Are you resisting the urge to set fire to historic structures in downtown Moscow? Are you still stinging from your foray into the world of self-mutilation as protest?
You may be suffering from Poser Rip-Off Artistic Tourette’s (also known as PRAT). Fortunately, for sufferers of PRAT, there is help for your frustrated artistic urges. I’ve compiled a list of some great Russian-Language films available for viewing on the interwebz (with English subs) in their entirety. All of these films are excellent listening practice for those who are learning Russian, or for anyone who wants to immerse themselves in Russian culture and art offerings sans the need for antibiotics.
For those who like their foreign films with a side of war footage and people sobbing in corsets, I highly recommend Admiral. Taking place during World War I and the October Revolution, and based on real events, Admiral details the tragic love story between the married Aleksandr Kolchak, and the lovely and equally married Russian poet Anna Timiryova. Comparisons to Dr. Zhivago are not without merit, so if you are looking for a romantic movie set against the backdrop of Russian history, and you need a good cry, put this in your YouTube queue. The film stars Konstantin Khabensky as Aleksandr (Night Watch, Day Watch) and Elizaveta Boyarkskaya as Anna. Andrey Kravchuk directs.
I have seen Saving Private Ryan. I have seen Letters from Iwo Jima. I’ve seen Schindler’s List. I’m pretty solid on my Hollywood World War II epics. Hands down, Brest Fortress is one of the best World War II movies I have ever seen. This gem hails from Belarus, and details the early days of Operation Barbarossa, as told through the eyes of the orphaned Sasha Akimov.
Sasha and his brother are living at Brest Fortress in Belarus SSR, under the care of the 33rd Rifle Regiment of the Red Army. Sasha plays the euphonium in the regiment band, and nurses a crush on Anya Khizevatova, the daughter of the outpost leader Khizevatov. Sasha’s life centers around the fortress and its inhabitants, until one day in June of 1941, when the fortress comes under attack by the Wehrmacht and Lutfwaffe. The Nazi assault on the Soviet army and citizens is brutal and heart-wrenching, although the surviving Red Army forces manage to hold onto the fort for nine days. The resistance is led by Efim Moiseevich Fomin, who proudly declares to his German executioners that he is all the things they despise: a Red Army commissar, a Communist, and a Jew.
“We are here to save you from the Bolsheviks and Jews. No, for real, you guys. You should totally surrender.&rdquo
Basically, this is a modern-day, less icky, comedic retelling of Lolita, and if anyone is entitled to do an update on Vladimir Nabokov’s cult classic, it is his compatriots. Misfits is probably not everyone’s cup of tea, but I’ve included it here for those who might have an outdated view of modern-day Russia.
Ilya Lyubimov stars as Vitaly, a thirtysomething who moves from a rural part of Russia to Moscow after his girlfriend is killed in a car accident. In Moscow, he develops a close, if odd, relationship with his sassy 17-year-old neighbor, Kristina, while having to stave off the advances of his vampy new boss.
Misfits was shot on a budget of about $100,000, raised by writer/director Roman Karimov. It’s a really great piece of independent Russian cinema (Wait! I thought there was no independent media in Russia! I’m confused!)
Every time someone watches this movie, Victoria Nuland has to clap her hands really hard so that Mikhail Sakashvili doesn’t fall down dead.
Radio Free Europe/Radio Liberty accused the film of “pushing the Kremlin’s line” on the Georgian conflict. By “pushing the Kremlin’s line,” they mean “what actually occurred.” Wired called it awesomely bad, but that’s only because Wired is used to made-for-TV movies that involve marine creature-themed weather events, or weird, inaccurate opi starring that one girl from Heroes.
Of course, since Olympus Inferno aired on Russian television, it does take a sympathetic view of the Russian side of the conflict. However, if one does look into the actual facts behind the Georgian war, it is easy to see that, although there was tension mounting on both sides, Georgian forces were responsible for attacking South Ossetia.
The story follows Michael Orraya, an American entomologist who is studying butterflies, and a former classmate, a young Russian woman named Zhenya, who is working as a journalist. They develop a close relationship, but are caught up in the chaos of the Georgian war.
“What can we do? The Georgian president only wants to live in gentrified neighborhoods, like Brooklyn.”
I really like this movie. Granted, I am probably distracted by the fancy costumes.
A disembodied voice guides the viewer through the dream-like quality of Russian Ark. The narrator is in conversation with “the European,” symbolized by the Marquis de Custine, this super racist 18th century travel writer. His travelogue, La Russie en 1839, decries the “backwardness” of the Russian Orthodox church, and the “Asian” overlay to the society and culture. (La Russie en 1839 was later published as an illustrated collection of bedtime stories for U.S. State Department employees.)
Directed by Aleksandr Sokurov, we are taken on a tour of the Hermitage Museum in St. Petersburg, the “ark” of Russian culture, with cameo appearances by Catherine II and Peter the Great. Gorgeous cinematography and high production values certainly helped this 2002 film win a nomination for the Palme d’Or at Cannes and a Visions Award at the Toronto International Film Festival.
Russian Ark is also available on Netflix streaming, but for the poor unfortunates who do not have Netflix, and thus are also robbed of the Pussy Riot documentary, there is YouTube.
Remember everyone in Hollywood falling all over themselves to praise Andrey Zvyagintsev for Leviathan because he bravely portrayed today’s Russia as a bleak and hopeless wasteland? Well, it actually turns out that bleak is sort of his oeuvre. Like Leviathan, The Return received widespread critical acclaim when it was released internationally in 2004. Although Hollywood acknowledged the film with a Golden Globe nomination, there was no obsequious praise for Zyvaginitsev’s earlier offering.
The plot centers on two boys, Andrei and Ivan, who are reunited with their father after his mysterious twelve-year absence. Their mother reluctantly allows the boys to go on a road trip with their father through the Russian wilderness, and the tension between Ivan and his father mounts to a tragic conclusion.
The Return is driven by the subtle, yet effective, performances by the film’s two young actors, Vladimir Garin (Andrei) and Ivan Dobronravov (Ivan). Desolately beautiful Russian landscapes add to Zyvangintsev’s gray-blue palette and the overall meditative quality of the piece.
Of course, there are many Russian films available on YouTube that I have not listed here. These are a few that I have seen and enjoyed, and I hope you enjoy them as well.
Remember, If you or a loved one is experiencing PRAT, don’t suffer in silence. There is help.
Unless you are a pyromaniac exhibitionist. In that case, there is probably a selfie with Hillary Clinton in your future.
She said she wanted to “enlighten” the children about aspects of sex education. The children in the class were between the ages of six and ten.
The teacher also explained to the children that “condoms should be used if you don’t want to have babies”, the newspaper reports.
One boy was told to remove the clothes of the doll but refused before being told that he had to do so.
The boys parents removed him from the school, saying that he was “overwhelmed” after the class and had started touching his sister inappropriately.
“We have never seen our son like this before, he was completely overwhelmed” the parents said anonymously, “we are taking him out of the school.”
“We can already see the consequences.
“A few days after these disturbing lessons, a classmate came to us to play. Like many times before, the boy also played with our ten-year-old daughter. This time he suddenly wanted to pull her pants down.
Madrid’s famous Retiro Park and Paseo del Prado boulevard have been added to UNESCO’s World Heritage List. The decision, made on Sunday, brings the total number of World Heritage Sites in Spain to 49 – the third-highest in the world after Italy and China.
Up until Sunday, none of these sites were located in the Spanish capital. The Madrid region, however, was home to three: El Escorial Monastery in Alcalá de Henares, the historical center of Aranjuez and the Montejo beech forest in Montejo de la Sierra.
Spanish Prime Minister Pedro Sánchez celebrated the news on Twitter, saying it was a “deserved recognition of a space in the capital that enriches our historical, artistic and cultural legacy.”
Madrid y toda España están hoy de enhorabuena.
El Paseo del Prado y El Retiro son ya Patrimonio Mundial de la UNESCO. Merecido reconocimiento a un espacio de la capital que engrandece nuestro legado histórico, artístico y cultural.
Retiro Park is a green refuge of 118 hectares in the center of the city of Madrid. Paseo del Prado boulevard is another icon of the capital, featuring six museums, major fountains such as the Fuente de Cibeles as well as the famous Plaza de Cibeles square.
For the sites to be granted World Heritage status, Spain needed the support of two-thirds of the UNESCO committee – 15 votes from 21 countries. The proposal was backed by Brazil, Ethiopia, Russia, Uganda, Nigeria, Mali, Thailand, Kyrgyzstan, Oman and Saudi Arabia, among others.
Prior to the vote, the International Council on Monuments and Sites (ICOMOS), the organization that advises UNESCO, had argued against considering the Paseo del Prado and Retiro Park as one site, and recommended that the latter be left out on the grounds that there were no “historic justifications” for the two to be paired.
This idea was strongly opposed by Spain’s ambassador to UNESCO, Andrés Perelló, who said: “What they are asking us to do is rip out a lung from Madrid. El Prado and El Retiro are a happy union, whose marriage is certified with a cartography more than three centuries old.” The origins of Paseo del Prado date back to 1565, while Retiro Park was first opened to the public during the Enlightenment.
The ICOMOS report also denounced the air pollution surrounding the site. To address these concerns, Madrid City Hall indicated it plans to reduce car traffic under its Madrid 360 initiative, which among other things is set to turn 10 kilometers of 48 streets into pedestrian areas, but is considered less ambitious than its predecessor Madrid Central.
The 44th session of the World Heritage Committee took place in the Chinese city of Fuzhou and was broadcast live at Madrid’s El Prado Museum. Perelló summed up the reasons to include Retiro Park and El Paseo de Prado in less than three minutes.
“When people say ‘from Madrid to heaven’ [the slogan of the Spanish capital] I ask myself why would you want to go to heaven when heaven is already in Madrid,” he told delegates at the event, which was scheduled to take place in 2020, but was postponed due to the coronavirus pandemic.
Every year, UNESCO evaluates 25 proposals for additions to the World Heritage List. In the case of the Paseo del Prado and Retiro Park, the site was judged on whether it evidenced an exchange of considerable architectural influences, was a representative example of a form of construction or complex and if it was associated with traditions that are still alive today. The famous park and boulevard sought to be inscribed on the UNESCO list in 1992, but its candidacy did not reach the final stage of the process.
The effort to win recognition for the sites’ outstanding universal value began again in 2014 under former Madrid mayor Ana Botella, of the conservative Popular Party (PP), and was strengthed by her successor Manuela Carmena, of the leftist Ahora Madrid party, which was later renamed Más Madrid. An advisor from UNESCO visited the site in October 2019.
Ryanair has reported a €273 million loss for its first quarter even as traffic rebounded during the period.
The carrier said it carried 8.1 million passengers in the three month period, which cover April to June. This compares to just 500,000 in the same period a year earlier.
Revenues increased 196 per cent from €125 million in the first quarter of 2020 to €371 million for the same quarter this year. Operation costs also rose however, jumping from €313 million to €675 million.
Net debt reduced by 27 per cent on the back of strong operating of €590 million.
“Covid-19 continued to wreak havoc on our business during the first quarter with most Easter flights cancelled and a slower than expected easing of EU travel restrictions into May and June,” said group chief executive Michael O’Leary.
“Based on current bookings, we expect traffic to rise from over five million in June to almost nine million in July, and over 10 million in August, as long as there are no further Covid setbacks in Europe,” he added.
Ryanair said the rollout of EU digital Covid certificates and the scrapping of quarantine for vaccinated arrivals to Britain from mid-July has led to a surge in bookings in recent week.
First quarter scheduled revenues increased 91 per cent to €192 million on the back of the rise in passenger traffic although this was offset by the cancellation of Easter traffic and a delay in the relaxation of travel restrictions.
Ancillary revenue generated approximately €22 per passenger the company said.
Mr O’Leary foresaw growth opportunities for the airline due to the collapse of many European airlines during the Covid crisis, and widespread capacity cuts at other carriers.
“We are encouraged by the high rate of vaccinations across Europe. If, as is presently predicted, most of Europe’s adult population is fully vaccinated by September., then we believe that we can look forward to a strong recovery in air travel for the second half of the fiscal year and well into 2022 – as is presently the case in domestic US air travel,” he said.
However, the airline warned the future remains challenging due to continued Covid restrictions and a lack of bookings and that this meant it was impossible to provided “meaningful” guidance at the time.
“We believe that full0year 2022 traffic has improved to a range of 90 million to 100 million (previously guided at the lower end of an 80 million to 120 million passenger range) and (cautiously) expect that the likely outcome for the year is somewhere between a small loss and breakeven. This is dependent on the continued rollout of vaccines this summer, and no adverse Covid variant developments,” said Mr O’Leary.