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Late Tector conversion snatches famous Ireland win on French soil

France Under-20 16 Ireland Under-20 17

Ireland produced a grandstand finish to snatch victory in the last minute with a try from centre Ben Brownlee. It was a remarkable comeback win that demonstrated tremendous application and courage in adversity to produce a first win on French soil since 2012.

Two victories from their opening matches will have Richie Murphy’s side bouncing into Musgrave Park at the end of the month.

It was a stunning triumph as Ireland, the better side in the first half, managed to weather a full frontal assault for most of the second before coming up with a perfectly judged riposte as the match clock entered the red.

It’s invidious to single out anyone given the collective effort but Jack Boyle, James McCormick, Conor O’Tighearnaigh, captain Reuben Crothers, Brownlee and Patrick Campbell made massive contributions to the final result.

Ireland were unlucky to trail 10-7 at half-time having played the majority of the rugby and also had a try disallowed for blocking by Crothers in the setting process of a lineout maul that eventually surged over the line.

The visitors endured a painful reminder that little inaccuracies undermined some cracking passages of rugby when they took the game superbly to a much bigger French pack. Ireland’s maul and ruck defence on the fringes was a little brittle at times and it represented a primary avenue for the home side to get over the gain line.

Still there was so much to admire in the manner in which Ireland took the game to the French, primarily through the hard running of their pack in which hooker McCormick, loosehead prop Boyle and secondrow O’Tighearnaigh were especially prominent but it was a superb effort from all eight players.

French fullback Max Auriac, who scored 26 points against Italy last week, missed an early penalty opportunity but was unerring with a much easier chance on four minutes. Ireland looked to have claimed the lead on 13 minutes.

Following direct and muscular carrying from the pack with Boyle in the van – his footwork and ability to take tackles on his terms and get over the gain line very impressive – they forced the home side to concede a penalty which outhalf Charlie Tector kicked to the corner.

The Irish maul powered over for a try but Crothers was pinged for obstruction. The visitors were soon on the attack again, surging into the French 22, again through powerful carrying and also some lovely interplay and offloading, epitomised by one exchange between the two secondrows O’Tighearnaigh and Mark Morrissey.

Unfortunately, having made their way to the threshold of the French 22 that momentum evaporated on foot of Ethan Coughlan’s ill-advised chip. French centre Louis Le Bruen was short with a long range penalty. The penchant for small errors, and a periodic lack of precision, undermined impressive Irish enterprise.

France added to their lead against the run of play, a lovely catch, shift, drive and offload at a lineout led to a try for their dynamic hooker Victor Montgaillard. Auriac converted but within five minutes had manufactured a try that originated at a lineout five metres from the French line.

Victor Montgaillard of France scores their first try. Photograph: Dave Winter/Inpho
Victor Montgaillard of France scores their first try. Photograph: Dave Winter/Inpho

Hooker James McCormick squeezed under a couple of French tacklers after Ireland had battered away around the fringes through several phases. Tector kicked the conversion to leave the visitors trailing 10-7 at the interval.

France were a great deal brighter and more assured on the resumption, Auriac rewarding some fine running rugby with a brace of penalties either side of one from Tector. Ireland turned over possession at a lineout five metres from the French line, the home side missed a long range penalty as the game became more pockmarked by mistakes.

French right wing Jefferson Joseph crossed the Irish line but was whistled back after a teammate was adjudged offside from a cross-kick. This young Irish side though doesn’t lack character and managed to force their way back into the French 22 with five minutes remaining.

French secondrow Samuel M’foudi was given a yellow card for persistent infringing at mauls, Ireland won two more penalties and having battered the French line replacement scrumhalf Matthew Devine hit Ben Brownlee on a beautiful line and the centre crashed through two attempted tackles. Tector held his nerve superbly to land the conversion.

It was a monumental victory in context and content and a proud night for this gutsy young Irish team.

Scoring sequence

4 mins: Auriac penalty, 3-0; 27: Montgaillard try, Auriac conversion, 10-0; 32: McCormick try, Tector conversion, 10-7. Half-time: 10-7. 44: Auriac penalty, 13-7; 54: Tector penalty, 13-10; 57: Auriac penalty, 16-10; 80: Brownlee try, Tector conversion, 16-17.

France: M Auriac (Toulouse); J Joseph (Agen), E Gailleton (Agen), L Le Brun (Castres), E Reybier (Oyonnax); L Foursans-Bourdette (Montpellier), B Jauneau (Clermont Auvergne); M Perchaud (Bayonne), V Montgaillard (Perpignan), V Simutoga (Clermont Auvergne); S M’foudi (Perpignan), M Uhila (Montpellier); L Banos (Montauban), N Della Schiava (La Rochelle), M Suta (Provence).

Replacements: T Cretu (Stade Français) for Simutoga (36 mins), R Portat (Toulouse) for Suta (half-time), J Coulon (Toulon) for Uhila (half-time), L Martin (Provence) for Montgaillard (47 mins).

Ireland: P Campbell (Young Munster); A King (Clontarf), B Brownlee (UCD), D Hawkshaw (Clontarf), S Mallon (UCD); C Tector (Lansdowne), E Coughlan (Shannon); J Boyle (UCD), J McCormick (Ballymena), R McGuire (UCD); C O’Tighearnaigh (UCD), M Morrissey (UCD); J McNabney (Ballymena), R Crothers (Ballynahinch, capt), J Culhane (UCD).

Replacements: M Devine (Corinthians) for Coughlan (44 mins), D McSweeney (Shannon) for McGuire (64 mins), C Moloney (Young Munster) for McNabney (68 mins), A McNamee (Malone) for Morrissey (69 mins), D O’Grady (UCD) for Mallon (69 mins).

Referee: Hollie Davidson (Scotland)

Yellow card: S M’foudi (France) 76 mins.

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Assessing The Potential of The India-Middle East-Europe Economic Corridor (IMEC) Against China’s Belt And Road Initiative (BRI)

(THE VOICE OF EU) – In a recent address, Indian Prime Minister Narendra Modi hailed the newly unveiled India-Middle East-Europe Economic Corridor (IMEC) as a transformative force poised to shape global trade for centuries. While the IMEC undoubtedly presents a significant development, it’s vital to scrutinize its potential impact compared to China’s ambitious Belt and Road Initiative (BRI).

The IMEC was jointly announced by US President Joe Biden and Saudi Crown Prince Mohammed bin Salman at the G20 summit in Delhi. Designed to fortify transportation and communication networks between Europe and Asia via rail and shipping routes, the project not only holds regional promise but also reflects a strategic move by the US in its geopolitical interests, particularly concerning China.

However, the IMEC faces a formidable contender in the form of China’s BRI, which celebrated its tenth anniversary this year.

Despite facing some headwinds, including a slowdown in lending due to China’s economic deceleration and concerns raised by nations like Italy, Sri Lanka, and Zambia regarding debt sustainability, the BRI remains a monumental global undertaking.

With investments surpassing a staggering $1 trillion and over 150 partner countries, the BRI has transformed from a regional initiative to a near-global endeavor.

Comparatively, the IMEC may not immediately match the scale or ambition of the BRI. While the US, Japan, and the G7 nations have introduced similar initiatives like the Global Gateway and Partnership for Global Infrastructure and Investment, none have achieved the expansive reach or influence of the BRI.

The emergence of these projects over the past five years, however, demonstrates the BRI’s pivotal role as a catalyst for global economic growth.

Viewing the IMEC solely through the lens of opposition to the BRI may not provide a comprehensive understanding of its potential.

Instead, the IMEC contributes to a broader trend of transactional partnerships, where countries engage with multiple collaborators simultaneously, underscoring the complex and interconnected nature of global trade relations.

Yet, realizing the IMEC’s aspirations demands meticulous planning and execution. A comprehensive action plan is expected within the next 60 days, outlining key governmental agencies responsible for investments, allocated capital, and implementation timelines.

Establishing a streamlined customs and trade infrastructure is equally critical to facilitate seamless transit, a challenge highlighted by the Trans-Eurasian railway’s 30-country passage through Kazakhstan.

Navigating geopolitical complexities between partner countries, particularly the US, Israel, and Saudi Arabia, poses another potential hurdle.

Ensuring these nations maintain a unified strategic vision amid differing priorities and interests requires careful diplomatic coordination.

Furthermore, the IMEC will compete directly with the Suez Canal, a well-established and cost-effective maritime route.

While the IMEC may enhance relations with the UAE and Saudi Arabia, it could potentially strain ties with Egypt, prompting critical assessments of the project’s economic viability.

Beyond trade and economics, the IMEC ambitiously aims to incorporate diverse sectors, from electricity grids to cybersecurity.

This multi-dimensional approach aligns with discussions held in security forums like the Quad and, if realized, could significantly contribute to a safer, more sustainable global landscape.

As we contemplate the potential of the IMEC, it is with hope that the lofty ambitions outlined in New Delhi will culminate in a tangible and positive transformation for the world.

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Copyright Dispute: DC Comics And ‘Fables’ Author Clash over Ownership, Author Aims for Public Domain

A detail from a 'Fables' cartoon by Bill Willingham. Image courtesy of the publisher ECC.
A detail from a ‘Fables’ cartoon by Bill Willingham. Image courtesy of the publisher ECC.

This is a story full of fairy tales. In some ways, it even resembles one. And yet it also proves that, in the real world, things rarely end happily ever after. A few days ago, Bill Willingham, the father of the celebrated Fables comic book series, announced that he was sending his most cherished work to the public domain, that is, to everyone. That’s only fair, since that is also where he got the main characters of his stories, from Snow White to the Wolf, from Pinocchio to Prince Charming, who were then relocated to modern New York. In this tale, the hero has long-faced mistreatment at the hands of the villains, DC Comics, the owner of Vertigo, which publishes the work in the United States, and its executives.

“If I couldn’t prevent Fables from falling into bad hands, at least this is a way I can arrange that it also falls into many good hands,” Willingham wrote in an online post in which he decried the label’s repeated attempts to take over his creations and opposed them with this final extreme remedy. But the company responded that it considers itself to be the true owner of the series.

In a statement published by the specialized media IGN, the company threatened to take “necessary action” to defend its rights. Thus, the end of the dispute is uncertain. But it is unlikely that everyone will end up happily ever after.

In the meantime, in a new post, Willingham celebrated the massive support he received. In fact, for the moment, he has declined all interview requests — he did not respond to this newspaper’s request, nor did the publisher — arguing that he preferred to spend the next few days working on new artistic projects. Meanwhile, the dispute continues.

Fables is one of the most celebrated graphic novels of the last 20 years, and it has spawned spin-offs and a video game adaptation (The Wolf Among Us).

This situation also touches on a key issue, namely, the intellectual property rights of characters and works, especially in a sector where, for decades, dozens of cartoonists and screenwriters have accused comic book giants Marvel and DC of pressuring them to cede their ideas and accept commissioned contracts.

Willingham sums it up as a policy aimed to make creators sign “work for hire” agreements and crush them. All of this makes a gesture that was already intended to make a splash even more resonant.

A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC
A detail from a ‘Fables’ cartoon by Bill Willingham. Image provided by ECC.

Indeed, the battle over intellectual property is as old as contemporary comics: the copyrights for Superman, Batman and The Fantastic Four all have unresolved disputes and complaints from Jerry Siegel, Bill Finger and Jack Kirby over the contemptuous treatment they suffered. And heavyweight Alan Moore has been lamenting for years that DC took away his ownership of famous works like Watchmen.

Along with prestige and principles, tens of millions of dollars are at stake, especially now that the film industry has become interested in comics.

“When you sign a contract with DC, your responsibilities to them are carved in stone, where their responsibilities to you are treated as “helpful suggestions that we’ll try to accommodate when we can, but we’re serious adults, doing serious business and we can’t always take the time to indulge the needs of these children who work for us” the Fables author wrote on his blog. Following the impact of his original message, Willingham posted two other texts. He maintains that he had thought about sending his work into the public domain when he passed away, but that “certain events” have changed his plans: among them, he lists the changes in management and attitude at the top of the publishing company; the multiple breaches of obligations such as consultations about covers, artists for new plots and adaptations; DC’s forgetfulness when it came to pay, which forced him to demand invoices of up to $30,000; the suspicious frequency with which the publisher attributed it to “slipping through the cracks” (to such an extent that the author insisted that they stop using that expression); and the time and chances he gave them to respect the pact, renegotiate it or even break it and consensually separate.

A detail from the cover of the first volume of Bill Willingham's comprehensive collection of 'Fables.'
A detail from the cover of the first volume of Bill Willingham’s comprehensive collection of ‘Fables’.

“Shortly after creating Fables, I entered into a publishing agreement with DC Comics. In that agreement, while I continued to own the property, DC would have exclusive rights to publish Fables comics, and then later that agreement was expanded to give DC exclusive rights to exploit the property in other ways, including movies and TV.

DC paid me a fair price for these rights (fair at the time), and as long as they behaved ethically and above-board, and conducted themselves as if this were a partnership, all was more or less well. But DC doesn’t seem to be capable of acting fairly and above-board.

In fact, they treated this agreement (as I suppose I should have known they would) as if they were the boss and I, their servant. In time that got worse, as they later reinterpreted our contracts to assume they owned Fables outright,” Willingham laments. Hence, he concluded that “you can’t reason with the unreasonable.”

Having ruled out a lawsuit as too expensive and time-consuming at 67 years of age, he found a more creative solution: if they prevented him from owning his works and benefiting from them as he was entitled to do, he would not let the publisher do so either. Or, at least, everyone could use the comics as they wished. But the label was quick to clarify in its statement to IGN: “The Fables comic books and graphic novels [are] published by DC, and are not in the public domain”.

For his part, Willingham promises to continue fighting for all the conditions of his still-in-force contract that he considers DC to have violated, as well as for the last installments of the series, the final script of which he delivered two years ago.

There will be additional chapters in this dispute, as well as in many other ones like it: in 2024, the historic first image of Mickey Mouse, the one that starred in the 1928 short Steamboat Willie, enters the public domain in the U.S. and other countries. Copyright in the U.S. lasts for 95 years, and math is an exact science.

Therefore, in a few years, King Kong, Superman and Popeye will meet the same fate. But The New York Times has wondered how the “notoriously litigious” Disney will react and how far it will go to fight in court. And who would dare to freely use all these works for fear of a million-dollar lawsuit? The same question surrounds DC and similar companies. Because in the real world, fairy tales are rare. Or they end up in court.

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Do water features like a pool, pond or fountains add value to a home?

He may be used to making a splash in politics. But now it seems that Boris Johnson will be able to do that closer to home, too.

This week, it was revealed that the former prime minister has been given permission to build a swimming pool in the garden of his £3.78 million Oxfordshire country home. 

A move which will doubtless provide a restful place to unwind, exercise and relax as he navigates post-political life.

Deep pockets: A country home with outdoor swimming pool

Deep pockets: A country home with outdoor swimming pool 

But even if you don’t have deep pockets for such deep-water projects, it’s still possible to create the tranquil benefits of waterside living. 

Whether it’s through installing a hot tub, pond, or even decorative fountains. 

But, as our experts point out, it’s important to weigh up the pros and cons before splashing out…

Frequent attention

Introducing any kind of water feature to your garden requires some upkeep.

During the spring and summer, you’ll need to top up your water feature regularly to replenish water loss caused by evaporation. 

And there’s also the task of removing branches and leaves as well as pruning bushes nearby.

‘It’s also a good idea to give your water feature a thorough clean and add a wildlife-friendly algaecide or UV steriliser after cleaning,’ says Will Haxby, home and garden sales director at Haddonstone, which specialises in stonework ‘as this will prevent algae growth build-up caused by the warm conditions.’ 

When the temperatures drop, drain off water before the winter to protect your feature from frost. 

You’ll also need to clean the pump to remove any limescale build-up.

Will it add value?

Installing features like fountains can add to the kerb appeal of your home, says Tabitha Cumming, a property expert at The Lease Extension Company, says: ‘This means that it will make a better first impression and potentially add value to your home.’

Amer Siddiq, founder and CEO at Landlord Vision, believes that water features such as fountains can have other benefits, too.

‘They can help mask unwanted noises from roads or neighbours. They can also attract birds and wildlife, adding a touch of nature to your surroundings.’

Andrew Landers, director at Property Rescue, a home-buying service, says: ‘The post-covid world has seen the importance of outside space massively increase, and any enhancements that make this space more enjoyable is going to have a positive impact on the value of a home.’

Hidden costs

Factor additional costs into your budget, too, since water features rarely boil down to a single, one-off payment.

‘For example if any of your water features have fish, these can incur additional costs from the food and care that they will require, and you will also need to be vigilant to keep them safe from predators,’ says Cumming. 

Some features can cause structural issues, too. 

‘Fountains may become damaged through wear and tear or have cracks caused by water freezing over,’ she adds.

Beware risks

In summer, having a water feature will make you a magnet for friends and family who want to pop around and cool down. 

All of which, says Anna Giles, an associate at law firm Wedlake Bell, could increase scope for accidents

‘Homeowners should bear in mind that they could be subject to a claim for compensation if someone injures themselves at their property, so reasonable care needs to be taken to ensure that visitors and/or occupiers of the property will be safe.’

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