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One of the Jewels in Russia’s Golden Ring

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This article originally appeared at Russia & India Report


In the period preceding the Tatar-Mongol invasion a unique Russian architectural style emerged in Vladimir (176 kilometers from Moscow), due to the efforts of several major historical figures such as the outstanding princes Andrei Bogolyubsky (the Pious), Vsevolod the Big Nest and Yuri Dolgoruky. The works of Andrei Rublev, Russia’s most renowned icon-painter still adorn the Uspensky Cathedral

Vladimir’s Golden Gates

The Golden Gates were built in 1164 under the reign of Prince Andrei Bogolyubsky. The gates were not merely a defense rampart, but an impressive triumphal arch, with the gates of Constantinople as its model. In its first four centuries Vladimir’s great princes would ascend the throne by entering the town through the Golden Gates.  

According to legend, on the eve of their unveiling, the Golden Gates crashed down burying 12 people alive. While the trapped people were being searched for, Prince Andrei prayed before a miraculous icon of the Mother of God to save the workers. To everyone’s surprise, the workers were removed from the collapsed ruins not only alive, but even almost without injury. Prince Andrei then ordered the tiny white stone Church of the Deposition of the Virgin’s Robe to be built right at the gates. Thanks to this gated church Vladimir’s Golden Gates had no equal in medieval Europe.

According to another legend, Catherine II’s coach was too wide and got stuck when passing through the Golden Gates. So, the empress ordered the demolition of the vaults on either side. During the Soviet period the Golden Gates hosted the KGB archive and some people even lived here. In 1983, during the city’s birthday celebrations, a capsule with a message to Vladimir’s 21st century inhabitants was embedded in one of the corner towers.

Today this monument of ancient Russian architecture is included on UNESCO’s World Heritage List. On the upper floor of the Golden Gates there is an exhibition with a small collection of weapons from different epochs and a small, but spectacular artistic attraction: a diorama depicting the storming of Vladimir by Mongol troops in 1238.

The Uspensky (Dormition) Cathedral

Nowadays this outstanding monument of ancient Rus’ white stone architecture is at the same time both a museum and the functioning cathedral of the Vladimir eparchy. Since 1992 it has been on UNESCO’s World Heritage List.

The Uspensky Cathedral was built in 1158 by Prince Andrei Bogolyubsky (the Pious) and was the main church of the country at the time. The inauguration ceremonies of the great princes of northeastern Rus’ were held here until the mid-15th century and the country’s best craftsmen were invited to Vladimir to participate in its construction.

The Uspensky Cathedral’s second most important function was to house one of Russia’s most important icons: the Theotokos of Vladimir (the Vladimir Mother of God).

An icon was brought to Constantinople from Jerusalem in the fifth century under Emperor Theodosius. It was given to Rus’ from Byzantium at the beginning of the 12th century (around 1131) as a present to the saint Prince Mstislav from the Patriarch of Constantinople. Yuri Dolgoruky’s son, Andrei Bogolyubsky, brought the icon to Vladimir in 1155. It was then that it was given its current name and was stored in the Uspensky Cathedral.

The icon is said to have miraculous powers and has been credited with saving Rus’ from various disasters. During Tamerlane’s raid in 1395 the icon was moved to Moscow to protect the city from the invader. The fact that Tamerlane’s troops for no apparent reason withdrew and left the city of Yelets without reaching Moscow was considered the result of an intercession by the Mother of God.

There were three other cases of miraculous liberation from invaders: in 1451 (the raid of the Nogai Tsarevich Mazovsha), in 1480 (the Great Standoff on the Ugra River) and in 1521 (from the Crimean Khan Mekhmet-Girey). Today one of the Russian Orthodox Church’s most venerated icons is kept in the museum and church of St. Nicholas in Tolmachy, next to the Tretyakov Gallery in central Moscow.

The church building has preserved the designs of the pre-Mongol period of Russian architecture almost intact. Particularly worthy of attention are the 12th-century frescoes: the figures of St. Artemy and St. Abraham, the images of lilies and peacocks and the only remaining frescoes that can be safely attributed to the hand of Russia’s most famous icon painter, Andrei Rublev. The baroque iconostasis was implemented by order of Catherine II.

Many representatives of Vladimir’s royal dynasty and clergy are buried in the cathedral’s walls. The cathedral’s builders – Prince Andrei Bogolyubsky and his brother Vsevolod the Big Nest – rest in the northern gallery.

The Cathedral of Saint Demetrius

Vladimir’s main symbol, the Cathedral of Saint Demetrius (Dmitrievsky sobor), dates back to the 12th century and is famous for its unique white stone inlay work. The walls are covered with the images of heavenly plants, birds, lions, leopards, griffons with lambs, saints, knights and dragon-people.

Several features are easily recognizable: King David, the ascension of Alexander the Great, Saint George and even several basic Biblical themes. However, to this day not all the mysteries of the Cathedral of Saint Demetrius have been fully solved.

Few items from the original furnishings have survived. The ones that do remain include several frescoes from the 12th century, in particular the fragments of a composition called “Judgment Day,” which can be compared to the homonymous work by Andrei Rublev in the nearby Uspensky Cathedral. Today the cathedral functions only as a museum and is included on UNESCO’s World Heritage List.

The Convent of the Nativity of the Holy Mother of God

The Convent of the Nativity of the Holy Mother of God is as old as the Cathedral of Saint Demetrius and was built in 1195 using white stone. This male convent is considered one of the most ancient and venerated Russian monasteries. It is located a three-minute walk to the left of the Cathedral of Saint Demetrius if you turn your back to the Klyazma River.

For travelers the most interesting aspect here is not so much the interiors, but more likely the exteriors of the church: we recommend that you walk along all of its grandiose white walls. From there an impressive view onto the Klyazma River and on old Vladimir will open up before your eyes. The Nativity Convent is one of the best places to get a good view of the town.

Just 100 years ago Vladimir’s third white stone church could be found here on the grounds, but in the 19th century it was demolished because of its decrepit state and a new bigger cathedral was built in its place. Being the first center of monastic life in ancient Rus’, the Nativity Convent was also famous as being the burial place of Alexander Nevsky (however, later by order of Peter I, some of his relics were moved to St. Petersburg).

Today this functioning convent represents a complex of outstanding historical importance, despite the losses it has suffered.

The Church of St. George the Victorious

Ever since ancient times Russian princes used to build churches in honor of their own guardian angels. Prince Yuri Dolgoruky, Moscow’s founder, built a wooden church in honor of his own celestial protector – the martyr St. George in 1129. This explains the origins of one of Russia’s most ancient churches.

In 1778 the Church burned down, therefore it was rebuilt from scratch in a provincial baroque style that is a great rarity in this part of Russia. During the Soviet period the church’s small onion-shaped dome was heavily damaged by machine-gun fire. A salami plant, which handled oils and fats, was located here. As a result the ancient frescoes were ruined and covered by a black, one-centimeter thick layer of soot.

Today the Church of St. George presents a unique possibility to observe the spiritual life of ordinary people from the Russian provinces. The inside offers the characteristic coziness of a provincial church: on the floor is a well-worn carpet and slippers are handed out at the entrance just as you would find in of the vast majority of post-Soviet apartments. Old women wrapped in shawls listen to the priest singing, cross themselves before the wonderful frescoes and admire the 19th-century icons.

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International Institute of Social History: Why Amsterdam is home to a trove of archives on Spanish anarchism and the anti-Franco resistance | Culture

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Spanish historian Almudena Rubio, one of the researchers at the International Institute of Social History, working last May on documents from the Spanish Civil War.
Spanish historian Almudena Rubio, one of the researchers at the International Institute of Social History, working last May on documents from the Spanish Civil War.Marc Driessen

A significant part of historical memory regarding Spain’s anarchist movement and the Spanish Civil War (1936-1939) can be found at the International Institute of Social History (IISH) in Amsterdam in the Netherlands.

Founded in 1935, the IISH is home to the historical archive of the National Confederation of Labor (CNT), an anarchist labor union, and the Iberian Anarchist Federation (FAI) – documents known in Spain as the so-called “Amsterdam boxes” – along with an extensive collection on workers’ activism and social movements across the world.

Sneaked out of the country to preclude confiscation by the regime of dictator Francisco Franco, these 47 boxes take up a stretch of the institute’s 20 kilometers of shelves and include the CNT-FAI’s order to the León-born anarchist leader Buenaventura Durruti to travel to Madrid in 1936, where he would meet his end in uncertain circumstances. The IISH also houses the archives from the anti-Franco resistance and the Ruedo Ibérico publishing house founded in Paris in 1961 by five exiles from the Spanish Civil War with the aim of producing anti-fascist material to counter the dictatorship’s propaganda. Adding to the cache are archives relating to the libertarian trade unionists and feminists, original letters from writer Pío Baroja, a member of the Generation of ’98, and thousands of photos of the Civil War that were thought to have been lost, including images captured by Polish photographer, Margaret Michaelis and Hungarian photographer, Kati Horna. Altogether, it amounts to the legacy of a polarized period of history that is a mine of information for researchers.

The unsealed document containing the order to Durruti, signed by the regional committees of the CNT-FAI, was dated November 9, 1936, and stipulated that “comrade Durruti, without further delay, leave for Madrid […] to intervene decisively in the defense of the capital of Spain.” According to Almudena Rubio, responsible for recovering the document, it is proof that “the leadership of the National Confederation of Labor and the Iberian Anarchist Federation was behind that decision, while Durruti himself wanted to take Zaragoza.”

Letters from writer Pío Baroja to Ada Martí Vall.
Letters from writer Pío Baroja to Ada Martí Vall.Marc Driessen

Rubio adds that it was not uncommon for orders from the CNT-FAI to be unsealed, and that, though there was a rift between the union and its rank and file, “it seems that Durruti was considered essential to the anti-fascist struggle in the capital.” By ordering a change of plans for the anarchist, “the communists, who were already taking positions in Madrid, benefitted as did [Russian leader Joseph] Stalin, who was against the social revolution pursued by Durruti,” she says.

Those signing the document mention “the enormous possibilities of success [of our comrades] if our help reaches them,” and “the pleas of the people of Madrid, who are calling on us.” The reality, however, was quite different. Durruti was shot dead days after arriving with no conclusive explanation for his death. His driver, Clemente Cuyás, said in 1993 that he had been the victim of an accidental shot from his own rifle and that the CNT-FAI demanded any witnesses remain silent. Other versions speak of his death in combat or from a traitor’s bullet.

The arrival in the Netherlands of the CNT-FAI archive was not without its share of drama. “When it became clear in 1939 that the Republican side would not win the Civil War, union representatives took it to the Paris branch of the IISH,” says Leo Lucassen, IISH research director. “They did it as private individuals, to avoid the new fascist state being able to claim it later as belonging to a Spanish organization.”

The document from the CNT-FAI ordering Durruti to depart for Madrid.
The document from the CNT-FAI ordering Durruti to depart for Madrid.Marc Driessen

Shortly before the outbreak of World War II, the archive was transferred from Paris to the United Kingdom and was taken to Amsterdam in 1947. Closed for three decades, until Franco’s death, an inventory wasn’t taken until the 1980s. Lucassen stresses that the Spanish Civil War generated ideas on an international scale that had an indisputable impact. “Proof of this is that among the International Brigades there were hundreds of Dutch people committed to what was presented as the ultimate struggle: the fight between good and evil,” he says, adding that it was, however, difficult for them to return to the Netherlands. “Their passports were taken from them as they had fought with a foreign army. They were seen as traitors to their homeland, but also as liberating icons.” The nationality of Dutch members of the International Brigades was reinstated in 1970, and Amsterdam dedicated a monument to them in 1986 in a square called Spanje (Spain) 1936-1939.

Baroja’s letters

Among the Spanish correspondence preserved in the Archive of the Spanish Resistance, which collected documents up to 1974, are three original letters by the writer Pío Baroja. They are addressed to Concepción Martí Vall or Ada Martí, an anarchist writer and journalist who was an admirer of Baroja though she later distanced herself from him, feeling he had betrayed the social nature of his early works. Dated 1936, when Martí was 21 and Baroja 64, the letters’ tone suggests an exchange between an idealized professor and his pupil. For example, Baroja confesses his passion to “live to write, write to live;” while also telling Martí things such as, “I no longer need a compass because I am anchored in the harbor. You are the one who should be attentive to the marking needle.” The cultural center Ateneu Enciclopèdic de Barcelona has a photocopy of these missives and was unaware of the presence of the originals in Amsterdam until now.

Meanwhile, the archive of the Ruedo Ibérico publishing house contains the manuscript of Viaje al Sur (or, The Trip South) – a book the publishers commissioned Juan Marsé to write but which was assumed to have gone missing until it was realized that it has been renamed Andalucía, perdido amor (or, Andalusia, lost love) with Marsé writing under the pseudonym Manolo Reyes; it was published after the writer’s death, in 2020, by Lumen publishing house.

An archive of archives

Founded in 1935 by Dutch professor of social and economic history, Nicolaas Posthumus (1880-1960), the IISH has become an archive of archives. Its treasures include papers by Karl Marx, Freidrich Engels, Mikhail Bakunin and the anarchist Emma Goldman, which are among one million books and publications, 5,400 collections and 1.5 million audiovisuals. “Posthumus was interested in the intellectual roots of ideas from anarchists, socialists, liberals and Christian democrats,” says Lucassen. “Around 1930, when left-wing movements were threatened by fascism and National Socialism in Europe, he began to receive documents from social organizations, often taken under the radar from their countries of origin which enabled him to maintain the independence of the new center. Entire collections of left-wing publications from Latin American countries such as Argentina and Bolivia have been entrusted to us. It is a heritage that continues to be sent to the center from areas where similar conflicts persist.”

Rubio hopes to present an exhibition in 2022 with the Civil War images taken by Kati Horna, and her colleague, Margaret Michaelis, recovered from 2015. They were commissioned by the CNT-FAI to provide a graphic testimony of the social revolution it intended; the photos were in the photographic archive of the CNT-FAI’s foreign propaganda offices, included in the Amsterdam boxes.

English version by Heather Galloway.

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US Anti-Immigration Website Vdare.com Raises $40K in 1 Day in Year-End Fund Drive

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“Tuesday’s kickoff of VDARE.com’s year end fundraiser started with what I thought was a challenging goal: to bring in $5,000 in one day to meet a matching donation pledged by one of our standout donors. Little did I know what an enormous groundswell of support we would receive, ultimately breaking VDARE.com’s 20 year record for donations in 24 hours.

We promoted the initial challenge in the usual ways across all social media platforms and via email. But I’m always on pins and needles in anticipation of a fundraiser. On Tuesday morning the donations started coming in early and generous – what was encouraging quickly became astonishing, and by noon eastern time we were mere dollars from meeting our $5,000 goal. It was still mid-morning on the west coast! So I started calling around to some of our most generous friends.

My first call was to South Carolina, to the donor who gave us the initial $5k, to see if he, like me, was high on the turnout and inspired to increase his gift. He was, indeed, delighted by the money coming in but was tapped out. Too many obligations to the tax man and a nagging lawsuit.

Next call was to Washington state, to a donor who first donated last December after finding us on Twitter. He’s frequently in the wilderness, so I wasn’t surprised to have to leave a voicemail.

Then I rang Oklahoma, to one of our most engaged donors, a man who has been funding VDARE.com – and other dissident right organizations — for more than twelve years. But he’s already doubled his giving to VDARE.com this year and cheered me on to call upon someone else.

Finally, I called another Washington state donor (we have a very generous pocket of readers in the Pacific Northwest) who has been generously supporting VDARE.com for close to fifteen years. I hit voicemail with him, too.

Meanwhile the tally kept rising. As did the mood in the office, I can assure you! Noah on video support began putting together the intro and graphics for the evening’s livestream while my assistant and I called out each time a new donation came in. It was wild, and at times wacky.

“$55 from Pennsylvania!”

“OH! $200 from Idaho!”

Suddenly the phone rang. Our friend had emerged from the wilderness. “This matching grant has really inspired people today, and I think a stretch goal would keep the momentum up,” I told him, “we might even set a record for giving. What do you think about pledging $2,000?”

Without missing a beat, he said “I was thinking about $10,000.”

And just like that, we had a stretch goal twice the size of our original. Even more amazing: it was met by individual small donations within two hours.

I ordered Chinese takeout for the team – John Derbyshire, Noah the video tech, my assistant, Peter and myself – as we switched gears heading into the livestream slated for my living room. My kids were all excited to have so many guests for dinner, and it turns out John never has Chinese takeout, presumably because he has a Chinese wife, so I like to think it was exciting for him too! As we negotiated with the children about their appearance on camera to say “Merry Christmas,” the phone rang again.

As soon as I picked up the phone, almost without saying hello, my fifteen-years-loyal donor announced, “I’m pledging $5,000, how much do you have in so far?”

At this point, we had only barely met the first stretch goal and the night was closing in on the east coast. Sure, we had the livestream coming up, but I worried that maybe we had captured everything there was to capture. But why not give it a try? We’d already broken the record for one day of mass giving – but we may as well SHATTER IT! As Buzz Lightyear said, to infinite and beyond!

I shouldn’t have doubted. This community always comes through when we need you.

Two hours later, as we closed out the livestream, we were only $387 short of the super stretch goal. That amount – and more – came in within minutes of turning off the mics. By midnight we surpassed the super stretch matching by over $1,000, bringing our 24 hour total, including the fully matched pledges, to $42, 574!

That’s almost a quarter of the way to our final goal of $200,000 that we need to reach by January 1.

In one day.

Thank you. Thank youTHANK YOU!

We have a lot more in store for you during this Year End Appeal, and I’m so looking forward to amplifying different voices from our staff and supporters as they ruminate on VDARE.com’s 20 years of patriotic immigration reform. But ultimately, this is about you, our readers, America’s patriots.

VDARE.com may be the voice of the historic American nation, but we are only the voice. The community is the body. And we’re getting stronger every day.

Help us reach our final goal – let’s keep up this incredible momentum. Please, give your most generous donation now!

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Domestic air routes to be restored by mid July, says Minister

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Regional flights to Donegal and Kerry should resume by the middle of July, Minister for Transport Eamon Ryan has said.

The Green Party leader said the Government has been in contact with a number of different airlines about restoring routes linking the counties with Dublin after the collapse of Stobart Air.

Both routes are subsidised by the State under Public Service Obligation (PSO) contracts.

Under EU rules, the Government is allowed to make arrangements to continue axed services for seven months before renegotiating a four year PSO contract, Mr Ryan told RTÉ radio.

Airlines interested in taking over the two routes are to be approached next week before a “judgment call” is made on the most suitable operators.

Mr Ryan said he expects them to be in place by “mid-July”.

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