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How the US Provoked the Ukraine Crisis

Friends, 

In the midst of this latest “Ukrainian Crisis” (fanned by the frenzied Neocon/US State Department globalists), I am reminded of a very solid volume I read in 2015, during what was back then the latest Ukrainian Crisis: Frontline Ukraine, by Prof. Richard Sakwa (he’s son of a Polish WW II officer). Here (below) is a review of that volume by the distinguished author, columnist, and well-known traditional conservative, Peter Hitchens of The Daily Mail. I believe Hitchen’s review and Sakwa’s study continue to have relevance for us today.  

Hitchens highlights some of the major points of Sakwa’s very detailed and researched volume. And interestingly, many of the points addressed are still very current in this present crisis.  

The very simple conclusion that may be drawn from what is occurring is this: our foreign policy elites–Neoconservatives and their zealous followers in both the GOP and the Democratic Party–see Russia as a major obstacle in the continuing imposition of economic and also political control over countries which have heretofore not acceded to their hegemony (i.e., Russia and Hungary). Using NATO as a strategic shell and Ukraine as its frontline player, the neocon/globalist combine seeks to:  

(1) prevent an economic disaster for the US of a functioning Nordstream II pipeline, which would give Germany and potentially other European countries, a climb off ramp from economic domination by the US (specialist Mike Whitney has written conclusively on this topic);  

(2) eventually impose politically a pliant government in Moscow, which has become the chief stumbling block in preventing Neocon globalist hegemony as well as the realization of “the Great Reset” around the world. Russia, like Hungary, has expelled CIA-infested and Soros-sponsored NGOs which in many locations around the world have incited “color revolutions” to install favorable client governments;  

(3) lastly and more concretely, use the “false flag” projection disinformation strategy to accuse the Russians, or more specifically the pro-Russian secessionists in Lugansk and Donetsk republics, of violent attacks against Ukraine (on civilians, schools, all the usual claimed targets), while in fact it is elements of the Ukrainian forces, with American encouragement and technical “advisors” embedded, who are responsible for the shelling and the attacks across the cease-fire line.  

Just listen to the braindead Biden essentially mouthing this propaganda line. If warfare breaks out it will be because the US State Department and our agents have impelled the Ukrainians to launch such “false flag” actions, literally forcing the Russians to react and thus producing a conflict, into which the US and NATO can pour support and take various measures, economic and financial and, eventually, military against Russia.  

Recall that early in the John F. Kennedy administration there were solemn promises that “American combat forces will not go to Vietnam.” Then came the false flag Gulf of Tonkin incident, and US forces did go in in force…and we know what happened. Back then we were actually opposing a form of Communism, NOT a nationalist country that stands in the way of Great Reset globalist hegemony, as Russia is doing today. So, from that perspective we did have arguably a rationale for opposition to what was happening, even if badly reasoned and poorly executed.  

Let me be clear, I do not claim in these present comments that Vladimir Putin is some great conservative hero.  What I am saying is not a direct defense of him in that sense…that is not my object here. The question of Putin’s beliefs, his Christian faith (or lack of it), and whether he is defending traditional Christianity, is for another discussion. Rather, my present concern—which should be the concern of all patriotic Americans–is essentially what Russia represents in the context of global geopolitics, as it, in fact, is in opposition to the plans and devices of proponents of the universal Great Reset and the continuing, and perhaps final, success of the machinations of Western elites and the Neocons. That essentially is the crux of the matter and what is occurring in that region of Europe.  

What we are witnessing is what our foreign policy elites have always done for decades…think of the bogus “Iraq WMDs” and the now-proven-false reasons for intervening in the Balkans (with the result that we engineered a Muslim Islamist state—Kosovo—right in the middle of Europe). Can we actually trust the American foreign policy establishment to tell us the truth? — the same establishment that foisted off as an undebatable certainty that “Russia had sabotaged” our 2016 elections…that Trump was a “Russian stooge”…that the Russians were paying bounties to the Taliban to kill American boys in Afghanistan…that the Russians had sabotaged Vermont’s power grid…and on and on; all of which were blatantly false, total disinformation, in most cases to favor the elites and Neocons of the Deep State? With such an inglorious record, can we trust our Intelligence agencies, the CIA, and yes, the FBI?  

If so, then I have an oil well in my back yard, right beside a gold mine, that I will sell you cheap (sight unseen, of course) for just a measly one million dollars.  

As I write this the Bidenistas and the totally in-lock-step GOP elites (in some cases worse than the Left on foreign policy) are now confidently, with absolute certainty, telling us that the Russians will “invade Ukraine within a few days.” Of course, these are the same voices that informed us with appropriate seriousness that a Russian invasion would definitely take place this past Wednesday, February 16–remember Biden’s solemn assurance telling us that? If our clients in Kiev, prodded enough by us can provoke enough violence, shoot enough missiles, plant enough bombs then perhaps the Russians will indeed have to intervene…this is exactly what our State Department elites desperately desire.  

But bear in mind if this should occur who we are talking about and what the essential and fundamental issues actually are. If serious conflict does erupt the blood will be on our hands, that is, on the hands of our foreign policy establishment in Washington and its minions in Western Europe.  

Will the American public fall for this continuing Neocon disinformation and latest advance in implementing the Great Reset? How many disasters…how many lies and how much disinformation…how many dead American boys…how many billions of taxpayer dollars…must be expended on the altar of the powerful globalist elites, the Neocon/Big Business arms dealers and the frenzied Left who despise the growing anti-secularism and revival of a very traditional Christianity in Russia (as well as in Hungary) which stands athwart their road to domination?  

*************

Here is a summary passage from Sakwa’s volume, followed by Hitchen’s review:

 The unbalanced end of the Cold War generated a cycle of conflict that is far from over. An extended period of “cold peace” settled over Russo-Western relations, although punctuated by attempts by both sides to escape the logic of renewed confrontation. This is what I call mimetic cold war, which reproduces the practices of the Cold War without accepting the underlying competitive rationale. Structurally, a competitive dynamic was introduced into European international relations…. At worst, the revanchists in the post-Communist countries of Eastern Europe, encouraged by neoconservatives in Washington and their vision of global transformation on a global scale, fed concerns about Russia’s alleged inherent predisposition towards despotism and imperialism. The Trotskyite roots of US neocon thinking are well known: the fight now was not for revolutionary socialism but for capitalist democracy–to make the world safe for the US. This became a self-fulfilling prophecy: by treating Russia as the enemy, in the end it was in danger of becoming one. NATO thus found itself in a new role, which was remarkably similar to the one it had been set up to perform in the first place—to “contain” Russia.  (p. 5)

 ****************

THE DAILY MAIL.com (UK)

05 March 2015 4:11 PM

A Review of ‘Frontline Ukraine’ by Richard Sakwa

By Peter Hitchens

http://hitchensblog.mailonsunday.co.uk/2015/03/a-review-of-frontline-ukraine-by-richard-sakwa.html

You might have thought that a serious book on the Ukraine crisis, written by a distinguished academic in good clear English, and published by a reputable house, might have gained quite a bit of attention at a time when that country is at the centre of many people’s concerns. 

But some readers here now understand that publishing, and especially the reviewing of books, are not the simple marketplaces of ideas which we would all wish them to be.  

And so, as far as I can discover, this book‘Frontline Ukraine: Crisis in the Borderlands,’ by Richard Sakwa. Published by I.B.Tauris …though it came out some months ago, has only been reviewed in one place in Britain, the Guardian newspaper, by Jonathan Steele, the first-rate foreign correspondent whose rigour and enterprise (when we were both stationed in Moscow) quite persuaded me to overlook his former sympathy for the left-wing cause (most notably expressed in a 1977 book ‘Socialism with a German Face’ about the old East Germany, which seemed to me at the time to be, ah, excessively kind).   

Mr Steele’s review can be read here:  

http://www.theguardian.com/books/2015/feb/19/frontline-ukraine-crisis-in-borderlands-richard-sakwa-review-account

I have said elsewhere that I would myself be happier if the book were more hostile to my position on this conflict. Sometimes I feel that it is almost too good to be true, to have my own conclusions confirmed so powerfully, and I would certainly like to see the book reviewed by a knowledgeable proponent of the NATO neo-conservative position. Why hasn’t it been?  

But even so I recommend it to any reader of mine who is remotely interested in disentangling the reality from the knotted nets of propaganda in which it is currently shrouded.  

Like George Friedman’s interesting interview in the Moscow newspaper ‘Kommersant’ (you can read it here  http://russia-insider.com/en/2015/01/20/2561), the book has shifted my own view.

I have tended to see the *basic* dispute in Ukraine as being yet another outbreak of the old German push into the east, carried out under the new, nice flag of the EU, a liberal, federative empire in which the vassal states are tactfully allowed limited sovereignty as long as they don’t challenge the fundamental politico-economic dominance of Germany.  I still think this is a strong element in the EU’s thrust in this direction.  

But I have tended to neglect another feature of the new Europe, also set out in Adam Tooze’s brilliant ‘The Deluge’ – the firm determination of the USA to mould Europe in its own image (a determination these days expressed mainly through the EU and NATO).  

I should have paid more attention to the famous words ‘F*** the EU!’ spoken by the USA’s  Assistant Secretary of State, Victoria Nuland, in a phone call publicised to the world by Russian intelligence.  The EU isn’t half as enthusiastic about following the old eastern road as is the USA. Indeed, it’s a bit of a foot-dragger.  

The driving force in this crisis is the USA, with the EU being reluctantly tugged along behind. And if Mr Friedman is right (and I think he is), the roots of it lie in Russia’s decision to obstruct the West’s intervention in Syria [and its opposition to the Great Reset].  Perhaps the key to the whole thing (rather dispiriting in that it shows the USA really hasn’t learned anything important from the Iraq debacle) is the so-called ‘Wolfowitz Doctrine’ of 1992, named after the neo-con’s neo-con, Paul Wolfowitz, and summed up by Professor Sakwa (p.211) thus: ‘The doctrine asserted that the US should prevent “any country from dominating any region of the world that might be a springboard to threaten unipolar and exclusive US dominance”’.  

Note how neatly this meshes with what George Friedman says in his interview.  

Now, there are dozens of fascinating things in Professor Sakwa’s book, and my copy is scored with annotations and references. I could spend a week summarising it for you. (By the way, the Professor himself is very familiar with this complex region, and might be expected, thanks to his Polish ancestry, to take a different line. His father was in the Polish Army in 1939, escaped to Hungary in the chaos of defeat, and ended up serving in Anders’s Second Corps, fighting with the British Army at El Alamein, Benghazi, Tobruk and then through Italy via Monte Cassino. Then he was in exile during the years of Polish Communism. Like Vaclav Klaus, another critic of current western policy, Professor Sakwa can hardly be dismissed as a naif who doesn’t understand about Russia, or accused of being a ‘fellow-traveler’ or ‘useful idiot’.  

He is now concerned at ‘how we created yet another crisis’ (p xiii).  

But I would much prefer that you read it for yourself, and so will have to limit my references quite sternly.  

There are good explanations of the undoubted anti-Semitism and Nazi sympathies of some strands in Ukrainian politics. Similar nastiness, by the way, is to be found loose in some of the Baltic States. I mention this because it justified classifying the whole movement as ‘Neo-Nazi’, which is obviously false, but because it tells us something very interesting about the nature of nationalism and Russophobia in this part of the world.  No serious or fair description of the crisis can ignore it. Yet, in the portrayal of Russia as Mordor, and the Ukraine as Utopia, Western media simply leave out almost everything about Ukraine that doesn’t appeal to their audiences, the economic near collapse, the Judophobia and Russophobia (the derogatory word ‘Moskal’, for instance, in common use),  the worship of the dubious (this word is very generous, I think)  Stepan Bandera by many of the Western ultra-nationalists, the violence against dissenters from the Maidan view ( see  http://rt.com/news/ukraine-presidential-candidates-attacked-516/). The survival and continued power of Ukraine’s oligarchs after a revolution supposedly aimed at cleaning up the country is also never mentioned. We all know about Viktor Yanukovych’s tasteless mansion, but the book provides some interesting details on President Poroshenko’s residence (it looks rather like the White House), which I have not seen elsewhere.

The detailed description of how and why the Association Agreement led to such trouble is excellent. I had not realised that, since the Lisbon Treaty, alignment with NATO is an essential part of EU membership (and association) – hence the unavoidable political and military clauses in the agreement.  

So is the filleting of the excuse-making and apologetics of those who still pretend that Yanukovych was lawfully removed from office:  the explicit threat of violence from the Maidan, the failure to muster the requisite vote, the presence of armed men during the vote,  the failure to follow the constitutional rules (set beside the available lawful deal, overridden by the Maidan, under which Yanukovych would have faced early elections and been forced to make constitutional changes). 

Then here we have Ms Nuland again, boasting of the $5 billion (eat your heart out, the EU, with your paltry £300 million http://www.state.gov/p/eur/rls/rm/2013/dec/218804.htm)  

which the USA has ‘invested in Ukraine. Since Ukraine’s independence in 1991, the United States has supported Ukrainians as they build democratic skills and institutions, as they promote civic participation and good governance, all of which are preconditions for Ukraine to achieve its European aspirations. We’ve invested over $5 billion to assist Ukraine in these and other goals that will ensure a secure and prosperous and democratic Ukraine.’

It’s worth noting that in this speech, in December 2013, she still envisages the supposedly intolerable Yanukovych as a possible partner.

Other points well-made are the strange effect of NATO expansion into Eastern Europe, which has created the very tension against which it now seeks to reassure border nations, by encouraging them, too, to join, the non-binding nature of the much-trumpeted Budapest memorandum, the lack of coverage of the ghastly events in Odessa, the continuing lack of a proper independent investigation into the Kiev mass shootings in February 2014.  

Also examined is the Russian fear of losing Sevastopol, an entirely justified fear given that President Yushchenko had chosen to say during the war of August 2008,  that Russia’s basing rights in the city would end in 2017. The ‘disappearance’; of the ‘Right Sector’ and ‘Svoboda’ vote in recent elections is explained by their transfer to the radical Party led by Oleh Lyashko.  

Professor Sakwa also explores Russia’s behaviour in other border disputes, with Norway and China, in which it has been far from aggressive. And he points out that Ukraine’s nationalists have made their country’s life far more difficult by their rigid nationalist approach to the many citizens of that country who, while viewing themselves as Ukrainian, do not share the history or passions of the ultra-nationalists in the west of the country.  [….]

He points out that Russia has not, as it did in Crimea, intervened decisively in Eastern Ukraine to ensure secession. And he suggests that those Russian nationalists are acting in many cases independently of Moscow in the Donetsk and Lugansk areas.  Putin seeks to control them and limit them, but fears them as well.  

In general, the book is an intelligent, well-researched and thoughtful attempt to explain the major crisis of our time. Anybody, whatever he or she might think of the issue, would benefit from reading it.  It is shocking that it is not better known, and I can only assume that its obscurity, so far is caused by the fact that it does not fit the crude propaganda narrative of the ‘Putin is Hitler’ viewpoint [of the Neoconservatives and McCain and Lindsey Graham].  

How odd that we should all have learned so little from the Iraq debacle. This time the ‘WMD’ are the non-existent Russian plans to expand and/or attack the Baltic States.  And of course the misrepresentation of both sides in the Ukrainian controversy is necessary for the portrayal of Putin as Hitler and his supporters as Nazis, and opponents of belligerence as Nazi fellow-travellers. The inconvenient fact, that if there are Nazis in this story, they tend to be on the ‘good’ side must be ignored. Let us hope the hysteria subsides before it carries us into another stupid war

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Here’s when your favorite show may return as writers strike is on the verge of ending | Culture

A tentative agreement between striking screenwriters and Hollywood studios offers some hope that the industry’s dual walkouts may soon be over. But when will your favorite shows return?

Well, it’s complicated. First, the agreement needs to pass two key votes, and certain paused productions such as Deadpool 3 and Yellowjackets will still have to wait on actors to reach a deal with studios.

When is ‘Jimmy Kimmel Live’ coming back?

Once the contract is approved, work will resume more quickly for some writers than others. Late-night talk shows were the first to be affected when the strike began, and they may be among the first to return to air now. NBC’s The Tonight Show Starring Jimmy Fallon, ABC’s Jimmy Kimmel Live and The Late Show With Stephen Colbert on CBS could come back within days.

Saturday Night Live might be able to return for its 49th season, though some actors may not be able to appear. The actors strike limits promotional appearances that are the lifeblood of the late-night shows.

Shows that return while actors are still picketing could prove controversial, as happened with the planned resumptions of daytime shows including The Drew Barrymore Show and The Talk. Those plans were later abandoned.

One show that’s likely to make a speedy return? Real Time with Bill Maher. The host plotted a return without writers but ended up postponing once last week’s negotiations were set.

What about ‘Stranger Things’ and ‘Superman’?

Writers rooms for scripted shows that shut down at the strike’s onset, including Netflix’s Stranger Things, Severance on Apple TV+ and Abbott Elementary on ABC are also likely to reactivate quickly. But with no performers to act out the scripts, long delays between page and screen will be inevitable.

Film writers will also get back to work on their slower timeline, though those working on scripts or late revisions for already scheduled movies — including “Deadpool 3″ and “Superman: Legacy” — will certainly be hustling to avoid further release-date delays.

When are Drew Barrymore and other daytime shows coming back?

Barrymore’s planned return to her daytime television show became a rallying point for picketers earlier this month, prompting her to cancel her plans. The Talk and The Jennifer Hudson Show, which also employ some screenwriters, also called off plans to return.

Barrymore and the other shows have not announced their plans for returning. However, the Writers Guild of America has made it clear: Guild members cannot start working again on projects until the tentative contract is ratified.

That vote has not yet been scheduled.

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Milan fashion celebrated diversity and inclusion with refrain: Make more space for color and curves | Culture

More curvy models than ever showed up on Milan runways this season, due mostly to a single show by Brazilian designer Karoline Vitto, while designers of color showcased their work at collateral events meant to promote their visibility — along with diversity — in the backrooms of Italian fashion.

Wherever diversity and inclusion were being celebrated during Milan Fashion Week, which ended Sunday, there was one underlying refrain: Make more space.

Curvy models get outing at Karoline Vitto

“We made history! It was incredible,’’ world-renown curvy model Ashley Graham gushed as she embraced London-based Vitto after Sunday’s show. Graham is often the only curvy model on major fashion runways, but for this show she led a cast of models ranging in size from UK 10 to UK 24 (US 6 to US 20).

By comparison, some Milan brands typically size up to 48 Italian (US size 12), while some, notably Dolce & Gabbana which sponsored Vitto, has extended some looks up to an Italian size 52 (US 16).

Graham wore an edgy black ripped corset and long sheer skirt, while other models wore form-hugging jersey dresses fitted with S-shaped metallic fixtures that sculpted their curves. She used the same technique for bathing suits.

“It feels normal,’’ Graham said, calling on more designers to get more curves on the runway. “If I feel normal on the runway with this many girls, that means that there is something that doesn’t feel normal when I am on the runway with everybody else.”

Diversifying small brand profiles

After working in fashion for decades, Deborah Latouche launched her own brand after converting to Islam and realizing how hard it was to find clothes that were “luxury, high-end and modest.”

Latouche brand, Sabirah, was highlighted along with US brand BruceGlen at the Milan Fashion Hub for new and emerging designers, sponsored by Blanc Magazine’s Teneshia Carr and the Italian National Fashion Chamber. The Hub offered space to meet buyers and other people interested in new brands.

“Something like this is really important because small brands such as myself can get really overlooked,’’ said Latouche, who has shown her brand in London, where she is based. “We put a lot of work in but we don’t necessarily get a lot of recognition.

Being invited to Milan “is an amazing platform that gives us the potential to elevate and that is really important,’’ she said.

Twins Bruce and Glen Proctor have been working on their brand for 17 years, and relished the time in Milan showing their creations to a new audience while they also connect with their true creative intentions.

“For a longtime we did black and white, based on what we thought the industry wanted,” Bruce Glen said. Now they are doing what comes naturally, “Colors, prints and fur.’’

Carr said presentations where people can touch the wares are a great way to connect people with a new product, without the huge expense of a runway show.

“The fashion system isn’t working for anyone but the 1 percent. I am all for trying to make new systems where everyone gets paid and people get clothes that make them feel better,’’ she said.

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Hollywood Studios Reach Tentative Agreement With Screenwriters To End The Strike

The picket line of writers and actors outside Netflix offices in Los Angeles.

The picket line of writers and actors outside Netflix offices in Los Angeles.

A happy ending in Hollywood. The studios and the writers’ union have reached a tentative agreement to end the screenwriters’ strike that has brought the world of film and television in the United States to a halt for nearly five months.

After four days of negotiations, Hollywood studios and the Writers Guild of America (WGA) managed to set down the bases of a new collective agreement. The deal announced Sunday unblocks one of the longest labor conflicts in the industry, with the strike now at 146 days.

“We can say, with great pride, that this deal is exceptional, with meaningful gains and protections for writers in every sector of the membership” the WGA stated in a press release. The leadership of the screenwriters’ organization must ratify the pact on Tuesday by a vote. The studios must now focus on resolving the conflict with the actors’ union, which is still on strike, so that productions can resume operations.

The studios and the WGA resumed negotiations on Wednesday after months of tension and a failed attempt to reach an agreement in mid-August. This time, there was a greater sense of urgency from both sides, who were concerned that further disagreement could have stretched the strike to 2024.

The main executives of the four studios attended the meetings with this in mind to show their willingness to negotiate. The parties set the goal of drafting the new contract before the Yom Kippur holidays, which began Sunday afternoon.

The negotiations were attended by Bob Iger, from Disney; David Zaslav from Warner Bros. Discovery; Netflix’s Ted Sarandos and NBCUniversal’s Donna Langley. The studio heads were present for three days at the meetings, which were held at the offices of the Alliance of Motion Picture and Television Producers (AMPTP).

Over the weekend, the studios were able to finalize the remaining details of the deal with the WGA. California Governor Gavin Newsom was also involved to ensure that both sides remained at the negotiating table. The strike has cost the state about $3 billion, according to a conservative estimate by California State University Northridge.

SAG-AFTRA actors and Writers Guild of America (WGA) writers rally during their ongoing strike, in Los Angeles, California, U.S. September 13, 2023.

SAG-AFTRA actors and Writers Guild of America (WGA) writers rally during their ongoing strike, in Los Angeles, California, U.S.

In the press release to announce the tentative agreement, the WGA made it clear that the strike is not over yet: “No one is to return to work until specifically authorized to by the Guild. We are still on strike until then.” The WGA’s 11,500 members must vote on the agreement.

This will happen after Tuesday, when the Negotiating Committee ratifies the deal once the final version of the text is ready. The deal is likely to be overwhelmingly approved by screenwriters, who have expressed their satisfaction for the resolution. Union members have also recognized the work of the Negotiating Committee, headed by Ellen Stutzaman.

While the strike continues until the deal is voted on, the WGA has brought an end to the picket lines at the gates of major studios in Los Angeles and New York, which have been in place since May 2.

If the strike had reached September 30, it would have become the longest in the history of the WGA, surpassing the 153 days of the 1988 strike. Actors, in the meantime, remain on strike, until they reach a deal with the studios.

According to the writers, the agreement was made possible after the studios agreed to reformulate the scope that artificial intelligence will have in the writing of content, and to set minimum rules for writers’ rooms.

During the strike, screenwriters complained that studios were abusing so-called mini rooms, a more compact version of a writers’ room. These mini rooms were used to develop more content for streaming platforms in less time and with fewer hands, which made the work more precarious. The new agreement establishes a minimum number of people who must write a television series.

One of the most insistent demands by the WGA was a review of the residual payment model. Residuals are compensation paid for the reuse of a credited writer’s work. The union argued that the previous scheme worked in the times of broadcast TV, but that adjustments needed to be made for the era of streaming. In the digital age, writers, producers and actors receive see hardly any compensation for shows that become hits on platforms.

The studios agreed to change the model to increase compensation depending on a show’s audience figures. This issue is also key to resolving the conflict with the actors’ union SAG-AFTRA, which has 160,000 members, and has been on strike for 72 days.

After the failed negotiations in August, the pickets at the doors of the studios became larger in September. The writers flexed their muscles when Drew Barrymore announced she would return to filming her CBS talk show. This provoked the anger of the scriptwriters, who argued that the popular actress was violating the strike. Barrymore defended herself by stating that many members of the production were suffering financial hardship after months without work. But she came under a lot of pressure.

After a week, Barrymore tearfully apologized in a video posted on social media and announced that she would not resume filming. Other television productions followed, reporting that they would not return until the strike was resolved.


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