Fifteen minutes of fame was not enough for Johnny Anchondo. Local television devoted some 100 minutes of live coverage to this repeat offender, following one of the wildest chases Los Angeles has seen in recent years. In that time, the 33-year-old criminal ran a stop sign and caused an immense mobilization of the police as he stole two pickup trucks, rammed into dozens of vehicles at high speed and escaped from at least 15 patrol cars that were hot on his trail for some 12 miles. All of this was recorded by the all-seeing eye in the sky, news helicopters.
“Chases are the best. They are dynamic, they move fast. Things can change in an instant. Sometimes they seem endless from up there,” says Stu Mundel, one of the journalists who have been following events on the city streets from a helicopter for decades. “And I say this from the bottom of my heart, it’s genuine, but I always wish things would end well,” he adds.
In Los Angeles, chases are now a television genre in their own right. Journalists like Mundel fly for hours over a gigantic urban sprawl of 88 cities with 11 million people. From way up high, they report on traffic, crashes, shootings and fires in the metropolitan area. But few events arouse the audience’s interest as much as the chases through the city’s vast thoroughfares. The police chase starring Anchondo attests to that fact; the video has over 28 million views on YouTube.
The genre was born in this city. The idea came to John Silva, an engineer for a local television station, while he was driving his car on a freeway near Hollywood. “How can we beat the competition?” he wondered. The answer came to him behind the wheel. “If we could build a mobile news unit in a helicopter, we could beat them in arriving to the scene, avoiding traffic and getting all the stories before the competition,” Silva told the Television Academy in a 2002 interview.
In July 1958, a Bell 47G-2 helicopter made the first test trip for the KTLA network, becoming the first of its kind anywhere in the world. By September of that year, Silva’s creation, known as the Telecopter, already had a special segment on the channel’s news program. Before long, every major television network had one. Silva died in 2012, but his invention transformed television forever.
The chase genre’s crowning moment came in June 1994, when the Los Angeles police chase of a white Ford Bronco was broadcast live on television. In the back of the vehicle was O.J. Simpson, the former football star, whom the authorities had named the prime suspect in the murder of his ex-wife and her friend. Bob Tur (now known as Zoey Tur after a sex change operation), the pilot of a CBS helicopter, located the van on the 405 freeway being followed by dozens of patrol cars. Within minutes, there were so many helicopters following the convoy that Tur found the scene worthy of Apocalypse Now. The audience was such that TV stations interrupted the broadcast of Game 5 of the NBA Finals to follow the chase, which lasted two hours.
Motorists wave to ex-football star O.J. Simpson as he flees from the police in the back of a white Ford Bronco pickup truck driven by Al Cowlings in Los Angeles, California, in June 1994. Jean-Marc Giboux (Getty Images)
“It’s a very interesting thing. It may sound morbid, but it’s not. People follow [police chases] because they are like a movie, we want to know how it will end and how the story unfolds: will good triumph over evil? Or will this person manage to escape? We journalists are objective, but the adrenaline and excitement is genuine,” says Mundel. In his years of experience, he has seen how technology has evolved. In the 1990s, people used a paper map as a guide. Today, viewers can see a map superimposed on the images Mundel captures with his camera.
Four out of 10 chases are initiated after a vehicle is stolen. The second most common reason for them are hit-and-runs by drivers who are drunk or under the influence of drugs. According to the Los Angeles Police Department, most fugitives are hiding a more serious crime: homicide, rape or violent robbery. In 1998, only four out of the 350-plus drivers arrested after a chase were let off with only a traffic ticket; five hundred chases were recorded that year.
A growing phenomenon
In 2022, 971 chases were recorded. On average, chases last about 5.34 minutes and cover about five miles, although the vast majority (72%) end within five minutes and do not travel more than two miles. 35% of documented chases ended in crashes with injuries or fatalities in 2022. That figure represents a slight decrease from 990 in 2021. In 2019, there were fewer: 651 chases and 260 crashes.
A few decades ago, authorities tried to reassure Angelenos by claiming that a person had a one in four million chance of accidentally being killed in a police chase of a criminal. “There’s a better chance of being struck by lightning,” the police department estimated. But things have changed. An official report presented in April indicates that, over the past five years, 25% of chases have left people dead or injured. That almost always includes the suspect, but the number of innocent people who have been hurt has also increased.
News Helicopters Ushered A Fresh Television Genre In Los Angeles
Although there is plenty of material on the street, uncertain times for local journalism have limited coverage. Univision and Telemundo have dispensed with their helicopters in Los Angeles. Fox and CBS have joined forces and are using one aircraft instead of two. For the time being, KTLA, which invented the genre, remains committed to having a helicopter in the air.
The days may be numbered for these televised events. Some metro police departments have asked their officers to stop chasing criminals at high speed for the safety of the public. Instead, they have employed technology with high-definition cameras and drones to chase criminals, as has happened in cities like Dallas, Philadelphia and Phoenix.
The Los Angeles police have said that they are studying the implementation of the Star Chase system in some of their vehicles. Star Chase features a launcher that triggers a GPS transmitter, tagging a fleeing vehicle and allowing the authorities to track the position of the person who has escaped in real time. Another measure under consideration is the use of an industrial-strength nylon net that traps the rear axle of the fleeing car. All of this could yield dramatic footage for the eye in the sky.
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— By Darren Wilson, Team ‘THE VOICE OF EU‘
— For more information & news submissions: info@VoiceOfEU.com
Choco: Revolutionizing The FoodTech Industry With Innovation & Sustainability | EU20
By Clint Bailey
— In the rapidly evolving world of food technology, European startup Choco has emerged as a pioneering force. With its website, Choco.com, this Berlin-based company is transforming the way food industry professionals operate by leveraging innovative digital solutions. By linking restaurants, distributors, suppliers, and producers on a single platform, Choco is streamlining the supply chain process while promoting sustainability.
Let’s explore the journey of Choco.com and its impact on the overall foodtech industry.
Company: Choco Technologies GmbH
Website: www.Choco.com
Head Office: Berlin, Germany
Year Established: 2018
Founders: Choco was co-founded by Daniel Khachab, Julian Hammer, and Rogerio da Silva.
Industry: Choco operates in the foodtech industry, specifically focusing on digitizing the supply chain for the food industry.
Funding: Choco has secured significant funding rounds from investors, including Bessemer Venture Partners & Coatue Management.
Market Presence: Choco has a strong presence in several European cities, including Berlin, Paris, London & Barcelona.
Mission: Choco aims to revolutionize the food industry by leveraging technology to simplify supply chain management, promote sustainability, and reduce food waste.
Simplifying Supply Chain Management
One of the core focuses of Choco is to simplify supply chain management for food businesses. Traditionally, the procurement process in the food industry has been cumbersome and inefficient, with numerous intermediaries and manual processes. Choco’s digital platform replaces the traditional paper-based ordering system, allowing restaurants and suppliers to communicate and collaborate seamlessly.
Choco’s platform enables restaurants to place orders directly with suppliers, eliminating the need for phone calls, faxes, or emails. This not only saves time but also reduces the likelihood of errors and miscommunications.
By digitizing the ordering process, Choco improves transparency, making it easier for restaurants to compare prices, track deliveries, and manage inventory efficiently.
Streamlining Operations For Suppliers & Producers
Choco’s impact extends beyond restaurants. The platform also provides suppliers and producers with valuable tools to streamline their operations. By digitizing their product catalogs and integrating them into the Choco platform, suppliers can showcase their offerings to a wide network of potential buyers.
Suppliers benefit from increased visibility, enabling them to reach new customers and expand their market presence. Moreover, Choco’s platform helps suppliers manage their inventory, track orders, and plan deliveries effectively. These features enhance operational efficiency, reduce waste, and ultimately contribute to a more sustainable food system.
https://youtube.com/@choco233
YouTube Channel
Promoting Sustainability & Reducing Food Waste
Choco recognizes the critical importance of sustainability in the food industry. According to the United Nations, approximately one-third of the world’s food production goes to waste each year. By digitizing the supply chain and enabling more efficient ordering and inventory management, Choco actively works to combat this issue.
Choco’s platform facilitates data-driven decision-making for restaurants, suppliers, and producers. By analyzing purchasing patterns & demand, Choco helps businesses optimize their inventory levels, reducing overstocking and minimizing food waste. Additionally, Choco supports local sourcing, enabling businesses to connect with nearby suppliers & promote sustainable, community-based practices.
Expanding Reach & Impact
Since its founding in 2018, Choco has experienced rapid growth and expansion. The startup has successfully secured significant funding rounds, allowing it to scale its operations and establish a strong presence across Europe and other global markets. Today, Choco’s platform is used by thousands of restaurants and suppliers, revolutionizing the way they operate.
Choco’s impact extends beyond operational efficiency or sustainability. By connecting restaurants, suppliers & producers on a single platform, Choco fosters collaboration & encourages the exchange of ideas. This collaborative approach strengthens the overall foodtech ecosystem and creates a supportive community of like-minded aiming to drive positive change within the industry.
Future Of FoodTech
Choco’s rise to prominence in the foodtech industry exemplifies the reach of sustainability, innovation, and community. Through its user-friendly platform, Choco simplifies supply chain management, streamlines operations for restaurants & suppliers, and actively promotes sustainable practices. By harnessing the potential of digital, Choco is disrupting the future of the food industry, making it more efficient and transparent.
As Choco continues to expand its impact and reach, its transformative influence on the foodtech sector is set to inspiring, grow other startups, and established players to embrace technology for a better and more sustainable food system.
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— Compiled by Clint Bailey | Team ‘Voice of EU’ — For More Info. & News Submissions: info@VoiceOfEU.com — For Anonymous News Submissions: press@VoiceOfEU.com
The Hat Worn By Napoleon Bonaparte Sold For $2.1 Million At The Auction
A faded felt bicorne hat worn by Napoleon Bonaparte sold for $2.1 million at an auction on of the French emperor’s belongings.
Yes, that’s $2.1 million!!
The signature broad, black hat, one of a handful still in existence that Napoleon wore when he ruled 19th-century France and waged war in Europe, was initially valued at 600,000 to 800,000 euros ($650,000-870,000). It was the centerpiece of Sunday’s auction collected by a French industrialist who died last year.
The Hat Worn By Napoleon Bonaparte Sold For $2.1 Million At The Auction
But the bidding quickly jumped higher and higher until Jean Pierre Osenat, president of the Osenat auction house, designated the winner.
‘’We are at 1.5 million (Euros) for Napoleon’s hat … for this major symbol of the Napoleonic epoch,” he said, as applause rang out in the auction hall. The buyer, whose identity was not released, must pay 28.8% in commissions according to Osenat, bringing the overall cost to 1.9 million euros ($2.1 million).
While other officers customarily wore their bicorne hats with the wings facing front to back, Napoleon wore his with the ends pointing toward his shoulders. The style, known as “en bataille,” or in battle, made it easier for his troops to spot their leader in combat.
The hat on sale was first recovered by Col. Pierre Baillon, a quartermaster under Napoleon, according to the auctioneers. The hat then passed through many hands before industrialist Jean-Louis Noisiez acquired it.
The entrepreneur spent more than a half-century assembling his collection of Napoleonic memorabilia, firearms, swords and coins before his death in 2022.
The sale came days before the release of Ridley Scott’s film Napoleon with Joaquin Phoenix, which is rekindling interest in the controversial French ruler.
THE VOICE OF EU | Widespread concerns have surged among artists and creatives in various domains – country singers, authors, television showrunners, and musicians – voicing apprehension about the disruptive impact of artificial intelligence (AI) on their professions.
These worries have prompted an urgent plea to the U.S. government for regulatory action to protect their livelihoods from the encroaching threat posed by AI technology.
The Artists’ Plea
A notable rise in appeals to regulate AI has emerged, drawing attention to the potential risks AI poses to creative industries.
Thousands of letters, including those from renowned personalities like Justine Bateman and Lilla Zuckerman, underscore the peril AI models represent to the traditional structure of entertainment businesses.
The alarm extends to the music industry, expressed by acclaimed songwriter Marc Beeson, highlighting AI’s potential to both enhance and jeopardize an essential facet of American artistry.
The Call for AI Regulation in Creative Industries
Copyright Infringement Concerns
The primary contention arises from the unsanctioned use of copyrighted human works as fodder to train AI systems. The concerns about AI ingesting content from the internet without permission or compensation have sparked significant distress among artists and their representative entities.
While copyright laws explicitly protect works of human authorship, the influx of AI-generated content questions the boundaries of human contribution and authorship in an AI-influenced creative process.
The Fair Use Debate
Leading technology entities like Google, Microsoft, and Meta Platforms argue that their utilization of copyrighted materials in AI training aligns with the “fair use” doctrine—a limited use of copyrighted material for transformative purposes.
They claim that AI training isn’t aimed at reproducing individual works but rather discerning patterns across a vast corpus of content, citing precedents like Google’s legal victories in the digitization of books.
The Conflict and Seeking Resolution
Despite court rulings favoring tech companies in interpreting copyright laws regarding AI, voices like Heidi Bond, a former law professor and author, critique this comparison, emphasizing that AI developers often obtain content through unauthorized means.
Shira Perlmutter, the U.S. Register of Copyrights, acknowledges the Copyright Office’s pivotal role in navigating this complex landscape and determining the legitimacy of the fair use defense in the AI context.
The Road Ahead
The outpouring of concern from creative professionals and industry stakeholders emphasizes the urgency for regulatory frameworks to safeguard creative works while acknowledging the evolving role of AI in content creation.
The Copyright Office’s meticulous review of over 9,700 public comments seeks to strike a balance between innovation and the protection of creative rights in an AI-driven era. As the discussion continues, the convergence of legal precedents and ethical considerations remains a focal point for shaping the future landscape of AI in creative industries.
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— By Darren Wilson, Team VoiceOfEU.com
— For more information & news submissions: info@VoiceOfEU.com