If you were the only person in the world who thought yourself a genius, it would be an embarrassment to be named Barry Parsnip.
Robert Zimmerman solved the nomenclature problem. He became Bob Dylan – and Hey Presto! He won the Nobel Prize for Literature for 2016.
Barry Parsnip (aka Boris Pasternak) didn’t solve the problem. But it was solved for him by a combination of the British, US and Soviet secret services, with an assist from the Dutch and Italians. He won the Nobel Prize for Literature for 1958 before his novel, Doctor Zhivago, had been read in the original Russian by more than a thousand people, counting government officials. Following the prize-giving until now, about 10 million people have read it, mostly in translation.
But time and numbers haven’t improved either on Parsnip or on Zhivago. It is still, as Vladimir Nabokov said at the start, “a sorry thing, clumsy, trite, and melodramatic, with stock situations, voluptuous lawyers, unbelievable girls, romantic robbers, and trite coincidences.” Kornei Chukovsky, Pasternak’s neighbour and comrade, thought the novel was “boring, banal.” Yevgeny Yevtushenko said it was “disappointing”. Anna Akhmatova told Pasternak to his face that Zhivago was a bad novel “except for the landscapes.” She was being ironic – there are no landscapes in the book.
Not to Pasternak’s face, Nabokov went for Pasternak’s jugular – his vanity. Nabokov called Pasternak’s composition “goistrous and goggle-eyed.” That turned out to be the perfect picture of a victim, and MI6 and the CIA were able to provoke the Soviet authorities into persecution of Pasternak the victim. That operation, codenamed AEDINOSAUR, confirmed what the West wanted the world to believe – that Russians are bad by a standard noone else in the world is held to.
Pasternak’s story, when it happened and still today, is also confirmation of the readiness of some Russians to believe that however crapulous and despised they are at home, there will always be love for them across the frontier, in the West.
In prose Parsnip, er Pasternak was, as Americans used to call them, a poor Johnny One-Note.
He knew a small section of old Moscow, where Tverskaya Street ran into Brest (now Belarus) railway station. His countryside was restricted to the banks of the Kama River, around Solikamsk, in Perm region, where he spent World War I, disqualified from military service on account of a leg injury. He also spent World War II in the relative safety of Chistopol, in Tatarstan, 800 kilometres east of Moscow.
Left to right: Leonid Pasternak; Rozalia Kaufman; Boris Pasternak, aged 26, in 1916
As a youngster, he tried drawing and painting, but was never as promising as his father, the portrait painter Leonid Pasternak. He tried music, but was never as adept as his mother, Rozalia Kaufman, a pianist. Alexander Scriabin, a visitor to his parents’ dacha, persuaded him to drop university studies in music and law, in favour of philosophy. After a term in Germany, he graduated with a thesis on “Hermann Cohen’s Theoretical Philosophy”. He then decided on literature for a career. He went to soirees where he distinguished himself presenting papers with titles like “Symbolism and Immortality.”
The year was 1913, and there was a surplus of that. Pasternak knew little else. He didn’t follow birds, cats or dogs. He didn’t hunt or fish; collect mushrooms; drink vodka or champagne; play cards; cultivate a garden; ride horses, drive cars. His experiments with women were limited to those making few demands — household servants and prostitutes, not his fellow students. He didn’t join university clubs or run in political demonstrations. His only autobiographical recollections of the 1905 student riots and general strike in Moscow were of a drawing by his father of a wounded student; of his father’s meetings at the time with Maxim Gorky; and of “stray bullets whistling down the empty streets”. Pasternak was absent. He was also absent at the Bolshevik Revolution and the civil war, after which his mother, father and sisters emigrated to Berlin, and then on to England.
What Pasternak knew from experience, and what he imagined, he repeated in print every five years or so. The Childhood of Luvers appeared in 1922; Safe Conduct was written between 1929 and 1931; The Last Summer in 1934. In 1956, when he recapitulated the same life stories, he conceded the earlier effort “was spoiled by its affected manner, the besetting sin of those days”. That’s vintage Pasternak – blame was always elsewhere.
As he repeated the stories, Pasternak’s lack of experience began to show in the increasing strain of his imagery. He became the master of the mixed metaphor. A cat “flaps its wings at aprons and plates”; a bulldog raises his head “like a slobbering old dwarf with sagging cheeks”; a blackbird whistled “as if blowing through a clogged flute”; rye before harvest in the field has “such a sinister dark brown, the colour of old, dull gold”; an engine releases steam “with a singsong burble, as if it were milk coming to the boil in over a spirit lamp in a nursery.” Snow, which ought to be the speciality of every Russian imagist, turns out, for Pasternak, to “pour with the convulsive haste of some white madness”. On another occasion, it flew “obliquely…as if trying all the while to make up for something”. And then again, “over the blue line of the snowdrifts the snow greedily absorbed the pineapple sweetness the sun poured into it.”
Leon Trotsky called Pasternak in for a 30-minute meeting in August 1922, but Pasternak didn’t let him get a word in edgeways. Except for this question: “Yesterday I began struggling through the dense shrubbery of your book. What were you trying [sic] to express in it?” Pasternak replied that Trotsky should decide for himself, whereupon Trotsky closed the conversation and sent Pasternak off.
Joseph Stalin committed a great many sins, but deconstructing Pasternak wasn’t one of them.
Stalin, a voracious reader, collector and annotator of books, considered Pasternak so unexceptional, unserious and unthreatening, he didn’t think he was worth reading. For what Stalin did read, click.
In December 1935, Stalin publicly declared that Vladimir Mayakovsky “was and remains the best and most talented poet of our epoch”. Earlier Pasternak had been envious of Mayakovsky’s acclaim, and resented Mayakovsky’s criticisms; they included the recommendation that two of Pasternak’s early books of poetry should not have been published at all. When Pasternak said he liked Mayakovsky, it was after he “discovered certain unexpected points of similarity in our technique.”
Mayakovsky’s suicide in 1930 was Pasternak’s chance at put-down. “Mayakovsky shot himself out of pride,” Pasternak wrote years later, “because he condemned something in himself, or close to him, to which his self-respect could not submit”. But when Stalin spoke more positively of Mayakovsky, Pasternak wrote this to Stalin: “Your lines about him had a saving effect on me. Of late, under the influence of the West, [people] have been inflating [my significance] terribly and according [me] exaggerated significance… they began suspecting serious artistic power in me. Now, since you have put Mayakovsky in first place, this suspicion has been lifted from me, and with a light heart I can live and work as before, in modest silence, with the surprises and mysteries without which I would not love life. In the name of this mysteriousness, fervently loving and devoted to you, B. Pasternak.”
This was false modesty; Stalin wasn’t fooled. More than a decade later, in 1949, Stalin told a prosecutor to take no action against Pasternak. “Leave him,” Stalin said, “he’s a cloud dweller”.
To his fellow writers and colleagues in the Writers Union, the cloud on which Pasternak sat himself was so puffed up with vanity and self-seeking, he had almost no peers for supporters. When he started reading excerpts of Doctor Zhivago, as he composed them, there were a handful of acolytes, but no professional endorsements. By the time Stalin died in 1953, Pasternak knew that no one in Moscow took his work seriously. Still, in December 1955, after he had written the last lines of the book, Pasternak told an acolyte: “You cannot imagine what I have achieved! I have found and given names to all this sorcery that has been the cause of suffering, bafflement, amazement, and dispute for several decades. Everything is named in simple, transparent, and sad words. I also once again renewed and redefined the dearest and most important things: land and sky, great passion, creative spirit, life and death.”
The book on the operation appeared in 2014. Although Finn and Couvee applied to MI6, they report that the British intelligence agency refused to release its Pasternak files. The CIA records indicate that the British probably hatched the idea of promoting the novel as a propaganda strike against Moscow before the Americans thought of it.
In May 1956, five months after Pasternak had finished Doctor Zhivago, he gave a copy of the manuscript to an Italian for relay to the Milan publisher, Giangiacomo Feltrinelli. Pasternak had already submitted the work for publication in Russian, and there had been an anticipatory notice of its appearance in April 1956. But Pasternak told the Italian “in the USSR the novel will not come out.” The reason, he said, was that “it doesn’t confirm to official cultural guidelines.” The more often Pasternak repeated that line to foreign visitors, the more he believed it, the more foreigners showed up to request the manuscript – and the more certain the outcome became.
By the summer of 1956 Pasternak had given a copy to Helene Peltier for publication of a French translation in Paris. Days later, he gave Isaiah Berlin a copy for an English translation and publication. Berlin is described in the Finn book as an Oxford don and an academic scholar. Omitted was Berlin’s wartime service with British intelligence and the Foreign Office, and his ongoing links with the Soviet operations branch of MI6 at the time Berlin was meeting with Pasternak. Berlin was one of the first of fluent Russian-speaking Britons to receive the manuscript from Pasternak. There were others. It was not until December 1957 – eighteen months after Berlin received Pasternak’s manuscript — that MI6 sent its copy of the book in Russian to the CIA. What was happening in the interval was that the news of MI6’s interest in the book leaked to the KGB, and the British decided to withhold what they had from the Americans.
Here is the declassified CIA document. The implication on the British side is that this was the first time Pasternak’s book had been sent to the CIA. The implication in the CIA document release is that the agency had thought Pasternak was a “cloud dweller” and hadn’t thought of Doctor Zhivago for literary merit or info-warfare before.
Berlin wrote later that as soon as he had read the manuscript in mid-1956, he recognized its value. Spot Berlin’s qualifications: “Unlike some [sic] of its readers in both the Soviet Union and the West I thought it was a work of genius. It seemed – it seems – to me to convey an entire range of human experience, and to create a world, even if it contains only one genuine inhabitant [sic], in language of unexampled [sic] imaginative power.” Apparently, Berlin kept shtum in front of Americans.
In August of 1956, a few weeks after Berlin had launched Pasternak’s book in London, a KGB general, Ivan Serov, reported to the Kremlin that Feltrinelli was preparing the book to appear in Italian, and that Pasternak was trying to get the book out in France and the UK. That is the Feltrinelli version. Exactly how, and from how many sources, the KGB had learned of the book’s publication plan in the West isn’t known. What is certain is that publication of Doctor Zhivago was interpreted in Moscow as an operation by hostile foreign intelligence agencies for anti-Soviet propaganda. At this point, the Soviet Central Committee decided on a quiet reaction – they would try to block the Italian edition through their Italian Communist Party links to Feltrinelli; and they would ask the Writers Union to stop Pasternak’s unexpurgated version from appearing in Russian.
If possible, the Central Committee calculated, it might get Pasternak to agree to edit his manuscript, so that the Russian edition would lack the anti-Soviet propaganda elements. Who then would be able to tell where they came from? This under-estimated Pasternak’s conviction that his genius would brook no editing of the book at all.
When the foreign blocking moves failed, and it appeared Feltrinelli would be followed by editions in French and in English, the Soviets escalated, to match what they believed the western campaign was escalating against them. Just five paragraph-long excerpts from the 700-page book were repeatedly cited; in the Vintage Classics paperback edition of 2011 they can be found at pages 267, 285, 362, 365, and 460. “What was conceived as ideal and lofty,” Pasternak had concluded in the third last paragraph of the book, “became coarse and material. So Greece turned into Rome, so the Russian enlightenment turned into the Russian revolution”. After quoting lines from an Alexander Blok poem of 1910, he added: “now all that was metaphorical has become literal, and the children are children, and the terrors are terrifying…”
Pasternak did not object to the attention, but his amour propre was offended that so little of his masterpiece was being read, at home or abroad. Late in 1957 he told a German visitor: “Everybody’s [sic] writing about it but who in fact has read it? What do they quote from it? Always the same passages – three pages, perhaps, out of a book of 700 pages.”
In retrospect, Soviet officials have also conceded this was all they had read of Doctor Zhivago; noone wanted to bother with the rest. But the crackdown on all of Pasternak’s works, his wife, lover, and friends commenced in earnest. What he had actually written in the pages of Doctor Zhivago became as irrelevant to the Soviet campaign against its anti-revolutionary excerpts as the evidence of Pasternak’s genius meant to the promotion of Doctor Zhivago in Milan or in London. For a year the campaign succeeded with almost no readers.
Just 3,000 copies of the Italian translation were printed in November 1957 and subsequently sold. On December 12, 1957, the Psychological and Paramilitary Staff branch at CIA headquarters recommended that Doctor Zhivago “should be published in a maximum number of foreign editions for maximum world distribution and acclaim and consideration for such honor as the Nobel prize.”
Since noone at the CIA had twisted Levin’s arm into saying this — not even his wife, Elena Zarudnaya, translator of Trostsky’s Diary in Exile — Levin’s promotion of Pasternak has never been qualified as manufacturing propaganda. Six months later, though, in July 1958, that is exactly what John Maury, head of the CIA’s Soviet Russia Division and director of AEDINOSAUR, saw as Pasternak’s value through Russian and translation printings of the book, culminating with the Nobel Prize. Pasternak’s message, Maury wrote in a memo to Frank Wisner, the agency’s head of operations, “that every person is entitled to a private life…poses a fundamental challenge to the Soviet ethic of sacrifice the individual to the Communist system. There is no call to revolt against the regime in the novel, but the heresy which Dr. Zhivago preaches – political passivity – is fundamental.”
The CIA has revealed that Zhivago for Kremlin regime change was proposed by Maury to get Wisner’s approval for money to implement Operation AEDINOSAUR. Even today the CIA has censored the amount from the declassified document. Finn and Couvee report that several million dollars – about $20 million in current dollars – were spent on paying for Dutch personnel, printing and distribution costs for the first thousand copies of a Russian edition, produced by the Dutch intelligence service in Amsterdam. It appeared in the first week of September. About 500 copies were then smuggled into the USSR over the following weeks. On October 22, 1958, the Swedish Academy announced Pasternak had been awarded the Nobel.
Suppose the KGB knew what the MI6 and CIA were up to, in league with the Italians and Dutch. Kim Philby, the KGB agent inside MI6, was no longer working in London when Berlin brought Pasternak’s book in; Philby was in Beirut, Lebanon, but he was still connected. If Philby read Pasternak, it’s still secret.
In short retrospect, Pasternak got what he thought he deserved. “I would have hidden it away,” he wrote in a letter to the Central Committee in August 1957, “had it been feebly written. But it proved to have more strength to it than I had dreamed possible – strength comes from on high, and thus its fate was out of my hands.”
In longer retrospect, the Central Committee and the KGB over-reacted. It was from on high that the fate of Doctor Zhivago was sealed, but not from Pasternak’s divinity. Had Soviet officials done less or nothing — had they encouraged Pasternak’s critics and rivals in the Writers Union to make light of the work, or poke fun of Pasternak’s obvious weaknesses, the Anglo-American intelligence assessment might have let the opportunity for regime change go. Time has let the air out of the Pasternak legend – it’s now the 197 minutes of the film of the book, not the book which western audiences recall. In Russia the audiences have evaporated. It’s a standing joke among Russian literary critics to say they haven’t read Pasternak, but feel strongly about Doctor Zhivago and what happened in 1958.
Zurab Tsereteli has offered to turn a maquette into a monument to Pasternak, but for several years in a row the Moscow city government hasn’t agreed to a site.
In Washington Maury’s Operation AEDINOSAUR was one of the very few he managed at the Soviet Division which was a success on its own terms. Maury was rewarded with a promotion to Athens, Greece. There he was the CIA station chief during the military putsch of 1967. That’s the only regime change operation at which Maury succeeded, though not for long.
Halyna Hutchins: Alec Baldwin, an actor dogged by scandal | USA
Alec Baldwin once borrowed the words of one of the acting colleagues he admires the most – “the incredibly intelligent and wise Warren Beatty” – to explain his ongoing image problems. “Your problem is a very basic one, and it’s very common to actors. And that’s when we step in front of a camera, we feel the need to make it into a moment. This instinct, even unconsciously, is to make the exchange in front of the camera a dramatic one,” Beatty said.
Last Thursday, on the set of the movie Rust, of which Baldwin is the star and a producer, that moment could not have been more dramatic. It was Baldwin who pulled the trigger on a prop firearm that killed the Ukrainian director of photography, 43-year-old Halyna Hutchins, and wounded the movie’s director, 48-year-old Joel Souza. The tragic incident left Baldwin speechless for several hours until he expressed his “shock and sadness,” offering his help and support to Hutchins’ family and stating that he was “fully cooperating” with the police investigation into the accident. A social media post from a few days earlier in which he was kitted out in his cowboy gear and covered in blood in character for Rust was removed from his accounts.
Scandal seems to follow Alec Baldwin around, whether or not he is looking for that drama to which Beatty alluded. The eldest of six siblings of a middle-class Catholic family of Irish descent, the four Baldwin brothers are all involved in show business, although they couldn’t be much different from one another. Daniel has had problems with drugs. Stephen is currently involved with an Evangelical church and his political views are inclined toward conservatism. The second-youngest, William described his brother as someone who always has something “to fucking whine about,” according to The New Yorker. Alec is the eldest and the most disciplined, but also the one who protected the other brothers from bullies as he was the most combative. He went to school with the notion of becoming the president of the United States, but on recognizing he had little chance of achieving that goal he enrolled at the Lee Strasberg Theatre & Film Institute in New York, graduating many years later.
His career could have panned out like Al Pacino’s or Jack Nicholson’s, actors who he looked up to, but Baldwin’s generation was not the same. Perhaps neither was his talent, and certainly, the world of movies had changed. In 1992, Baldwin ensured that he would be associated with his idols when he starred with Jessica Lange in a Broadway revival of A Streetcar Named Desire, which three years later would be turned into a television movie with Baldwin and Lange reprising their roles for the small screen. Not only did Baldwin receive a Tony nomination for his Broadway performance, he also drew favorable comparisons to legendary actor Marlon Brando, who starred in the stage production and the 1951 movie version. Around this time Baldwin was also landing meaty screen roles, including that of Jack Ryan opposite Sean Connery in The Hunt for Red October.
But as time progressed, Baldwin’s name was more frequently heard in connection to his social life and scandals than for his stage or screen performances. His marriage to actor Kim Basinger, who he met in 1991 while filming The Marrying Man, ended acrimoniously, and Baldwin’s relationship with the couple’s daughter, Ireland, has often been fractious. In 2007, a voicemail message the actor left for Ireland, who was 11 at the time, caused a sensation due to Baldwin’s use of not very fatherly language, during an ongoing spat with Basinger following their 2002 divorce.
Then there is the other Alec Baldwin, described by the actor himself as “bitter, defensive, and more misanthropic than I care to admit,” in an open letter to Vulture magazine in 2014 titled Good-bye, Public Life. At that time Baldwin had forged a reputation as a violent, homophobic egocentric following several incidents aired in the media. And, of course, from his own mouth. Even so, he managed to resurrect his career in the most surprising way imaginable: by making fun of himself.
Baldwin’s portrayal of the absurd and conceited television executive Jack Donaghy across seven seasons of 30 Rock (2006-13), a character inspired by Baldwin himself, earned back his public popularity and landed the actor back-to-back Primetime Emmy Awards in 2007 and 2008 and three Golden Globes. In 2011, he started a new chapter in his personal life with his current wife, Hilaria Baldwin, with whom he has six children. But as one of his closest friends, Lorne Michaels, producer of Saturday Night Live where Baldwin has received plaudits for his impersonations of former US president Donald Trump, once said: “Everything would be better if you were able to enjoy what you have.”
Baldwin’s altercations – mostly verbal, occasionally physical – with the paparazzi or anyone who in the actor’s opinion has violated his privacy have been frequent, including on productions on which he has worked. In 2013, the actor Shia LaBeouf was fired from the Broadway theatre production of Orphans when Baldwin said: “Either he goes or I do.” Years earlier an actress left another play Baldwin was working on by leaving a written note stating that she feared for her “physical, mental and artistic” safety.
Every one of Baldwin’s reinventions seems inexorably to be followed by another fall from grace. On the one hand, there is the Baldwin who has stated on several occasions that he intends to withdraw from public life, and on the other the Baldwin who is obsessed with social media, writing a tweet for every occasion. Many of these posts have cost the actor, such as in 2017 when he commented on a video of a suspect being fatally shot by police: “I wonder how it must feel to wrongfully kill someone…”
There are still unanswered questions surrounding the death of Halyna Hutchins. The investigation has not disclosed whether the firearm was discharged accidentally or if Baldwin was aiming it at the time, although the transcript of a call to the emergency services appears to indicate it happened during a rehearsal. As of yet, no charges have been filed against Baldwin but it is unknown if this may yet occur at a later date. A statement taken from the assistant director states that Baldwin was told by crew members that the gun was not loaded. Many observers are wondering if Rust will be completed, if the project will be abandoned. And many more are asking the same about Baldwin: will he be able to find a way back from this latest dramatic moment?
What If Everything We’ve Been Told About Recent History Is a Lie?
The author is a prominent American Christian conservative who was a presidential candidate for the paleoconservative Constitution Party in 2008, when he was endorsed by Ron Paul.
He is a relentless foe of neoconservatism and frequently criticizes the neocon hostility towards Russia. His views are representative of an influential and substantial part of Trump’s popular support.
Here is an archive of his excellent articles which we have published on Russia Insider, when they were relevant to the debate over Russia.
What if everything we’ve been told about 9/11 is a lie? What if it wasn’t 19 Muslim terrorist hijackers that flew those planes into the Twin Towers and Pentagon? What if the Muslims had nothing whatsoever to do with the attacks on 9/11? What if everything we’ve been told about the reasons we invaded two sovereign nations (Afghanistan and Iraq) is a lie?
What if the 17-year-old, never-ending “War on Terror” in the Middle East is a lie? What if our young soldiers, sailors, airmen and Marines who have given their lives in America’s “War on Terror” died for a lie? What if G.W. Bush, Barack Obama and Donald Trump have been nothing but controlled toadies for an international global conspiracy that hatched the attacks of 9/11 as nothing more than a means to institute a perpetual “War on Terror” for purposes that have nothing to do with America’s national security? Would the American people want to know? Would the truth even matter to them?
The sad reality is that the vast majority of Americans who would read the above paragraph would totally dismiss every question I raised as being unrealistic and impossible—or even nutty. Why is that? Have they studied and researched the questions? No. Have they given any serious thought to the questions? No. They have simply swallowed the government/mainstream media version of these events hook, line and sinker.
It is totally amazing to me that the same people who say they don’t believe the mainstream media (MSM) and government (Deep State) versions of current events—which is why they voted for and love Donald Trump—have absolutely no reservations about accepting the official story that the 9/11 attacks were the work of jihadist Muslims and that America’s “War on Terror” is completely legitimate.
These “always Trumpers” are dead set in their minds that America is at war with Islam; that Trump’s bombings of Syria were because President Assad is an evil, maniacal monster who gassed his own people; and that Trump’s expansion of the war in Afghanistan is totally in the interests of America’s national security.
BUT WHAT IF ALL OF IT IS A BIG, FAT LIE?
What if the Muslims had NOTHING to do with 9/11?
What if Bashar al-Assad did NOT gas his own people?
What if America’s “War on Terror” is a completely false, manufactured, made-up deception?
What if America’s military forces are mostly fighting for foreign agendas and NOT for America’s national security or even our national interests?
What if America’s war in Afghanistan is a fraud?
What if the entire “War on Terror” is a fraud?
The Trump robots have bought into America’s “War on Terror” as much as Obama’s robots and Bush’s robots did. Bush was elected twice, largely on the basis of America’s “War on Terror.” Obama campaigned against the “War on Terror” and then expanded it during his two terms in office. Trump campaigned against the “War on Terror” and then immediately expanded it beyond what Obama had done. In fact, Trump is on a pace to expand the “War on Terror” beyond the combined military aggressions of both Bush and Obama.
But who cares? Who even notices?
America is engaged in a global “War on Terror.” Just ask G.W. Bush, Barack Obama, Donald Trump, ABC, CBS, NBC, CNN, FOX News, The Washington Post, the New York Times and the vast majority of America’s pastors and preachers. They all tell us the same thing seven days a week, twenty-four hours a day. Liberals scream against Trump, and conservatives scream against Maxine Waters; but both sides come together to support America’s never-ending “War on Terror.”
But what if it’s ALL a lie? What if Obama and Trump, the right and the left, the MSM and the conservative media are all reading from the same script? What if they are all (wittingly or unwittingly) in cahoots in perpetuating the biggest scam in world history? And why is almost everyone afraid to even broach the question?
Left or right, liberal or conservative, Democrat or Republican, secular or Christian, no one dares to question the official story about the 9/11 attacks or the “War on Terror.”
And those who do question it are themselves attacked unmercifully by the right and the left, conservatives and liberals, Christians and secularists, Sean Hannity and Chris Matthews. Why is that? Why is it that FOX News and CNN, Donald Trump and Barack Obama, Chuck Schumer and Ted Cruz equally promote the same cockamamie story about 9/11 and the “War on Terror?”
Why? Why? Why?
Tell me again how Donald Trump is so different from Barack Obama. Tell me again how Ted Cruz is so different from Chuck Schumer. They all continue to perpetuate the lies about 9/11. They all continue to escalate America’s never-ending “War on Terror.” They are all puppets of a global conspiracy to advance the agenda of war profiteers and nation builders.
The left-right, conservative-liberal, Trump-Obama paradigm is one big giant SCAM. At the end of the day, the “War on Terror” goes on, bombs keep falling on people in the Middle East who had absolutely NOTHING to do with 9/11 and the money keeps flowing into the coffers of the international bankers and war merchants.
All of the above is why I am enthusiastically promoting Christopher Bollyn’s new blockbuster book The War on Terror.
Of course, Bollyn is one of the world’s foremost researchers and investigators into the attacks on 9/11. He has written extensively on the subject. But unlike most other 9/11 investigators, Bollyn continued to trace the tracks of the attacks on 9/11. And those tracks led him to discover that the 9/11 attacks were NOT “the event” but that they were merely the trigger for “the event.” “What was the event?” you ask. America’s perpetual “War on Terror.”
As a result, Mr. Bollyn published his findings that the attacks on 9/11 were NOT perpetrated by Muslim extremists but by a very elaborate and well financed international conspiracy that had been in the planning for several decades. Bollyn’s research names names, places and dates and exposes the truth behind not just 9/11 (many have done that) but behind America’s “War on Terror” that resulted from the attacks on 9/11.
IT’S TIME FOR THE TRUTH TO COME OUT!
And Christopher Bollyn’s investigative research brings out the truth like nothing I’ve read to date. His research connects the dots and destroys the myths.
Mr. Bollyn’s research is published in a book entitled (full title): The War On Terror: The Plot To Rule The Middle East. I mean it when I say that if enough people read this book, it could change the course of history and save our republic.
This is written on the book’s back cover:
The government and media have misled us about 9/11 in order to compel public opinion to support the War on Terror.
Why have we gone along with it? Do we accept endless war as normal? Are we numb to the suffering caused by our military interventions?
No. We have simply been propagandized into submission. We have been deceived into thinking that the War on Terror is a good thing, a valiant struggle against terrorists who intend to attack us as we were on 9/11.
Behind the War on Terror is a strategic plan crafted decades in advance to redraw the map of the Middle East. 9/11 was a false-flag operation blamed on Muslims in order to start the military operations for that strategic plan. Recognizing the origin of the plan is crucial to understanding the deception that has changed our world.
Folks, 9/11 was a deception. The “War on Terror” is a deception. The phony left-right paradigm is a deception. FOX News is as much a deception as CNN. The “always Trump” group is as much a deception as the “never Trump” group. America has been in the throes of a great deception since September 11, 2001. And this deception is being perpetrated by Republicans and Democrats and conservatives and liberals alike.
I do not know Christopher Bollyn. I’ve never met him. But I thank God he had the intellectual honesty and moral courage to write this book. I urge readers to get this explosive new book. If you don’t read any other book this year, read Mr. Bollyn’s investigative masterpiece: The War On Terror: The Plot To Rule The Middle East.
Again, I am enthusiastically recommending this book to my readers, and I make no apologies for doing so. The truth contained in this research MUST get out, and I am determined to do all I can to help make that possible.
Order Christopher Bollyn’s blockbuster book The War On Terror: The Plot To Rule The Middle East here:
I am confident that after you read this book, you will want to buy copies for your friends and relatives. The book is under 200 pages long and is not difficult reading. However, the facts and details Bollyn covers are profound and powerful. I have read the book three times so far and I’m not finished.
Frankly, Bollyn’s book made so many things make sense for me. His book dovetails and tracks with much of my research on other topics. Truly, his book helped me get a much fuller understanding of the “big picture.”
What if everything we’ve been told about 9/11 and the “War on Terror” is a lie? Well, Bollyn’s book proves that indeed it is.
Again, here is where to find Christopher Bollyn’s phenomenal new book The War On Terror: The Plot To Rule The Middle East:
Carbon budgets to require ‘fundamental’ changes to work and lifestyle
Forthcoming carbon budgets for every sector of the economy will “require fundamental changes” affecting how people live and work, Minister for Climate Eamon Ryan has said.
He was speaking after the publication of new proposed overall carbon budgets from the Climate Change Advisory Council as the country puts a statutory limit on greenhouse gas emissions for the first time.
The council’s budgets outline a national ceiling for the total amount of emissions that can be released.
The first carbon budget, which will run from 2021 to 2025, will see emissions reduce by 4.8 per cent on average each year for five years.
The second budget, which will run from 2026 to 2030, will see emissions reduce by 8.3 per cent on average each year for five years.
“The proposed carbon budgets will require transformational changes for society and the economy which are necessary; failing to act on climate change would have grave consequences,” the council said.
Its chair Marie Donnelly said “significant investment across the economy” would be required.
Individuals and communities “at risk of loss of employment or disproportionate costs need to be identified and assisted”, the council stressed.
Mr Ryan said the Government would shortly outline the carbon limit for each sector individually, which he said would be “challenging”.
Government sources have said that the most crucial phase lies ahead as it next week plans to unveil the landmark climate plan that will set out how each sector needs to respond including agriculture, transport, heating and power generation.
Rural TDs in both Fine Gael and Fianna Fáil have privately expressed fears about backlash on new carbon ceilings for the agricultural sector. It is understood the Green Party favours a reduction in the national herd but there is strong pushback from members of the other Coalition parties.
In its report, the council said there was a need “for a strong, rapid and sustained reduction in methane emissions”.
Minister of State in the Department of Agriculture Martin Heydon said it was clear from the council’s modelling what the consequences were for rural economies if climate action “is not handled responsibly”.
“The potential job losses and damage to rural Ireland of crude measures like herd reduction are stark. That’s why it’s vitally important that we get the sectoral targets right for an area like agriculture. Policy decisions must be backed up by robust science – if farmers cannot see the sense in what they are being asked to do then it will be difficult to achieve anything,” he said.
Irish Farmers’ Association president Tim Cullinan said the emissions ceiling for agriculture in the budgets would have “serious repercussions for farming”.
“Our most productive farmers simply cannot remain viable if agriculture has to reduce emissions by between 21 per cent and 30 per cent as has been reported,” he said in a reference to estimates a Government source gave to The Irish Times last week.
“This will have profound implications for the rural economy,” he said.
But Oisín Coghlan, director of Friends of the Earth, said: “The truth is, if we stick to budget this we will all be winners, with a cleaner, healthier, safer future.”
Welcoming the budget targets, Mr Coghlan said the narrative around the plans had begun to pit sectors against each other. However, “if we fail we will all be losers, facing accelerating climate breakdown with all the costs and destruction that will bring”.
It is expected that the Government’s climate plan will be released on November 3rd and that Mr Ryan will bring the details of that to the COP26 conference in Glasgow.
‘The Taliban killed a midwife who refused to leave a woman in labour’ | Afghanistan
How do you feel about the new carbon budgets?
Google deliberately throttled ad load times to promote AMP, claims new court document • The Register
The 1915 Armenian Genocide and its Russophobic Origins
What’s artificial intelligence best at? Stealing human ideas | Technology
The Religious Roots of Russia’s Mistrust towards the West
Current1 week ago
Irish man (24) who drowned in swimming pool in Marbella is named
Technology7 days ago
Grocery start-up Gorillas raises nearly $1bn in round led by Delivery Hero
Technology6 days ago
Finnish cloud and open source company reaches $2bn unicorn valuation
Culture1 week ago
New skeleton find could reveal more about Vesuvius eruption
Technology1 week ago
BT took an age to install our community centre’s superfast broadband | Consumer affairs
Culture1 week ago
Brendan Kennelly, one the country’s most popular poets, dies aged 85
Current1 week ago
VICTORIA BISCHOFF: Don’t waste energy switching
Culture1 week ago
Why Putin’s Christian Faith Is Most Likely Authentic