Madrid’s famous Teatro Real was on Sunday forced to cancel a performance of Verdi’s opera Un ballo in maschera due to a protest from audience members over the lack of social-distancing measures. Madrid has once again become the epicenter of the coronavirus pandemic, with the region accounting for more than one third of all new Covid-19 cases.
According to one of the spectators, who had a seat in the upper gallery of the opera house, where tickets are less expensive, up to 15 people were seated side by side in this area with no space between them. The spectator told EL PAÍS that audience members complained to the ushers as soon as they saw that they were seated right next to other theatergoers, with no empty seats between them. In a press release, the Teatro Real maintained that capacity was at 51.5%, meaning 905 seats were occupied.
On the ground floor, some of the seats were closed off, but in the upper galleries, there were entire rows of 15 people side by side
Spectator at Teatro Real
The situation became increasingly tense, and many members of the audience began to stamp their feet and clap to express their anger at the lack of social-distancing measures. The commotion became so great that one of the theater managers decided to announce over the megaphone that the performance would be delayed so that anyone who wished to could leave the theater and ask for a ticket refund. The lobby was then overwhelmed with angry patrons, and the police were called in to control the situation.
“There were no complaint forms, they had to go to the offices to print them. On the ground floor, some of the seats were closed off, but in the upper galleries, where there are lots of people much closer together, there were entire rows of 15 people side by side,” said one of the spectators. “It’s unacceptable, a lot of elderly people come here and they should take that into account.” The Teatro Real has not clarified whether the level of seat occupation was the same in all areas of the theater.
Another audience member, who was seated in one of the front rows on the ground stall, also complained that the theater had not left empty seats. “The entire row was filled, there was not one seat free, we were like fleas. And that’s in the most expensive area of the theater. My companion and I went to the back, where there seemed to be more space.” According to this spectator, after the theater announced that it would offer refunds, the orchestra entered the pit and started to play. The overture was played and some of the first singers came out onto the stage, but the booing was so loud that Italian conductor Nicola Luisotti left the theater and the performance was cancelled. According to a press release from the Teatro Real, the conductor tried twice to continue with the opera but a “very small group insisted in continuing their protest to boycott the performance, and for this reason it was canceled at around 9.10pm.”
Under the regulations of the Madrid regional government, the theater is allowed to be at 75% capacity, a figure that, in practice, does not allow safe distances to be established between all audience members. At a press conference for the presentation of the opera, which opened last Friday, the managing director of the Teatro Real, Ignacio García-Belenguer, said that the theater had decided not to sell more than 65% of available tickets to make the public feel safer.
Many of the theatergoers took to social media to express their outrage at what happened. “The Teatro Real opera was canceled due to the protests over the overcrowding of people,” Spanish writer Rosa Montero wrote in a message on Twitter. “I was there and it was shameful. There was a total lack of distancing [measures]. And at this time, with 37 areas restricted! We love opera but not like this,” she added, in reference to the new selective lockdowns aimed at curbing contagion in the capital and the Madrid region.
The Teatro Real has said that it will open an investigation “into this regrettable incident and will take the necessary measures so that future performances take place normally.” The iconic theater was the first opera house in the world to reopen after its closure due to the coronavirus lockdown and has pioneered the creation of new protocols that allow performances to continue safety while the pandemic continues to affect the country.
English version by Melissa Kitson.
Nadine Lott told ex-partner who later killed her not to ‘threaten’ her, court hears
Nadine Lott told her former partner not to “threaten” her two weeks before he killed her, the Central Criminal Court has heard.
The jury in the trial of Daniel Murtagh was given transcripts on Tuesday of WhatsApp messages between the accused and his ex-girlfriend in the days and weeks leading up to her death.
In them, the accused asks her if she is “seeing someone from Dublin”. In reply, Ms Lott tells him she is not seeing anyone. Mr Murtagh asks her if there was a “Dublin lad” in her “place” and she tells him to “leave it out”.
She tells him that “nothing is ever going to happen between us again, I want to make that clear.”
In another text from December 5th the accused said: “Nadine I worry about ye, not in love, just don’t slip”.
She replied: “Don’t threaten me either”.
Evidence has previously been given that Mr Murtagh told a motorist that he had “killed my wife because she was with my friend”, just hours after he assaulted her.
John Begley testified last week that he saw a car in a ditch as he was travelling over Bookies Bridge in Laragh on the morning of December 14th and then came across the accused man standing at the side of the road.
“Daniel said to me ‘you don’t know what I’ve done”. I said what did you do. He said ‘I killed my wife’. I didn’t think anything of it. He said it a second time and said he hoped she was not dead. He said ‘she was with my friend’,” said Mr Begley.
Mr Murtagh (34), of Melrose Grove, Bawnogue, Clondalkin, Dublin 22 has pleaded not guilty to murder but guilty to the manslaughter of his 30-year-old ex-partner Ms Lott at her apartment in St Mary’s Court, Arklow, Co Wicklow on December 17th, 2019.
The jury has heard that Ms Lott suffered “severe blunt force trauma” and stab injuries at the hands of her former partner “in a sustained and violent attack” in her Arklow home.
They have heard evidence that the injuries to Ms Lott were so serious that she never regained consciousness and died three days later in St Vincent’s Hospital in Dublin.
An intensive care nurse at the hospital has told the jury that Ms Lott was “completely unrecognisable” and that she had never seen anybody so badly injured. A paramedic who attended to Ms Lott at her home told the jury that the call will “haunt” him for the rest of his career and was one of the most “horrendous scenes” he had ever walked into. The garda who telephoned ambulance control informed them that Ms Lott had been “beaten to a pulp”.
The trial continues before Mr Justice Michael MacGrath and a jury of seven men and five women.
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