Far from being hopelessly cast adrift, Shane Lowry steered his own course to remain very much on the fringes of contention in his quest to retain the Claret Jug.
While midway leader Louis Oosthuizen at one point seemed set to race away from the field, those in pursuit will believe that he has not moved beyond their reach: the smooth-swinging Springbok reached the midpoint of this 149th Open Championship at Royal St George’s in a record low 36-holes total of 11-under-par 129, adding a 65 to his opening 64, to be two shots clear of American Collin Morikawa.
But, on a day when the links was bathed in sunshine and with the wind slipping to a breeze and then barely nothing at all, players took full advantage in a birdie fest that was ably joined by Lowry – one of three Irish players to survive the cut – who, in his defence of the title, shot a second round 65 for 136, to be seven shots behind in tied-17th position.
Pádraig Harrington, too, again displayed his fighting prowess; so, too, Rory McIlroy. Harrington carded a 68 and McIlroy a second successive 70 to each survive on level-par 140. But Darren Clarke, teary eyed as he holed out on the 18th where 10 years ago he savoured the greatest triumph of his career, missed the cut.
For Lowry, so hard on himself after his first round, which led to further work on the range with his coach Neil Manchip and some soul searching, the body language was once more at ease with the challenge in a second round that saw him use the driver only four times and utilise a hotter putter to good effect with an impressive footage of putts to move stubbornly upwards.
A visual sign of his more upbeat mood came on the course, as his fist bumps with caddie Bo Martin were conducted with regularity and accompanying smiles from the two who soldiered together so brilliantly in claiming the Claret Jug at Royal Portrush in 2019.
The Irishman’s defence may have been put on hold for two years but, in the southeastern corner of England, Lowry – encouraged by the galleries and feeding off the exploits of playing partners Oosthuizen and Jon Rahm as much as they fed off him – clicked into a higher gear and with the prospect of again shifting further over the weekend in his bid to play catch-up.
Lowry went out on the cut line and assuredly moved upward in a second round where he played intelligently and strategically. He hit 12 of 14 fairways and found 14 of 18 greens in regulation. He seemed at home in his own skin and the result was a 65 that conceivably could have been even a stroke or two better so good was his game.
After his first round, Lowry had spent time on the range. In the morning prior to the second round, his “chat” with Manchip was revisited. “I felt I was a bit hard on myself, I didn’t play as bad as I felt I did. So I just trusted myself to go out there and shoot a good score,” he said.
With a grin, he recalled hitting his opening tee shot of the second round about “40 yards right” in one of only four uses of the driver. “I thought I had it fixed,” he quipped, although the primary club of choice for much of the round proved to be his 3-iron on terrain that grew firmer as the day progressed.
Playing in a three-ball with Oosthuizen and US Open champion Rahm, Lowry admitted: “You kind of bounce off each other, it does help whenever one in the group is playing well. And when you’re playing with someone who is leading the tournament it does spur you on to try and catch them. I was out there trying to get as many shots as I could back on Louis towards the end because I knew he was going to be the leader going into the weekend.”
Harrington moved from outside the cut line to inside it, with a fine 68 for 140 that moved him alongside McIlroy in tied-53rd position. “There is a low one in me. But I’d need at least two of them, two big ones,” said Harrington in emphasising that simply making the cut hasn’t enabled him to reach his goal.
McIlroy birdied the 18th for a second straight day for successive 70s and, although 11 shots behind the leader, has focused on his own game. “[I’m] not even [looking] at the leaderboard. I just try to play a good solid round of golf tomorrow . . . you go out and you play golf and you try to play as best you can, and that’s it,” he said.
British and Irish unless stated, par 70, (a) denotes amateur
129 Louis Oosthuizen (Rsa) 64 65
131 Collin Morikawa (USA) 67 64
132 Jordan Spieth (USA) 65 67
133 Dustin Johnson (USA) 68 65, Scottie Scheffler (USA) 67 66, Dylan Frittelli (Rsa) 66 67
134 Emiliano Grillo (Arg) 70 64, Justin Harding (Rsa) 67 67, Andy Sullivan 67 67, Daniel van Tonder (Rsa) 68 66, Marcel Siem (Ger) 67 67
135 Paul Casey 68 67, Mackenzie Hughes (Can) 66 69, Brooks Koepka (USA) 69 66, Jon Rahm (Esp) 71 64, Cameron Tringale (USA) 69 66
136 Corey Conners (Can) 68 68, Tony Finau (USA) 70 66, Ryan Fox (Nzl) 68 68, Brian Harman (USA) 65 71, Shane Lowry 71 65, Cameron Smith (Aus) 69 67, Brandt Snedeker (USA) 68 68, Danny Willett 67 69
137 Byeong-Hun An (Kor) 67 70, Daniel Berger (USA) 70 67, Dean Burmester (Rsa) 70 67, Joel Dahmen (USA) 69 68, Sergio Garcia (Esp) 68 69, Justin Rose 67 70
138 Tommy Fleetwood 67 71, Ian Poulter 72 66, Chez Reavie (USA) 72 66, Webb Simpson (USA) 66 72, Jonathan Thomson 71 67, Johannes Veerman (USA) 70 68, Matt Wallace 70 68, Lee Westwood 71 67, Jack Senior 67 71
139 Max Homa (USA) 70 69, Billy Horschel (USA) 70 69, Viktor Hovland (Nor) 68 71, Jazz Janewattananond (Tha) 70 69, Chan Kim (USA) 70 69, Kevin Kisner (USA) 70 69, Joaquin Niemann (Chi) 69 70, Aaron Rai 70 69, (a) Matthias Schmid (Ger) 74 65, Adam Scott (Aus) 73 66, Kevin Streelman (USA) 70 69, Justin Thomas (USA) 72 67, Lanto Griffin (USA) 69 70
140 Abraham Ancer (Mex) 69 71, Christiaan Bezuidenhout (Rsa) 68 72, Richard Bland 70 70, Sam Burns (USA) 71 69, Harris English (USA) 75 65, Matthew Fitzpatrick 71 69, Pádraig Harrington 72 68, Benjamin Hebert (Fra) 66 74, Jason Kokrak (USA) 70 70, Rory McIlroy 70 70, Xander Schauffele (USA) 69 71, Sam Horsfield 70 70
141 Marcus Armitage 69 72, Bryson DeChambeau (USA) 71 70, Rickie Fowler (USA) 69 72, Talor Gooch (USA) 69 72, Ryosuke Kinoshita (Jpn) 72 69, (a) Yuxin Lin (Chn) 69 72, Robert MacIntyre 72 69, Richard Mansell 72 69, J. C. Ritchie (Rsa) 71 70, Antoine Rozner (Fra) 70 71, Poom Saksansin (Tha) 73 68, Brendan Steele (USA) 73 68, Bernd Wiesberger (Aut) 71 70
142 Keegan Bradley (USA) 71 71, Jorge Campillo (Esp) 72 70, Tyrrell Hatton 72 70, Russell Henley (USA) 70 72, Takumi Kanaya (Jpn) 70 72, Rikard Karlberg (Swe) 72 70, Martin Kaymer (Ger) 74 68, Marcus Kinhult (Swe) 69 73, Chris Kirk (USA) 68 74, Kurt Kitayama (USA) 71 71, Marc Leishman (Aus) 75 67, Guido Migliozzi (Ita) 69 73, Francesco Molinari (Ita) 68 74, Sebastian Munoz (Col) 73 69, Ryutaro Nagano (Jpn) 70 72, Ryan Palmer (USA) 72 70, Victor Perez (Fra) 70 72, Henrik Stenson (Swe) 71 71, Harold Varner III (USA) 70 72, Jimmy Walker (USA) 70 72
143 Rafael Cabrera Bello (Esp) 70 73, Patrick Cantlay (USA) 74 69, Stewart Cink (USA) 66 77, Branden Grace (Rsa) 72 71, Lucas Herbert (Aus) 70 73, Daniel Hillier (Nzl) 72 71, Charley Hoffman (USA) 72 71, Matt Jones (Aus) 72 71, Troy Merritt (USA) 73 70, Shaun Norris (Rsa) 72 71, Patrick Reed (USA) 72 71, Matthias Schwab (Aut) 71 72, (a) Laird Shepherd 74 69, Brendon Todd (USA) 72 71, Erik van Rooyen (Rsa) 69 74, Gary Woodland (USA) 73 70, Min-Woo Lee (Aus) 74 69
144 John Catlin (USA) 75 69, Ricardo Celia (Col) 72 72, Ernie Els (Rsa) 72 72, Gonzalo Fernandez-Castano (Esp) 71 73, Adam Hadwin (Can) 75 69, Richard T. Lee (Can) 75 69, Haotong Li (Chn) 75 69, Michael Lorenzo-Vera (Fra) 75 69, Keith Mitchell (USA) 68 76, Jason Scrivener (Aus) 73 71
145 Jason Day (Aus) 75 70, Lucas Glover (USA) 75 70, Brad Kennedy (Aus) 71 74, Alexander Noren (Swe) 74 71, Carlos Ortiz (Mex) 75 70
146 Darren Clarke 71 75, (a) Cole Hammer (USA) 75 71, Matt Kuchar (USA) 74 72, (a) Joe Long 73 73, Thomas Detry (Bel) 72 74, Rikuya Hoshino (Jpn) 74 72
147 Jaco Ahlers (Rsa) 68 79, (a) Sam Bairstow 75 72, (a) Christoffer Bring (Den) 72 75, Romain Langasque (Fra) 74 73, Joost Luiten (Ned) 76 71, Chengtsung Pan (Tai) 71 76
148 Garrick Higgo (Rsa) 73 75, Nicholas Poppleton 75 73, Paul Waring 72 76
149 (a) Abel Gallegos (Arg) 73 76, Ben Hutchinson 77 72, Aaron Pike (Aus) 74 75, Marcel Schneider (Ger) 73 76, Adam Long (USA) 72 77
150 Sam Forgan 73 77, Connor Worsdall 77 73
152 Phil Mickelson (USA) 80 72
154 Daniel Croft 76 78
156 Yuki Inamori (Jpn) 75 81
157 Deyen Lawson (Aus) 80 77
9:20 Yuxin Lin (Chn)
9:30 Talor Gooch (USA), Bryson DeChambeau (USA)
9:40 Bernd Wiesberger (Aut), Richard Mansell
9:50 J C Ritchie (Rsa), Marcus Armitage
10:00 Poom Saksansin (Tha), Ryosuke Kinoshita (Jpn)
10:10 Antoine Rozner (Fra), Rickie Fowler (USA)
10:20 Brendan Steele (USA), Robert MacIntyre
10:30 Harris English (USA), Sam Burns (USA)
10:40 Jason Kokrak (USA), Abraham Ancer (Mex)
10:50 Sam Horsfield , Christiaan Bezuidenhout (Rsa)
11:05 Rory McIlroy , Richard Bland
11:15 Xander Schauffele (USA), Benjamin Hebert (Fra)
11:25 Pádraig Harrington , Matthew Fitzpatrick
11:35 Kevin Streelman (USA), Lanto Griffin (USA)
11:45 Joaquin Niemann (Chi), Viktor Hovland (Nor)
11:55 Chan Kim (USA), Max Homa (USA)
12:05 Justin Thomas (USA), Adam Scott (Aus)
12:15 Kevin Kisner (USA), Billy Horschel (USA)
12:25 Matthias Schmid (Ger), Jazz Janewattananond (Tha)
12:35 Chez Reavie (USA), Aaron Rai
12:50 Lee Westwood , Jonathan Thomson
13:00 Jack Senior , Ian Poulter
13:10 Webb Simpson (USA), Tommy Fleetwood
13:20 Matt Wallace , Johannes Veerman (USA)
13:30 Sergio Garcia (Esp), Byeong-Hun An (Kor)
13:40 Justin Rose , Joel Dahmen (USA)
13:50 Dean Burmester (Rsa), Daniel Berger (USA)
14:00 Brandt Snedeker (USA), Shane Lowry
14:10 Danny Willett , Brian Harman (USA)
14:20 Cameron Smith (Aus), Corey Conners (Can)
14:35 Ryan Fox (Nzl), Tony Finau (USA)
14:45 Cameron Tringale (USA), Jon Rahm (Esp)
14:55 Brooks Koepka (USA), Mackenzie Hughes (Can)
15:05 Justin Harding (Rsa), Paul Casey
15:15 Marcel Siem (Ger), Andy Sullivan
15:25 Daniel van Tonder (Rsa), Emiliano Grillo (Arg)
15:35 Scottie Scheffler (USA), Dustin Johnson (USA)
15:45 Dylan Frittelli (Rsa), Jordan Spieth (USA)
15:55 Louis Oosthuizen (Rsa), Collin Morikawa (USA)
Rule number one of ‘Fight Club’ in China: The police always win | USA
The first rule of Fight Club in China is that the police always beat the criminals. The second rule is that buildings are not demolished. And the third is that if the ending is considered unsuitable, change it.
David Fincher’s 1999 cult film, which was shown just once in Chinese theaters during an edition of the Shanghai Film Festival, is now available on tech giant Tencent’s streaming services in China. But with a different outcome. Warning this article contains spoilers.
In the original, the narrator, played by Edward Norton, has just “killed” his imaginary alter ego, Tyler Durden, played by Brad Pitt, and watches the explosion of several nearby buildings with his girlfriend Maria, played by Helena Bonham-Carter. The anarchist revolution advocated by Durden is underway.
In Tencent’s version, on the other hand, there are no explosions and no scenes of Tyler and Maria holding hands as they watch the destruction. Instead, the screen turns black and writing appears, explaining that the police “arrested all the criminals, successfully preventing the bomb from exploding.” According to this alternative ending, Durden is sent to a psychiatric hospital, from which he is released in 2012. Screenshots of the new ending went viral last weekend in China, with comments mocking the changes. Although the film was shown just briefly in movie theaters, many fans have been able to watch pirated versions of the original over the past two decades, and considered the ending one of the film’s fortes.
“When a director comes to present his film in China, people will ask: director, why is your film so avant-garde that it completely dispenses with audiovisual language, ending it instead with just a poster and a story about respecting the law? Is it a satire on censorship in your country? And the director will answer: What? I filmed that?” wrote one user of Weibo, the Chinese version of Twitter. “Probably everyone in Ocean’s Eleven would also get arrested. And the whole Godfather family, too,” scoffed another. “But the ending was great! A bunch of foreigners in a terrible situation setting off terrorist bombs – a perfect scene to encourage [Chinese] nationalism,” joked another.
It is unclear whether it was Tencent or the film’s original producers who made the changes. On the Chinese movie review platform Douban, the original film is rated nine out of 10 and has 744,000 comments.
China currently has a flourishing movie market, one in which just over 30 foreign films are released on the big screen each year. In fact, it overtook the US market for the first time in 2020, due in part to a quicker recovery from the pandemic. And, according to research portal researchandmarkets.com, it is expected to gross $16.5 billion by 2026, annual growth of 30.1%, with respect to the $3.4 billion in 2020.
Within this market, Fight Club is not the only Hollywood movie to be changed. In 2019, scenes from Bohemian Rhapsody that alluded to Freddie Mercury’s homosexuality were carefully cut out in the Chinese version. While same-sex relationships are not illegal in the world’s second-largest economy, it is considered a sensitive issue and scenes portraying it are often, but not always, removed. Theoretically, they have been banned on television and also on streaming platforms since 2017.
Lord of War (2005) endured a similar fate to that of Fight Club. In its original version, the main character, an arms dealer played by Nicholas Cage, manages to escape prison and resume business. The film alludes to the fact that the five permanent members of the UN Security Council – the US, the United Kingdom, France, Russia and China – are the planet’s main arms dealers. But the version for the Chinese market, which is half an hour shorter than the international version, removes the original ending and replaces it with a text stating that the Cage “confessed to all the crimes of which he was officially accused during the trial, and was sentenced to life imprisonment.”
High Court orders man to repay €30,000 awarded over fall on slippery tiles
The High Court has ordered a man who fell on slippery tiles on the porch of his rented council home to pay back €30,000 he received in part compensation.
Mr Justice John Jordan also ordered solicitors who acted for Thomas Keegan (53) to repay €20,000 received in part payment of fees.
The judge made the order in relation to monies paid by Sligo County Council as a condition of being allowed to appeal a €105,000 award made by the High Court in 2017 to Mr Keegan over the accident at his home at McNeill Drive, Cranmore, Co Sligo.
Mr Keegan, who previously worked as a paver, had claimed the slippiness of the terracotta tiling originally installed in the porch, as well as the angle of the porch to face the prevailing wind and rain in Sligo, created a particular hazard.
In 2017, the court found the council was liable and there was no contributory negligence on Mr Keegan’s part.
However, the council was permitted to appeal on the basis of paying €50,000, including the monies to Mr Keegan’s solicitors on his behalf.
Failed to prove
The Court of Appeal (CoA) ordered a retrial and, earlier this month, Mr Justice Jordan found that the plaintiff had failed to prove the council was “in any way responsible” for the accident. He also found it “artificial” for Mr Keegan to suggest he was a visitor to his home, which he rented and occupied.
The case came back before Mr Justice Jordan on Friday for the matter of costs in relation to the second High Court hearing.
Peter Bland SC, for the council, argued his client was entitled to those costs but he had no objection to a stay in the event of another appeal to the CoA. He sought the repayment of the €30,000 for Mr Keegan and the €20,000 for his solicitors given the outcome had been overturned.
John Finlay SC, for Mr Keegan, said he could not oppose the costs order or an order for the return of the monies.
Mr Justice Jordan granted the council its costs for the retrial with the exception of one day’s costs related to the evidence of an expert introduced by the council “who made a difference” to the case.
It was unfortunate the council did not engage this expert at an initial stage in the case and Mr Keegan might have been spared all of this time and expense that followed, he said.
He also ordered the return of the monies paid out but noted that if the council had difficulties with that money being paid as a condition of it being allowed to appeal, it could have appealed that matter itself but it did not.
The court heard the accident occurred on November 18th, 2013, when Mr Keegan was returning home sometime after 5pm after visiting a number of pubs in which he had consumed five pints of Guinness.
He suffered a significant injury to his left ankle, with X-rays revealing a fracture to his left distal tibia and fibula.
The council did not argue the consumption of this level of drink was an act of contributory negligence but argued it as a factor in regard to Mr Keegan’s duty to take reasonable care for his own safety and in his conflicting accounts of how the accident occurred.
Having heard expert evidence, Mr Justice Jordan was satisfied the unglazed tiles did not pose a danger.
Two fans sue Universal for $5 million for cutting Ana de Armas out of ‘Yesterday’ | USA
There are risks to being an actor. A common one is what’s known in the industry as “winding up on the cutting room floor.” You get hired for a project, and based on the script you’ve read and the time that you spend on the set, you assume that you are one of the characters; that is, until the day the movie is released and you realize that your scenes have been cut out entirely.
In the case of the Cuban-Spanish actress Ana de Armas, who featured in the latest James Bond movie No Time to Die and is on an unstoppable path towards Hollywood stardom, it went further than that: she actually appeared in movie trailers advertising Yesterday, a 2019 film by the British director Danny Boyle in which actor Himesh Patel plays Jack Malik, a struggling singer-songwriter who wakes up after an accident into a world where nobody has heard of the Beatles or knows any of their songs, except himself.
Almost three years after Yesterday’s release, two fans of de Armas are suing Universal Pictures for cutting her scenes out of the final version, claiming the studio engaged in “false, deceptive and misleading advertising.”
Conor Woulfe, a 38-year-old resident of Maryland, and Peter Michael Rosza, 44, from California, rented Yesterday on Amazon Prime Video for $3.99 (€3,52). In their federal class action lawsuit, they claimed that they only rented it because they thought De Armas would be in the movie after watching the trailer. In the promotional material, she is depicted as Roxane, a character who becomes a love interest for Malik – that is, until the movie creators realized that this would draw attention away from the main love story between the songwriter and a character played by Lily James.
It is unclear whether the plaintiffs are as interested in De Armas as they may be in the $5 million (€4.5 million) they could take home if a court rules in their favor. The lawsuit states that the case is being brought “individually and on behalf of all others similarly situated.” It also claims that “by paying to view the falsely advertised movie,” the plaintiffs “suffered injury-in-fact and lost money.”
Regardless of the case’s chances, the story illustrates a US penchant for resolving disputes in court with astronomical figures in the balance, as a first step in the conversation.
The entertainment news website Variety, which first reported on the case, noted the resemblance with a 2011 case brought in Michigan by a movie viewer who was disappointed with Drive, by Nicolas Winding Refn, which she expected to be a “high-speed action driving film” but turned out to be a tortured drama about a solitary driver who finally finds the right girl.
Cutting actors out of final versions is nothing unusual. Terrence Malick, the director of Badlands and The Tree of Life, has a habit of hiring more stars than he will later need on the screen. Adrien Brody, for example, showed up for the premiere of the 1998 The Thin Red Line, convinced that he would be one of the main attractions – in the end, he only showed up in a few scenes. But the prize probably goes to To The Wonder, also by Malick: Rachel Weisz, Jessica Chastain, Michael Sheen, Amanda Peet, Barry Pepper and Michael Shannon all wound up on the cutting room floor.
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