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‘Maestro of humanity’: Italian surgeon Gino Strada dies at 73 | Conflict and arms

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Tributes have been paid to Gino Strada, the Italian surgeon and “maestro of humanity” known for setting up world-class hospitals for the victims of war, who has died aged 73.

The medic, who in 1994 co-founded the humanitarian organisation Emergency to provide free, quality healthcare for those injured in conflict, died on Friday in France, reports said.

Rossella Miccio, the chair of Emergency, said the news had come as a shock. “No one was expecting this. We are dazed and distressed,” she told Corriere della Sera. “It is a huge loss for the whole world. He did all he could to make the world a better place. We will miss him enormously.”

A heart and lung transplant surgeon by training, Strada embarked on a mission to help heal those caught up in some of the world’s bloodiest and most intractable conflicts, including in Afghanistan, Iraq and Yemen.

Emergency started its work in Rwanda during the genocide, and says it has gone on to treat more than 11 million people in 19 countries. The organisation currently operates in Afghanistan, where it has a world-renowned surgical centre, Eritrea, Iraq, Sierra Leone, Uganda, Yemen and Sudan, as well as Italy.

Strada told the Observer in 2013 that the hospitals he set up needed to be at least equal to – if not better than – those in the west.

“If you think of medicine as a human right, then you cannot have some hospitals that offer sophisticated, very effective, hi-tech medicine, and then go to Africa and think, ‘OK, here’s a couple of vaccinations and a few shots’,” he said. “Do we think that we human beings … are all equal in rights and dignity, or not? We say, ‘Yes, we are.’”

The aim was, he said, to create facilities “that you would be happy to have one of your family members treated in”.

Strada’s daughter, Cecilia Strada, said on Facebook that she had not been with him when he died, as she was onboard a rescue ship for the NGO ResQ – People Saving People.

“Friends, as you’ll have seen, my father is no longer with us. I can’t reply to your many messages … because I’m in the middle of the sea and we have just performed a rescue,” she wrote. “And this I was taught by my father and mother.”

Strada’s wife, Teresa Sarti, with whom he founded Emergency, died in 2009.

In a statement, Mario Draghi, the Italian prime minister, praised Strada’s “professionalism, courage and humanity”, while David Sassoli, president of the European parliament, tweeted: “Farewell Gino Strada, maestro of humanity.”

Renzo Piano, the Italian architect who designed a paediatric surgical hospital for Emergency in Entebbe, Uganda, said he had learned a lot from Strada, and that his death was “a big loss”.

“He was one of these people with a simple, clear belief about science, about solidarity, human solidarity, even about beauty … Because he was one of those people who, talking about the hospital, it was about medical excellence, but it was also about environmental excellence and human excellence,” Piano told the Guardian. “It was kind of humanistic, I guess.”

Piano said he had last spoken to Strada a few days ago, as the two men tried to find a way of getting to Uganda for the long-delayed inauguration of the hospital. “The hospital is already working,” he said. “But we never got the moment where [we] officially opened it. The other day we were discussing that: ‘could we try in October?’ It’s very sad.”

Giles Duley first met Strada in 2010 at Emergency’s Salam centre for cardiac surgery in Khartoum, Sudan, documenting the surgeon’s work. Their relationship led in part to the photographer and activist going to Afghanistan the following year, where Duley was severely injured, losing both legs and an arm. It was also Strada’s influence, Duley said, that led to him setting up his own foundation, Legacy of War.

“He was a man of principle and a man who believed in something,” said Duley. “We sadly live in a world now where few people really are principled. We’re surrounded by politicians who are not principled, and many NGOs lack that leadership.

“There was a man who stood up and said what many of us believe: that the cause of so many problems in this world is war, and militarisation, and the profiting of conflict. And he stood up and said: this is what we have to stop.”

On the last few occasions Duley saw Strada, he said, he had seemed tired. But he was never going to stop. “He dedicated his life to this work,” Duley said.

“He was a man that had completely and utterly given himself to this. The last few times I met him it was obvious that that had taken a toll on him but there was no way he would ever retire or stop – this was his life, and he dedicated himself to people injured by conflict and those needing heart surgery around the world.”

Strada had an opinion article in Friday’s edition of the Italian daily La Stampa excoriating the US war in Afghanistan, which he decried as a “failure in every possible way”.

Paying tribute to the staff working in Emergency’s health facilities in the country, he wrote: “I cannot write about Afghanistan without thinking primarily of them and of the Afghans who are suffering right now, true ‘war heroes’.”



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Climate crisis leaving ‘millions at risk of trafficking and slavery’ | Global development

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Millions of people forced to leave their homes because of severe drought and powerful cyclones are at risk of modern slavery and human trafficking over the coming decades, a new report warns.

The climate crisis and the increasing frequency of extreme weather disasters including floods, droughts and megafires are having a devastating effect on the livelihoods of people already living in poverty and making them more vulnerable to slavery, according to the report, published today.

Researchers from the International Institute for Environment and Development (IIED) and Anti-Slavery International found that drought in northern Ghana had led young men and women to migrate to major cities. Many women begin working as porters and are at risk of trafficking, sexual exploitation and debt bondage – a form of modern slavery in which workers are trapped in work and exploited to pay off a huge debt.

Boys at lathes turning aluminium pots
Children working in an aluminium pot factory in Dhaka, Bangladesh. Up to 85 million children work in hazardous jobs around the world. Photograph: NurPhoto/Getty

One woman, who migrated to Accra from northern Ghana, used to farm until the land was ruined by flooding and she was forced to move. For seven years she has worked as a porter (kayayie), carrying items on her head.

She said: “Working as a kayayie has not been easy for me. When I came here, I did not know anything about the work. I was told that the woman providing our pans will also feed us and give us accommodation. However, all my earnings go to her and only sometimes will she give me a small part of the money I’ve earned.”

She dropped a customer’s items once and had to pay for the damage, which she could not afford. The woman in charge paid up on condition that she repay her. She added: “I have been working endlessly and have not been able to repay.”

A woman from Bangladesh
A woman from the Sundarbans in Bangladesh, who moved to Kolkata after a cyclone to support her family. Now she cannot return to home without her employer’s permission. Photograph: Somnath Hazra

In the Sundarbans, on the border between India and Bangladesh, severe cyclones have caused flooding in the delta, reducing the land available for farming. With countries in the region tightening immigration restrictions, researchers found that smugglers and traffickers operating in the disaster-prone region were targeting widows and men desperate to cross the border to India to find employment and income. Trafficking victims were often forced into hard labour and prostitution, with some working in sweatshops along the border.

Fran Witt, a climate change and modern slavery adviser at Anti-Slavery International, said: “Our research shows the domino effect of climate change on millions of people’s lives. Extreme weather events contribute to environmental destruction, forcing people to leave their homes and leaving them vulnerable to trafficking, exploitation and slavery.”

The World Bank estimates that, by 2050, the impact of the climate crisis, such as poor crop yields, a lack of water and rising sea levels, will force more than 216 million people across six regions, including sub-Saharan Africa, south Asia and Latin America, from their homes.

The report is a stark warning to world leaders in advance of the Cop26 UN climate summit in Glasgow in November and calls on them to make sure efforts to address the climate emergency also tackle modern slavery. The report says labour and migrant rights abuses are disregardedin the interests of rapid economic growth and development.

Ritu Bharadwaj, a researcher for the IIED, said: “The world cannot continue to turn a blind eye to the forced labour, modern slavery and human trafficking that’s being fuelled by climate change. Addressing these issues needs to be part and parcel of global plans to tackle climate change.”

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Putin faces test of popularity in Russian election

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Russians head to the polls on Friday for parliamentary elections in a test of authority for president Vladimir Putin, whose United Russia party is polling at a near-historic low of just 30 percent. There are few legitimate international observers, after the ODIHR, a Warsaw-based European monitoring body, declined to go because authorities refused to give them proper access. But some pro-Russian MEPs, such as France’s Thierry Mariani, are going anyway.

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‘It helped me get away from crime’: Cape Town’s College of Magic – a photo essay | Global development

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To fans of JK Rowling’s books, the story may sound somewhat familiar: a young boy living in difficult circumstances is enrolled in a mysterious school far from home, where his life is changed for ever by the transformative power of magic.

Anele Dyasi’s story is no fairytale, though, and the school in question is not Hogwarts, but the College of Magic in Cape Town, a unique institution that has been training some of the continent’s most skilled illusionists since the 1980s.

Confetti falls on performers from College of Magic at the end of a show at the Artscape theatre centre, Cape Town.
Jugglers from the College of Magic.
Emilie van den Hooyen, a performer and student at the College of Magic, has her face painted before a performance at the Artscape theatre centre.
Ayabonga Tshofui, a College of Magic student, has his face painted before a performance at the Artscape theatre centre.

Dyasi, who grew up in the sprawling township of Khayelitsha, where violent crime is rife and opportunities are few and far between, was 10 when the college began to train him in the ways of magic and sleight of hand. Within four years he was representing South Africa at magic competitions as far afield as Las Vegas and Beijing and had become a role model for a new generation of budding magicians.

Anele Dyasi.

“I think of it more as a college of life,” says Dyasi, now 23, and a teacher at the college. “It helped me get away from the crime and gangsterism.”

Dyasi says the most important things he learned in his six years as a student at the college had less to do with magic and more to do with self-confidence and effective communication: skills that he feels have left him in a good position to face life’s challenges.

Deyna Viret, a College of Magic student, practises a juggling routine in her dressing room ahead of a show at the Artscape theatre centre.
Illusionist Khanya Rubushe, a College of Magic student, before a performance at the Artscape theatre centre.

On this particular Saturday, clad in a flamboyant polka-dot blazer over a plain white T-shirt, he is teaching closeup card magic to a class of fifth-year students who scrutinise every move of his fingers as they try to figure out the trick. Outside the window, younger students are juggling with batons and doing circuits around the car park on unicycles.

Students practise outside the college

Less research has been done on the educational benefits of learning magic than other performing arts such as music, dance or circus. But the studies that do exist have linked it to physical and psychological benefits such as improved focus, a greater ability to solve problems and think laterally, better interpersonal skills, increased self-worth and an enhanced aptitude for teamwork.

David Gore, founder and director of the College of Magic.

“When we started out we never thought of all the spin-off benefits,” says David Gore, founder and director of the college. “We didn’t realise just how powerful magic was as a tool.”

The college’s students frequently give public performances at local venues, and Gore says he has observed how, within a matter of months, first-year students who arrived at the college shy and recalcitrant routinely end up being confident enough to perform on stage in front of hundreds of strangers.

Anele Dyasi enters the college dove coop

  • Above: Anele Dyasi enters the college’s dove coop. Right: students help each other prepare for a performance
    Below: a box of diabolos, batons and other juggling props, and face paints

College of Magic students Emilie van den Hooyen and Maelle Oudejans help each other get ready for a performance at the Artscape theatre centre.
Equipment used in magical and circus tricks lies in a box at the College of Magic.
Face paints on a table backstage during a performance.

Gore was just 19 when he and a colleague marched into the offices of a local newspaper wearing top hats and tailcoats and announced that they were starting a school for magicians. The newspaper published a story and before long 34 children had signed up. In the 40 years since, several thousand more students have come and gone through the hallways of the ramshackle Victorian mansion that houses the college.

A student juggles outside the college.
Students leave a classroom with walls covered with posters of illusionists.
Magic students walk downstairs after class.
Puppets, photographs and posters on the walls of the college

Built in the late 1800s, the building has a distinctively Hogwarts-esque feel, replete with crooked staircases, secret doorways hidden behind bookshelves, and a special enclosure for the rabbits and doves occasionally used in performances.

“It’s a lot more fun than my other school,” says Duma Mgqoki, a fourth-year student and aspiring magician, who says he enjoys wowing the other children in his neighbourhood with the tricks he learns at the college.

Duma Mgqoki practices a card trick.

While many of the college’s alumni have careers in magic and its associated arts, performing at children’s parties or corporate functions, or becoming TV entertainers, others say the college helped prepare them for a range of non-magical careers.

“Growing up, I went through a lot of trauma and depression. But here I felt free,” says Anela Gazi, a recent graduate of the college from Mfuleni township, who is starting her own shoe-cleaning company.

“This place prepared me for everything. It made me grow. It made me strong. I didn’t even know I could become the person I am now,” she says.

Anela Gazi.

  • ‘This place prepared me for everything. It made me grow. It made me strong,’ says Anela Gazi, a recent graduate

At the college, students from some of the city’s most underprivileged townships are learning alongside others from the wealthiest suburbs.

Twenty-seven years after the end of apartheid, Cape Town remains one of the world’s most divided cities, and many schools, indeed whole neighbourhoods, offer little in the way of ethnic diversity.

Students attend class.

“We believed what we were offering should be available to everyone, and we did that from day one,” says Gore, who flouted the laws of the apartheid regime in the 1980s by insisting on teaching multiracial classes.

The college operates as a nonprofit organisation, and helps to find sponsors to cover the fees of those who could not otherwise afford the courses. It also arranges transport to enable those from more distant areas to attend.

Performers from the College of Magic at the Artscape theatre centre, Cape Town.

“This is the rainbow nation,” says Dyasi after his class, pointing up at the building behind him. “We don’t judge each other here. Everyone is here to achieve the same thing: to become better magicians. It brings out the best in everyone.”

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