Incumbent Madrid premier Isabel Díaz Ayuso of the conservative Popular Party (PP) swept to a resounding victory in last week’s regional election. Not only did she win in the PP’s strongholds, but she also won in the so-called “red belt,” which has historically always supported leftist groups, in particular the Socialist Party (PSOE).
“Freedom,” or the fear of losing it, was key to how Ayuso turned the tables in the red belt, which is made up of the municipalities of Fuenlabrada, Leganés, Parla, Getafe and Alcorcón. Fear of Unidas Podemos founder Pablo Iglesias, who stepped down as a deputy prime minister to stand as a candidate, also played an important part. These factors combined created the perfect storm to lead Ayuso to a sweeping victory – albeit falling just shy of an absolute majority. Far-right Vox has already said it will lend her its votes to see her become premier once more.
Óscar Zafra from Fuenlabrada considers himself “on the left, but not the far left.” However, when the 18-year-old voted for the first time last Tuesday, he cast his ballot for Ayuso. He tells EL PAÍS that his decision was based on the conservative politician’s promise of “freedom” and a lax approach to coronavirus restrictions. “Being able to go out, go to bars, get together with friends… I don’t know, I don’t understand a lot because I’m still young, but Ayuso convinced me the most,” he says, adding that he made up his mind after watching the televised debate on April 21. His friend, Daniel Cáceres, who is too young to vote, agrees with his decision.
A total of 74.99% of residents in Fuenlabrada voted in the Madrid regional election and 35.95% made the same decision as Zafra. The PP’s success turned the political landscape of the area upside down – the party went from winning 10,810 votes in the last regional election in 2019 to 37,691 last week. The PP has gone from being the fourth-most voted group in Fuenlabrada to the most-voted, a title the PSOE had only lost previously in 2011.
Political scientist Alejandro Solís, who lives in Fuenlabrada, says “pandemic fatigue” is the main reason for the shift. Ayuso has been a staunch opponent to coronavirus restrictions, even though Madrid has one of the highest transmission rates in Spain. “People need hope. And this has been an important factor in the PP’s campaign,” says Solís. “It has played with freedom, with the idea of going back to how it was before. It has not been a purely promotional campaign, but rather one aimed at the idea of recovering our lives. Competing against that is difficult.”
Speaking to EL PAÍS at a café near his home, Solís explains that the idea of the red belt is a “myth” because left-wing and right-wing parties have been on even footing for some time now. According to him, one of the reasons for this is due to urban development in the area which “has grown very quickly in a short amount of time.” This has divided the municipality into three parts: the center, the traditional PSOE stronghold; the surrounding neighborhoods, where the leftist party Más Madrid made gains; and the new residential developments, which boast gardens and swimming pools. In the latter, the Popular Party has always held more sway – now it dominates completely.
Jesús García, a 66-year-old retired builder, is a longtime resident of Fuenlabrada and has always voted for the PSOE. “I am a man of fixed ideas and it does me good,” he explains. After making Social Security payments for 44 years, he now lives off a pension of €1,350 a month. It’s enough to go down to the bar on Castilla la Vieja street and spend the morning chatting with other locals as well as the bar’s owner, 82-year-old Marcelino Sánchez Mejías.
The bar is on the ground floor of a brick apartment building, where air-conditioning units have been added on and balconies sealed off. Just 10 meters away a new housing development is being built, complete with gardens and pools. “Who I am never going to vote for is [Santiago] Abascal or coletas,” says García, in reference to the leader of the far-right Vox and Pablo Iglesias, who is often called coletas – meaning ponytail – in a derogatory reference to his long hair. Following the PP’s devastating win at the election, Iglesias announced he was walking away from all of his roles in politics.
García is drinking beer with his brother-in-law Juan Flores, a 68-year-old retired soldier, who prefers red wine. Both complain of the politicians’ broken promises, the fighting between parties and the fact that the needs of the people are going unheard. The two share a particular aversion to Iglesias, whom they blame for the Socialist Party’s poor results. The central government is formed by a coalition of the PSOE and junior partner Unidas Podemos, a fact they believe hurt PSOE candidate Ángel Gabilondo at the Madrid polls. “Gabilondo is intelligent and cultured, but very slow to move,” says Flores, who preferred not to say who he voted for. “The girl has given him a push and there you have it,” he adds, referring to the fact that Más Madrid candidate Mónica García won more votes than Gabilondo at the regional election. Neither of them, however, anticipated that the PP would win by such a large margin. On the streets where they live, the conservative party won twice as many votes as the PSOE.
Meanwhile, further down the street, Roberto López, a 56-year-old who was given early retirement from communications giant Vodafone, is parking his car. He says he voted for Ayuso due to the “lies” and “broken promises” of the political class, as well as his “fear” of Iglesias. His first option was the center-right Ciudadanos (Citizens), which had been governing the Madrid region in a coalition with the PP until the early election. But, in the end, he thought that would be a “useless vote.” As it turned out, Ciudadanos failed to secure 5% of the vote, meaning it has been left without representation in the Madrid Assembly. He also decided against voting for Gabilondo on the grounds that the PSOE candidate would make a governing deal with Iglesias. He is pleased with the results of the election.
In addition to these two fears – the fear of losing freedom and the fear of a Madrid government with Iglesias – the PP was also buoyed by the growing popularity of 28-year-old Noelia Núñez, the PP’s leader in Fuenlabrada, says Solís. With more than 13,000 followers on Twitter, Núñez defines herself as a person who “defends liberalism at all costs, who defends that the state should not get involved at all in the life of the people.” The fresh-faced politician used an image of former British prime minister Margaret Thatcher – who oversaw a wave of privatizations in the United Kingdom – to share her message on social media. “Social media allows you to reach many people,” she says, while adding that working with people on the ground is also important.
“Ayuso’s success has been seeing that the people want to work. The left did not understand that,” says Núñez, who will enter Madrid Assembly thanks to the PP’s strong results. “But I am not leaving Fuenlabrada, that’s my priority. I want to be mayor in 2023,” she says.
The sense of victory in the PP contrasts to the surprise of many of the locals in Fuenlabrada, who are still digesting what happened. Just 10 kilometers away in Parla, the same arguments in favor of Ayuso are repeated. “I don’t understand anything,” says David Jiménez, a 45-year-old employee of the supermarket chain Mercadona. “We have problems with schools that are not built which they have been promising us for years, we have problems with health centers, with everything,” he says angrily.
The city of Parla has a population of 130,000 and has grown in recent years due to a property boom that has made it harder to distinguish the left and right blocs. “On the street, people continue to be very much on the left,” says Vicente Guisado, a political scientist and Parla resident. But he adds that polarization is “mobilizing both blocs.” According to Guisado, the PSOE lost ground in Parla because its strategy to attract votes from Ciudadanos and Más Madrid failed. He estimates that between 5% and 10% of PSOE voters cast their ballot for Ayuso last Tuesday.
That wasn’t the case for Almudena Rodríguez, a 40-year-old physiotherapist and her husband, Daniel Guzmán, a 34-year-old Civil Guard officer, who say they have always voted for the PP. But they admit they know people who went from voting for Podemos to the PP or even Vox. “It’s an issue of castes and the revolving doors,” says Rodríguez. “They criticize and then they do the same. People are fed up.” According to Rodríguez, thanks to Ayuso’s lax approach to coronavirus restrictions she was able to keep her business open.
The physiotherapist is not the only one who supports Ayuso’s decision not to introduce tougher coronavirus restrictions. “She has defended us,” says 49-year-old Rafael Navarro, who is happy that he can still open his bar in Parla, Bar de Rafa. According to Navarro, just a few days ago members of the PSOE and Vox were having a meal together at the bar. The establishment is located in an area of Parla called La Laguna, where the PP went from being the fourth-strongest group to the first at last Tuesday’s election. Navarro, who previously voted for Ciudadanos, supports the PP’s management of the health crisis in Madrid. Not just for the sake of his business, but also “the fishmongers, fruit shops, butchers and Coca-Cola delivery person.” He says he knows the leaders of all political parties in Palara and gets along well with all of them. His only criticism is for Iglesias “who is guaranteed a salary for life, which I, as a self-employed worker, will never have.”
English version by Melissa Kitson.
Sex education: The creator of CLIMAX: ‘Good sex is like cooking, but there aren’t recipes for female pleasure on the internet’ | Society
Our ways of watching television have changed. No longer do we sit down to see what’s on TV, instead subscribing to platforms where we can watch our favorite content. But can that formula translate to content beside series, documentaries and movies? Can it be used to change the way we experience sex education? CLIMAX, a platform of sex education videos, is trying it out.
The platform started as an explicit educational series dedicated to female pleasure. Far from pornography, it was particularly directed towards women and sought to give advice and ideas for greater self-knowledge and sexual enjoyment. But that was just the beginning. As Camille Mariau, CLIMAX’s director of projects, explains, they are currently working on “a monthly membership platform dedicated to sexual wellbeing. The users will ahve access to periodic new content, ordered by topic (pleasrue for people with vulvas, for those with penises, tantric sex, oral sex, post-partum sex, etc.). We really want to create the perfect guide to help our users deconstruct their ideas about sexuality.” Currently, the platform has partnerships with educational and healthcare institutions, in order to bring education about female sexuality to all parts of society.
Laurène Dorléac is an expert in the technology market and co-creator of CLIMAX. “Not only is female pleasure little understood, but I also realized that taboos around the subject are still very present.” That’s why, despite her lack of experience in the area, she decided to venture into the topic. “Good sex is like cooking: it’s a creative process that requires practice, experimentation and care to have a good flavor. There are plenty of recipes and cooking classes, but we can’t find anything satisfactory about female pleasure on the Internet! That’s what led me to create the platform, so that we can all have access to better sexual education.”
The project brought together international studies, advice from psychologists and sexologists and over 100,000 testimonies. “Pleasure is a very serious thing, and it deserves a very rigorous approach,” she says.
CLIMAX comes to Spain
While the project was founded in France, currently, 40 percent of its subscribers are outside of the country, largely in the United States and United Kingdom. The team is optimistic about the Spanish market. “The market seems to be ready for a project like this. More than talking about pleasure, we really want people to have easy access to safe information about sexual education,” says Camille Mariau. Since the project launched in Spain just a few months ago, most of its users are between 28 and 45 years old, and, surprisingly, they are divided 50/50 between men and women.
To spread the news about the project, they have the help of Teresa Riott, known for her role as Nerea in the Netflix series Valeria, who narrates the videos. “It seems to me like a new idea in education, and it’s very necessary in order to better understand all the possibilities of our pleasure. CLIMAX has also had success in other countries. I’ve learned a lot about female sexuality in the process,” the actress explains.
She emphasizes that “they are videos that you can watch alone, in private, and you can experiment,” which “gives people confidence to explore their bodies without concerns.”
The platform’s content is explicit, but tasteful; obvious, but well-presented. It repeats explanations we have read in plenty of books, but which acquire a new dimension when we can see them on a screen: without drawings, diagrams or taboos, simply showing how to stimulate a vulva. The videos are meant to educate, not to excite, and they have no resemblance to porn. The images are accompanied by Riott’s voice, which explains each step in a clear and simple way, adding touches of scientific information. It explains not only how to stimulate the vulva, but also how and why the stimulation works.
We’ve learned that it’s much easier to exercise at home, or even to do home improvement projects, with the help of a Youtube tutorial video that shows us each step. So it makes all the sense in the world that we can use tutorials to learn how to excite our bodies, moving step-by-step over each part of our anatomy.
The platform is also notable for its diversity, not only in the appearances of the vulvas on screen, but also in the techniques proposed. It includes videos of 19 different masturbation techniques. In Spain, female masturbation has experienced a revolution in recent years. The brand Lelo, specialized in clitoral suction toys, increased its sales by 440% in 2019. The Satisfyer toy was even more popular: it registered an increase in sales of 1,300% in 2020, to the point that it had to resort to European countries to restock the toys during one of the busiest months of the year. Those toys finally normalized female masturbation. Vibrators themselves have also experienced their own revolution. Their technology and shapes have become more sophisticated, and they have become more effective and discreet. And Gwyneth Paltrow’s website Goop now features Viva la Vulva, an “extra-silent” vibrator model that can be used at any time without making any noise. Such devices are proof that manufacturers have taken pains to innovate their products for female pleasure, until recently a forgotten sector. Gone are the old dildos and penis replicas.
Beyond masturbation, with or without the help of toys, the content of CLIMAX “is like an encyclopedia of ideas that you can choose and use to enrich your sexual life. It can help you be more creative, learn moves that women with vulvas might like, etc. It can also be used as a basis to start a conversation with your partner about what you like, what you want to try or not. We want to give people the opportunity to get to know their own body or the body of their partner better,” explains Mariau.
To that end, the first two seasons are entirely scientifically based. To develop the content, 74 international scientific studies, widely referenced and accepted by the scientific community, were consulted. “There is one study that I find special: Shere Hite’s ‘The New Hite Report,’ a bestseller that has sold tens of millions of copies, which describes how women feel during different sexual activities and when they orgasm with greater frequency,” Mariau says.
In addition to a surge in vibrator sales, women have been consuming more porn than ever in recent years. According to a study by Pornhub on porn consumption in the pandemic, women increased the amount of porn they consumed by 17.5%. Audio porn, one of the latest developments in the industry, is particularly popular among women. And websites for pornographic content aimed at women, taking into account the tastes and aesthetics that female arousal requires, have proliferated in recent years.
Mission: equality in pleasure
The work of Shere Hite is one of the great sources of inspiration for CLIMAX. The late writer and sexologist was especially interested in the female orgasm. She interviewed some 3,500 American women, from prostitutes to former nuns, to create ‘The Hite Report: A Nationwide Study of Female Sexuality’ in 1976. Among her conclusions stood out two ideas: first, that few women reached orgasm through intercourse (only 30%), although they did through masturbation. Secondly, the clitoris was the key to climax.
CLIMAX is organized into several themes, which are available in different subscription packs: external pleasure (10 episodes), internal pleasure (11 episodes) and tantra exercises (7 episodes).
“Our mission is to equalize pleasure in a world where women report being less satisfied than men in their sexual activities, feeling less pleasure and having fewer orgasms. Education will make it possible,” the expert concludes.
Sonny Barger, founder of Hells Angels, dies at 83 | USA
Sonny Barger, the founding member of the Hells Angels Motorcycle Club, died on Thursday in California at the age of 83. Barger was the face of the biker gang that became one of the main counterculture movements in the United States in the 1960s. Barger’s family confirmed his death in a message on Facebook. “Please know that I passed peacefully after a brief battle with cancer,” the message stated.
Sonny Barger – whose real name was Ralph Hubert Barger – was born in northern California, and taught himself to ride a motorcycle when he was 11 years old. It was an American-made Cushman scooter. From that moment on, he tried to only assemble motorbikes with parts made in the US, a task that became increasingly difficult as the world became more open to international trade.
In 1957, he founded the Hells Angels chapter in Oakland, California. This chapter was founded nine years after the first one opened in Fontana, in the same state. Barger was the national president of the Hells Angels, a group that became notorious for its links to violent and organized crime. Barger was arrested more than 20 times and spent 13 years of his life in prison for different crimes. In November 1992, for example, he was released from federal prison after spending four years behind bars for organizing to kill members of the rival Outlaws Motorcycle Club. When his parole came to an end in 1994, 700 bikers came out to celebrate the news.
But the darkest chapter of the Hells Angels took place on December 6, 1969. That night, the biker members were hired as security guards at the Altamont Free Concert in California, where the Rolling Stones performed. Representatives of the band reportedly offered the Hells Angels $500 worth of beer in exchange for providing security. Members of the biker gang had worked without incident as security at concerts for bands such as The Grateful Dead and Jefferson Airplane. But at the Altamont Free Concert, which brought together 300,000 people, the situation became violent. During the Rolling Stones’ performance, fights broke out in the audience. Meredith Hunter, an 18-year-old concertgoer, was stabbed to death by a member of the Hells Angels after approaching the stage. The incident was caught on camera and became a central scene in the Maysles Brothers documentary Gimme Shelter, in which Barger admitted the bikers did not have the training to do security work. A few days after the concert, in a call to a local radio station, he said: “I ain’t no cop. I ain’t never gonna police nothin.’”
The incident stained the image of the Hells Angels and Barger – who had the name Hell’s Angels Oakland tattooed on his right shoulder – struggled for several years to change the gang’s violent reputation. “Catholics probably commit more crimes than we ever thought of,” he told the Los Angeles Times in 1994 after being released from prison on parole. “Probably politicians commit more crimes.”
Writer Hunter S. Thompson compared the biker gang to the student protesters of the 1960s, who paved the way for civil rights in America. “The difference between the student radicals and the Hells Angels is that the students are rebelling against the past, while the Angels are fighting the future. Their only common ground is their disdain for the present, or the status quo,” he wrote in his book Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs.
The Hells Angels were one of America’s most striking subcultures, and their influence can be seen in many areas of society. In one of his books, Barger claims that Harley-Davidson – the motorcycle brand favored by the group – adopted the gang’s ideas into its models. Barger played himself in the 1967 film Hells Angels on Wheels, where he appeared alongside Jack Nicholson. He also had a small role in the TV show Sons of Anarchy.
Barger was a difficult character to define. He got up at 4.30am to feed his dogs and horses, then worked out for three hours, doing weights and going jogging. By 8am, he was on his motorcycle and driving down an off-beaten track. Unlike the stereotypical biker, he wore a helmet that covered his entire face. This was due to the fact that he had his vocal cords removed in 1982 after suffering from throat cancer.
Art fakes: Disputed ‘Basquiats’ seized by FBI shake the US art world | Culture
While New York surrenders once again to the genius of Jean-Michel Basquiat with an exhibition of unpublished work curated by his family, in Orlando (Florida), there is considerably more controversy over the work of the artist who died at the age of 27. An exhibition at the Orlando Museum of Art dedicated to the former close friend of Andy Warhol, entitled Heroes & Monsters, has cost the head of that gallery his job, while the FBI investigates the authenticity of 25 of the works, not to mention the threats made by the director against an expert who had been commissioned to evaluate the authorship.
Although the scandal began to take shape in February, when the exhibition opened, the FBI raid took place last Friday with the seizure of the paintings with a contested attribution to Basquiat. Aaron De Groft, director and chief executive of the museum, has relentlessly defended that these are genuine works, while emphasizing that it is not a museum’s role to certify the authenticity of the works it exhibits. “[The paintings] came to us authenticated by the best Basquiat specialists,” he told the local NBC television station in February.
De Groft had for months championed the importance of the paintings, asserting that they are worth millions of dollars, until an expert showed up who’d been hired by the owners of the paintings and she began to question his version of events. The director was fired on Tuesday, just two business days after agents seized the 25 suspicious works. The museum’s board of trustees met for hours that day, but not before warning employees that anyone who dared to discuss the matter with journalists would suffer the same fate as De Groft. Hence, it is impossible to know the version not only of the former director, but of any worker at the center. Nor can any information be gleaned at the New York exhibition, a mixture of unpublished work and memorabilia, where organizers are fearful of the devaluation caused by the Orlando scandal.
“It is important to note that there is still nothing that makes us think that the museum has been or is the subject of an investigation,” Emilia Bourmas-Free told the local chain on behalf of the art gallery. Cynthia Brumback, chairwoman of the museum’s board of trustees, expressed itself in similar terms in a statement, saying that the board of trustees is “extremely concerned about several issues related to the exhibition Heroes & Monsters,” including “the recent revelation of an inappropriate e-mail correspondence sent to academia concerning the authentication of some of the artwork in the exhibition,” as reported by The New York Times.
The statement refers to a disparaging message sent by De Groft to the specialist hired for the expert opinion, cited in the FBI investigation as “Expert 2″ but who the New York Times has confirmed is Jordana Moore Saggese, an associate professor of art at the University of Maryland. This expert, who received $60,000 for a written report, asked the museum not to have her name associated with the exhibition, according to the FBI affidavit. Angry, De Groft threatened to reveal the amount of the payment and share the details with her employer, the university.
“You want us to put out there you got $60,000 to write this?” wrote De Groft, according to the affidavit. “Ok then. Shut up. You took the money. Stop being holier than thou. Do your academic thing and stay in your limited lane.” The board said it has launched an official process to address the matter. The scandal was precipitated a few hours after the closing of the exhibition, which had originally been meant to travel to Italy.
The mystery of the cardboard box
But how did the paintings get to the Orlando Museum? The museum and its owners maintain that the paintings were found in a Los Angeles storage unit in 2012. The New York Times reported that questions arose over one of the paintings, made on the back of a cardboard shipping box with FedEx lettering in a typeface that was not used until 1994, six years after Basquiat’s death, according to a designer who worked for the company.
Both De Groft and the owners of the paintings maintain that they were made in 1982 and that Basquiat sold them for $5,000 to a famous television screenwriter, now deceased, who deposited them in a storage unit and forgot about them.
Sex education: The creator of CLIMAX: ‘Good sex is like cooking, but there aren’t recipes for female pleasure on the internet’ | Society
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