The Fables comic books and graphic novels [are] published by DC, and are not in the public domain”.

For his part, Willingham promises to continue fighting for all the conditions of his still-in-force contract that he considers DC to have violated, as well as for the last installments of the series, the final script of which he delivered two years ago.

There will be additional chapters in this dispute, as well as in many other ones like it: in 2024, the historic first image of Mickey Mouse, the one that starred in the 1928 short Steamboat Willie, enters the public domain in the U.S. and other countries. Copyright in the U.S. lasts for 95 years, and math is an exact science.

Therefore, in a few years, King Kong, Superman and Popeye will meet the same fate. But The New York Times has wondered how the “notoriously litigious” Disney will react and how far it will go to fight in court. And who would dare to freely use all these works for fear of a million-dollar lawsuit? The same question surrounds DC and similar companies. Because in the real world, fairy tales are rare. Or they end up in court.

Continue Reading


Subscribe To Our Newsletter

Join our mailing list to receive the latest news and updates 
directly on your inbox.

You have Successfully Subscribed!