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Learn your lines: Stripes of all types are back in fashion

From wide, pastel-hued bands, to subtle oh-so-neutral ticking, stripes have featured in our homes for years. And now they’re in the spotlight once again.

The return of the stripe to our floors, walls and accessories is no surprise, now we’re embracing pattern again. 

And stripes can be both classic or bold. They can uplift a space in ways that other patterns can’t and, when used alongside other prints and plains, they clash beautifully. Here’s how to work the look (and when to draw the line):

Stripe revival: Striking bedroom wallpaper. Stripes can uplift a space in ways that other patterns can’t and, when used alongside other prints and plains, they clash beautifully

Stripe revival: Striking bedroom wallpaper. Stripes can uplift a space in ways that other patterns can’t and, when used alongside other prints and plains, they clash beautifully

Striped delight

Versatile and smart, stripes can add a grown-up look to your home.

‘I love using them as a counterpoint to florals,’ says interior designer Laura Stephens ( ‘I often pair a subtle striped blind with a bold patterned wallpaper. It’s a great way to break up a busy design.’

Consider scale — narrow lines lend easy elegance, while wider stripes tend to inject impact. Pairing the two will add depth and variety.

‘Proportion is key,’ says Wil Law, home design stylist at John Lewis & Partners.

‘Opting for slim, vertical stripes on walls gives height to a room, while wider stripes are more daring. On soft furnishings, a mix of horizontal and vertical contemporises the look.’

Going straight: Frill cushion, £55, Katy Takla

Going straight: Frill cushion, £55, Katy Takla

Cushions and rugs are also a good way to flirt with stripes — try Wicklewood’s Saltaire rug in Blue Green, £825, or the Gloria cushion, from £145, which combines stripes with a scalloped edge.

A chunky-striped tablecloth is an easy way to add effortless style. 

Summerill & Bishop offers heirloom options, from its Stripe Linen range, from £275, while The Sette has just launched co-ordinating table linens by Turner Pocock, featuring an informal brushstroke design, from £70. 

Use the stripes as a base, picking up their colour with a table scheme.

Style it out

If you’re handy with a paintbrush, use masking tape to add stripes to walls, whether wide and vertical or horizontally on a wall’s lower half.

‘When pairing two colours, go for the same basic tones, like a pale grey-green with a deeper olive,’ says Crown’s Justyna Korczynska.

You can also enliven simple painted stripes by adding in an accent colour at regular intervals. ‘Alternatively use different widths for each stripe to create a more dynamic repeat,’ suggests Benjamin Moore’s Helen Pett.

If paint treatments feel too complicated, stick to a classic approach.

For a fuss-free, traditional look, try Colefax And Fowler’s Ditton Stripe wallpaper, £76 per roll.

Smart move

Ticking is a brilliant way to introduce the look more gently. A durable fabric once largely consigned to the outer layer of mattresses, this slim, easy-on-the-eye stripe looks smart on bedlinen and chairs. 

Try the Secret Linen Store’s collection of crisp linens for beds, and for upholstery, you can’t go wrong with Madeaux’s classic Audrey stripe.

‘Stripes have the magical ability to create impact while knocking back busier patterns,’ says interior designer and textile specialist Alexandra Morrall (Studio Mahala). 

When looking to introduce stripes on flooring, they are particularly effective in narrow hallways. ‘They add visual interest, hide marks and, in a linear arrangement, enlarge a space by drawing the eye along the design,’ says Kersaint Cobb’s Jon Flannigan.

Collection Noir’s Samantha Wilson believes that the key to the longevity of the stripe lies in the many ways it can be reinvented. ‘Pairing it with zig-zags, chevrons and geometric prints makes for a modern approach,’ she says.

Whatever approach you choose in your home, a classic line will stand the test of time.

Savings of the week! Kitchen trolleys 

Wayfair's oak and black metal Santa Clarita (pictured) is down from £131.99 to £111.99, a 15 per cent cut

Wayfair’s oak and black metal Santa Clarita (pictured) is down from £131.99 to £111.99, a 15 per cent cut

The trolley is a cheap and convenient way to add storage to a kitchen — particularly if you need to stash home-working impedimenta.

Choose the right model and you can also use it to serve drinks or to display a vase and a plant, enlivening a sitting room. Savings of as much as 28 per cent are available on this indispensable item.

Ryman has a black three-tier trolley whose industrial chic styling would suit a contemporary kitchen. The price is £20, reduced from £27.99, a 28 per cent cut.

If you want a piece to blend with a grey or beige decor, The Range offers the Livingandhome three-tier wood and metal trolley reduced from £89.99 to £79.99, down 11 per cent. 

Another model, the Homcom, is reduced by 20 per cent from £114.99 to £91.99. 

This trolley, which has a slightly Art Deco feel, comes with racks for wine bottles and holders for glasses.

Wayfair has more expensive models including the oak and black metal Santa Clarita, down from £131.99 to £111.99, a 15 per cent cut. 

It would hold a lot of files, a laptop and other kit — but also enough bottles and glasses for a party.

Anne Ashworth

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Assessing The Potential of The India-Middle East-Europe Economic Corridor (IMEC) Against China’s Belt And Road Initiative (BRI)

(THE VOICE OF EU) – In a recent address, Indian Prime Minister Narendra Modi hailed the newly unveiled India-Middle East-Europe Economic Corridor (IMEC) as a transformative force poised to shape global trade for centuries. While the IMEC undoubtedly presents a significant development, it’s vital to scrutinize its potential impact compared to China’s ambitious Belt and Road Initiative (BRI).

The IMEC was jointly announced by US President Joe Biden and Saudi Crown Prince Mohammed bin Salman at the G20 summit in Delhi. Designed to fortify transportation and communication networks between Europe and Asia via rail and shipping routes, the project not only holds regional promise but also reflects a strategic move by the US in its geopolitical interests, particularly concerning China.

However, the IMEC faces a formidable contender in the form of China’s BRI, which celebrated its tenth anniversary this year.

Despite facing some headwinds, including a slowdown in lending due to China’s economic deceleration and concerns raised by nations like Italy, Sri Lanka, and Zambia regarding debt sustainability, the BRI remains a monumental global undertaking.

With investments surpassing a staggering $1 trillion and over 150 partner countries, the BRI has transformed from a regional initiative to a near-global endeavor.

Comparatively, the IMEC may not immediately match the scale or ambition of the BRI. While the US, Japan, and the G7 nations have introduced similar initiatives like the Global Gateway and Partnership for Global Infrastructure and Investment, none have achieved the expansive reach or influence of the BRI.

The emergence of these projects over the past five years, however, demonstrates the BRI’s pivotal role as a catalyst for global economic growth.

Viewing the IMEC solely through the lens of opposition to the BRI may not provide a comprehensive understanding of its potential.

Instead, the IMEC contributes to a broader trend of transactional partnerships, where countries engage with multiple collaborators simultaneously, underscoring the complex and interconnected nature of global trade relations.

Yet, realizing the IMEC’s aspirations demands meticulous planning and execution. A comprehensive action plan is expected within the next 60 days, outlining key governmental agencies responsible for investments, allocated capital, and implementation timelines.

Establishing a streamlined customs and trade infrastructure is equally critical to facilitate seamless transit, a challenge highlighted by the Trans-Eurasian railway’s 30-country passage through Kazakhstan.

Navigating geopolitical complexities between partner countries, particularly the US, Israel, and Saudi Arabia, poses another potential hurdle.

Ensuring these nations maintain a unified strategic vision amid differing priorities and interests requires careful diplomatic coordination.

Furthermore, the IMEC will compete directly with the Suez Canal, a well-established and cost-effective maritime route.

While the IMEC may enhance relations with the UAE and Saudi Arabia, it could potentially strain ties with Egypt, prompting critical assessments of the project’s economic viability.

Beyond trade and economics, the IMEC ambitiously aims to incorporate diverse sectors, from electricity grids to cybersecurity.

This multi-dimensional approach aligns with discussions held in security forums like the Quad and, if realized, could significantly contribute to a safer, more sustainable global landscape.

As we contemplate the potential of the IMEC, it is with hope that the lofty ambitions outlined in New Delhi will culminate in a tangible and positive transformation for the world.

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Copyright Dispute: DC Comics And ‘Fables’ Author Clash over Ownership, Author Aims for Public Domain

A detail from a 'Fables' cartoon by Bill Willingham. Image courtesy of the publisher ECC.
A detail from a ‘Fables’ cartoon by Bill Willingham. Image courtesy of the publisher ECC.

This is a story full of fairy tales. In some ways, it even resembles one. And yet it also proves that, in the real world, things rarely end happily ever after. A few days ago, Bill Willingham, the father of the celebrated Fables comic book series, announced that he was sending his most cherished work to the public domain, that is, to everyone. That’s only fair, since that is also where he got the main characters of his stories, from Snow White to the Wolf, from Pinocchio to Prince Charming, who were then relocated to modern New York. In this tale, the hero has long-faced mistreatment at the hands of the villains, DC Comics, the owner of Vertigo, which publishes the work in the United States, and its executives.

“If I couldn’t prevent Fables from falling into bad hands, at least this is a way I can arrange that it also falls into many good hands,” Willingham wrote in an online post in which he decried the label’s repeated attempts to take over his creations and opposed them with this final extreme remedy. But the company responded that it considers itself to be the true owner of the series.

In a statement published by the specialized media IGN, the company threatened to take “necessary action” to defend its rights. Thus, the end of the dispute is uncertain. But it is unlikely that everyone will end up happily ever after.

In the meantime, in a new post, Willingham celebrated the massive support he received. In fact, for the moment, he has declined all interview requests — he did not respond to this newspaper’s request, nor did the publisher — arguing that he preferred to spend the next few days working on new artistic projects. Meanwhile, the dispute continues.

Fables is one of the most celebrated graphic novels of the last 20 years, and it has spawned spin-offs and a video game adaptation (The Wolf Among Us).

This situation also touches on a key issue, namely, the intellectual property rights of characters and works, especially in a sector where, for decades, dozens of cartoonists and screenwriters have accused comic book giants Marvel and DC of pressuring them to cede their ideas and accept commissioned contracts.

Willingham sums it up as a policy aimed to make creators sign “work for hire” agreements and crush them. All of this makes a gesture that was already intended to make a splash even more resonant.

A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC
A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC.

Indeed, the battle over intellectual property is as old as contemporary comics: the copyrights for Superman, Batman and The Fantastic Four all have unresolved disputes and complaints from Jerry Siegel, Bill Finger and Jack Kirby over the contemptuous treatment they suffered. And heavyweight Alan Moore has been lamenting for years that DC took away his ownership of famous works like Watchmen.

Along with prestige and principles, tens of millions of dollars are at stake, especially now that the film industry has become interested in comics.

“When you sign a contract with DC, your responsibilities to them are carved in stone, where their responsibilities to you are treated as “helpful suggestions that we’ll try to accommodate when we can, but we’re serious adults, doing serious business and we can’t always take the time to indulge the needs of these children who work for us” the Fables author wrote on his blog. Following the impact of his original message, Willingham posted two other texts. He maintains that he had thought about sending his work into the public domain when he passed away, but that “certain events” have changed his plans: among them, he lists the changes in management and attitude at the top of the publishing company; the multiple breaches of obligations such as consultations about covers, artists for new plots and adaptations; DC’s forgetfulness when it came to pay, which forced him to demand invoices of up to $30,000; the suspicious frequency with which the publisher attributed it to “slipping through the cracks” (to such an extent that the author insisted that they stop using that expression); and the time and chances he gave them to respect the pact, renegotiate it or even break it and consensually separate.

A detail from the cover of the first volume of Bill Willingham's comprehensive collection of 'Fables.'
A detail from the cover of the first volume of Bill Willingham’s comprehensive collection of ‘Fables’.

“Shortly after creating Fables, I entered into a publishing agreement with DC Comics. In that agreement, while I continued to own the property, DC would have exclusive rights to publish Fables comics, and then later that agreement was expanded to give DC exclusive rights to exploit the property in other ways, including movies and TV.

DC paid me a fair price for these rights (fair at the time), and as long as they behaved ethically and above-board, and conducted themselves as if this were a partnership, all was more or less well. But DC doesn’t seem to be capable of acting fairly and above-board.

In fact, they treated this agreement (as I suppose I should have known they would) as if they were the boss and I, their servant. In time that got worse, as they later reinterpreted our contracts to assume they owned Fables outright,” Willingham laments. Hence, he concluded that “you can’t reason with the unreasonable.”

Having ruled out a lawsuit as too expensive and time-consuming at 67 years of age, he found a more creative solution: if they prevented him from owning his works and benefiting from them as he was entitled to do, he would not let the publisher do so either. Or, at least, everyone could use the comics as they wished. But the label was quick to clarify in its statement to IGN: “The Fables comic books and graphic novels [are] published by DC, and are not in the public domain”.

For his part, Willingham promises to continue fighting for all the conditions of his still-in-force contract that he considers DC to have violated, as well as for the last installments of the series, the final script of which he delivered two years ago.

There will be additional chapters in this dispute, as well as in many other ones like it: in 2024, the historic first image of Mickey Mouse, the one that starred in the 1928 short Steamboat Willie, enters the public domain in the U.S. and other countries. Copyright in the U.S. lasts for 95 years, and math is an exact science.

Therefore, in a few years, King Kong, Superman and Popeye will meet the same fate. But The New York Times has wondered how the “notoriously litigious” Disney will react and how far it will go to fight in court. And who would dare to freely use all these works for fear of a million-dollar lawsuit? The same question surrounds DC and similar companies. Because in the real world, fairy tales are rare. Or they end up in court.

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Do water features like a pool, pond or fountains add value to a home?

He may be used to making a splash in politics. But now it seems that Boris Johnson will be able to do that closer to home, too.

This week, it was revealed that the former prime minister has been given permission to build a swimming pool in the garden of his £3.78 million Oxfordshire country home. 

A move which will doubtless provide a restful place to unwind, exercise and relax as he navigates post-political life.

Deep pockets: A country home with outdoor swimming pool

Deep pockets: A country home with outdoor swimming pool 

But even if you don’t have deep pockets for such deep-water projects, it’s still possible to create the tranquil benefits of waterside living. 

Whether it’s through installing a hot tub, pond, or even decorative fountains. 

But, as our experts point out, it’s important to weigh up the pros and cons before splashing out…

Frequent attention

Introducing any kind of water feature to your garden requires some upkeep.

During the spring and summer, you’ll need to top up your water feature regularly to replenish water loss caused by evaporation. 

And there’s also the task of removing branches and leaves as well as pruning bushes nearby.

‘It’s also a good idea to give your water feature a thorough clean and add a wildlife-friendly algaecide or UV steriliser after cleaning,’ says Will Haxby, home and garden sales director at Haddonstone, which specialises in stonework ‘as this will prevent algae growth build-up caused by the warm conditions.’ 

When the temperatures drop, drain off water before the winter to protect your feature from frost. 

You’ll also need to clean the pump to remove any limescale build-up.

Will it add value?

Installing features like fountains can add to the kerb appeal of your home, says Tabitha Cumming, a property expert at The Lease Extension Company, says: ‘This means that it will make a better first impression and potentially add value to your home.’

Amer Siddiq, founder and CEO at Landlord Vision, believes that water features such as fountains can have other benefits, too.

‘They can help mask unwanted noises from roads or neighbours. They can also attract birds and wildlife, adding a touch of nature to your surroundings.’

Andrew Landers, director at Property Rescue, a home-buying service, says: ‘The post-covid world has seen the importance of outside space massively increase, and any enhancements that make this space more enjoyable is going to have a positive impact on the value of a home.’

Hidden costs

Factor additional costs into your budget, too, since water features rarely boil down to a single, one-off payment.

‘For example if any of your water features have fish, these can incur additional costs from the food and care that they will require, and you will also need to be vigilant to keep them safe from predators,’ says Cumming. 

Some features can cause structural issues, too. 

‘Fountains may become damaged through wear and tear or have cracks caused by water freezing over,’ she adds.

Beware risks

In summer, having a water feature will make you a magnet for friends and family who want to pop around and cool down. 

All of which, says Anna Giles, an associate at law firm Wedlake Bell, could increase scope for accidents

‘Homeowners should bear in mind that they could be subject to a claim for compensation if someone injures themselves at their property, so reasonable care needs to be taken to ensure that visitors and/or occupiers of the property will be safe.’

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