Global Affairs
‘House of love’: the calm, creative space changing young lives in Karachi | Global development
Living in Lyari was like living on the frontlines of a war, says Nauroz Ghani, who grew up in the Karachi slum notorious for its bloody gang battles. So used to the constant gunfire, he says he would “become restless if a day passed by without hearing the sound of a firing”.
“My teenage years were lost to violence,” says Ghani, 24. “I had no interest in getting an education. Instead, I was attracted by their guns and activities.” He saw dead bodies on the street and one boy was killed in front of him. “All of us who lived during those days have such memories. We lived in terror, but it had become habitual.”
Last year, Ghani’s life took a significant turn when he started working at a new space in Lyari.
Mehr Ghar (House of Love) was opened in March last year by social entrepreneurs and siblings Muhammad Faheem and Parveen Naz. The community centre is the first of its kind in the Pakistani slum, with a media room, library space, cafe and study areas. It also provides safe meeting spaces for women, who have borne the brunt of violence in Lyari.
Ghani believes that without it he “would have either been dead by now or in hiding”.
Gang violence in Lyari, fuelled by the drug trade and ethnic tensions, soared in the early 2000s. Hundreds have died and thousands deserted the area. The House of Love offers people a place to hang out, be creative and find alternatives to gang life.
Crackdowns by the police in recent years have tamed the area, enough for Naz to return to the place she’d left more than a decade earlier after receiving threats by gang members who didn’t like her work for peace.
“We felt the need to provide the youngsters of Lyari with a safe space – a space where they can learn and work. The gang-war era traumatised our youth, resulting in discrimination of our community and lowered the literacy rate of Lyari,” she says.
Sadia Rasheed, 28, a community engagement officer at the centre, grew up in Lyari. Married at 16, she was regularly beaten by her alcoholic husband. One of her cousins, who was involved in a gang, was killed, and her brother is a drug addict.
“In violence-ridden areas, such as Lyari, domestic abuse is rampant. I don’t want what happened to me to happen with other girls,” says Rasheed, who has left her husband.
“I feel saddened to see my brother in the state he is in and I feel if a space like Mehr Ghar had existed before and I had known of it, my brother might have not walked this path.”
But she adds: “From being a child bride who bore her husband’s beating to a woman who conducts training sessions on her own – that’s the journey I have been on and in these months that I have worked here, I have found my identity and voice.”
Mehr un Nisa, 37, has been visiting the centre since it opened. She and her friends sit, chat and discuss issues they face.
“My friends and classmates were part of gangs and now almost all of them are dead. They were all such talented young boys, but their life got wasted because of the gang wars at Lyari. I was scared for my brothers. We couldn’t leave our houses and were always living in terror,” she recalls.
“Mehr Ghar provides us all with a safe space. I’m most comfortable when I am here. There is no fear of judgment, and we all work as a family.
“I have seen young boys and girls whom nobody expected anything of achieving milestones because of this space and because of the opportunities and training. We need such spaces,” said Nisa.
In the UK, call the domestic abuse helpline on 0808 2000 247, or visit Women’s Aid. In the US, the domestic violence hotline is 1-800-799-SAFE (7233). In Australia, the family violence counselling service is on 1800 737 732. Other international helplines may be found via www.befrienders.org
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Global Affairs
Safe Mobility Initiative Faces Challenges In Delivering On Its Promises For Latin American Migrants
In June, the United States introduced the Movibilidad Segura, or Safe Mobility, program, a new immigration initiative aimed at expanding legal routes for refugees and migrants from South and Central America.
The program’s objective is to reduce irregular migration and strengthen transportation and communication links between the Americas. While the intentions behind Safe Mobility are commendable, its execution has faced several challenges, leaving thousands of applicants in limbo.
For many hopeful migrants like Eliezer Briceño, a 40-year-old Venezuelan residing in Ciudad Bolívar, Colombia, the application process has proven to be a complex and tedious endeavor.
Briceño’s experience highlights the technological barriers that applicants face, emphasizing the need for reliable internet access and suitable devices for successful registration.
Unfortunately, these prerequisites pose significant challenges for those without adequate resources.
Migrants cross a river in the Darién rainforest, October 2022.Fernando Vergara (AP)
The overwhelming response to the program has led to the temporary closure of the website in Colombia, further complicating the application process. With quotas quickly filled during the limited application periods, the backlog of hopeful migrants has grown, exacerbating the frustration and uncertainty surrounding Safe Mobility.
Of the nearly 29,000 applicants from Colombia, less than 1% have progressed through the U.S. Refugee Admissions Program (USRAP) as of August 28. This statistic underscores the significant delays and challenges faced by applicants. Eliezer Briceño, like many others, anxiously awaits news about his application status, armed only with a receipt indicating a forthcoming call.
Safe Mobility, while a response to the migration crisis in Latin America, is one of several initiatives addressing the challenges faced by millions of displaced individuals.
Its collaboration with the International Organization for Migration (IOM) and the United Nations High Commissioner for Refugees (UNHCR) demonstrates a multi-lateral effort to find solutions to the region’s complex humanitarian, political, and economic issues.
A group of Haitian migrant women & their children wait to board a boat from Necocli, Colombia to Capurgana & then cross the Darién Gap to Panama.
However, the program’s operational secrecy, with undisclosed office locations, underscores the challenges faced by its administrators.
The need to protect both applicants and program staff from potential overcrowding and disruptions mirrors the situation in Tapachula, Mexico, where large groups of migrants have sought assistance, albeit without violent incidents.
The interview process for Safe Mobility applicants introduces another layer of complexity, marked by confidentiality agreements.
While applicants are required to sign agreements consenting to share personal data with program partners, the imposition of non-disclosure clauses appears unusual and unprecedented.
The UNHCR argues that confidentiality is crucial for the protection of individuals in need of international refuge.
The uncertainty persists even after interviews, as those rejected receive prompt notifications while others remain in a state of perpetual waiting. The apparent randomness of selections and the lack of clear communication only heighten the frustrations of applicants.
As Safe Mobility nears the midpoint of its announced six-month pilot period, questions about its effectiveness and future persist.
While the initiative addresses a critical need, its slow start and operational challenges highlight the complexity of addressing the migration crisis in the Americas.
Cooperation from multiple nations, alongside initiatives like Safe Mobility, will be essential in finding lasting solutions to this pressing global issue.
Culture
“The Creator”: A Glimpse Into A Future Defined By Artificial Intelligence (AI) Warfare
By Cindy Porter
In “The Creator” visionary director Gareth Edwards thrusts us into the heart of a dystopian future, where the battle lines are drawn between artificial intelligence and the free Western world.
Set against the backdrop of a post-rebellion Los Angeles, the film grapples with pressing questions about the role of AI in our society.
A Glimpse into a Future Defined by Artificial Intelligence (AI) Warfare
A Fusion of Genres
Edwards embarks on an ambitious endeavor, blending elements of science fiction classics with contemporary themes.
The result is a cinematic stew reminiscent of James Cameron’s “Aliens” tinged with shades of “Blade Runner” a dash of “Children of Men,” and a sprinkle of “Akira” This concoction, while intriguing, occasionally veers toward familiarity rather than forging its own distinct identity.
Edwards’ Cinematic Journey
The British filmmaker, known for his foray into doomsday scenarios with the BBC docudrama “End Day” in 2005, has traversed a path from indie gem “Monsters” (2010) to the expansive Star Wars universe with “Rogue One” (2016).
“The Creator” marks another bold step in his repertoire. The film introduces compelling concepts like the posthumous donation of personality traits, punctuated by impactful visuals, and raises pertinent ethical dilemmas. It stands as a commendable endeavor, even if it occasionally falters in execution.
Navigating Complexity
In his pursuit of depth, Edwards at times stumbles into the realm of convolution, leaving the audience grappling with intricacies rather than immersing in the narrative.
While adept at crafting visual spectacles and orchestrating soundscapes, the film occasionally falters in the art of storytelling.
In an era where classic storytelling is seemingly on the wane, some may argue that this approach is emblematic of the times.
AI: Savior or Peril?
“The Creator” leaves us with a question that resonates long after the credits roll: Will artificial intelligence be humanity’s salvation or its undoing? The film’s take on machine ethics leans toward simplicity, attributing AI emotions to programmed responses.
This portrayal encapsulates the film’s stance on the subject – a theme as enigmatic as the AI it grapples with.
“The Creator”
Director: Gareth Edwards.
Starring: John David Washington, Gemma Chan, Madeleine Yuna Boyles, Ken Watanabe.
Genre: Science fiction.
Release Year: 2023.
Duration: 133 minutes.
Premiere Date: September 29.
WATCH: TRAILER
Top 5 Movies by Gareth Edwards:
1. “Monsters” (2010)
– A breakout hit, “Monsters” showcases Edwards’ talent for blending intimate human drama with towering sci-fi spectacles. Set in a world recovering from an alien invasion, it’s a poignant tale of love amidst chaos.
2. “Rogue One” (2016)
– Edwards helms this epic Star Wars installment, seamlessly integrating new characters with the beloved original trilogy. It’s a testament to his ability to navigate complex narratives on a grand scale.
3. “End Day” (2005)
– This BBC docudrama marked Edwards’ entry into the world of speculative storytelling. Presenting five doomsday scenarios, it set the stage for his later exploration of dystopian futures.
4. “The Creator” (2023)
– Edwards’ latest venture, “The Creator,” immerses audiences in a future fraught with AI warfare. While not without its challenges, it boldly tackles pertinent questions about the role of artificial intelligence in our lives.
5. Potential Future Project
– As Edwards continues to push the boundaries of speculative cinema, audiences eagerly anticipate his next cinematic endeavor, poised to be another thought-provoking addition to his illustrious filmography.
“The Creator” stands as a testament to Gareth Edwards’ unyielding vision and his penchant for exploring the frontiers of speculative cinema.
While it doesn’t shy away from the complexities of AI, it occasionally falters in navigating its intricate narrative.
As we peer into this cinematic crystal ball, we’re left with a stark question: Will artificial intelligence be our beacon of hope, or will it cast a shadow over humanity’s future? Only time will unveil the answer.
We Can’t Thank You Enough For Your Support!
— By Cindy Porter
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