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Seville: Twelfth-century bathhouse uncovered in Spanish bar | Culture

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The hammam on Mateos Gago street, in the southern Spanish city of Seville, is located just a few meters away from the city’s Roman Catholic cathedral, and for a century it has been the most crowded of the city’s Arab baths. The thing is, customers were not going there to immerse themselves in water, but rather to pour liquid down their throats: the baths were concealed under a popular bar named Cervecería Giralda.

In the early 1900s, the architect Vicente Traver converted the building into a hotel, thus concealing (and preserving) a bathhouse dating back to the 12th century, during the days of the Almohad Caliphate that ruled Al-Andalus.

The ancient structure emerged again last summer when the bar underwent some renovation work. The work exposed high-quality murals that are unique to Spain and Portugal. The find came as a big surprise as everyone had previously thought the structure was nothing more than “a Neo-Mudejar pastiche,” in the words of Fran Díaz, the architect in charge of the refurbishment.

Paintings in one of the vaults of the hammam discovered in Seville.
Paintings in one of the vaults of the hammam discovered in Seville. PACO PUENTES

“The most important thing is that we realized the bath was completely painted, from top to bottom, with high-quality geometric decoration,” says Álvaro Jiménez, an archeologist who has supervised the work. “The drawings were made in red ochre on white, and large fragments were preserved on the walls and vaulted ceilings. This is the only surviving Arab bath with an integral decoration; until now, the only known examples had paint just on the baseboards.”

“It’s been a complete surprise. This is an important discovery that gives us an idea of what other baths might have looked like during the Almohad period, especially in Seville, which was one of the two capitals of the empire together with Marrakech,” adds the archeologist Fernando Amores, who collaborated on the project. “The hammam is very near the site of the main mosque, which was also built in the 12th century, and which also explains its much richer decorative elements.”

The first probes under the false ceilings at Giralda – one of the most popular venues in Seville’s historic center – soon unearthed several different kinds of skylights known as luceras. This discovery triggered a completely different approach to the reform work, which began focusing on the complete recovery of the Arab baths.

“Given the relevance of the finds, architecture took a step back and made way for archeology. The solution we found to preserve the baths while allowing the space to keep functioning as a bar was to use a metal cornice to crown the traditional wall tiles put there by Vicente Traver and which are now a part of the establishment’s personality; the original wooden bar counter has also been preserved,” notes Fran Díaz.

The cold room of the hammam at Cervecería Giralda.
The cold room of the hammam at Cervecería Giralda.PACO PUENTES / EL PAÍS

The 202-square-meter tapas bar, which opened in 1923, will continue in operation when the work ends next month.

The venue’s main space, where the bar counter is located, was once the warm room of the hammam, a space covering 6.70 square meters with an eight-sided vaulted ceiling resting on four columns. One side opens into a rectangular room with a barrel vault that is 4.10 meters wide and 13 meters long, once serving as the bath’s cold room. The kitchen area is where the hot room must have been, although the only remaining vestige is a portion of an arch.

The baths were accessed from Don Remondo street, where the dry area used to be, notes Álvaro Jiménez, who wrote his PhD dissertation on the remains of the Almohad mosque, now the site of Seville’s Roman Catholic cathedral.

The restoration work unveiled 88 skylights in different shapes and sizes, such as stars, lobulated designs and octagons, that together are much more elaborate than decorations found in other Arab baths from the same period.

Amores also highlights the paintings in the arches of the warm room, made in a zigzagging style meant to represent water. “Nearly all the representations in the Islamic world allude to paradise,” he notes.

The uniqueness of this bath does not rest solely on its latticed paintings, but also on the five rows of skylights in the cold room – other baths have three, and sometimes just one. The cold room, which for the last century has served as the bar’s eating area, lost two meters in 1928, when Mateos Gago street was widened.

A geometric design above the door leading to the cold room of the baths.
A geometric design above the door leading to the cold room of the baths.PACO PUENTES / EL PAÍS

In order to understand the structure of the baths, which were typically built by the state and handed over to third parties for management, an expert named Margarita de Alba used photogrammetry techniques to recreate what these spaces must have looked like in the 12th century when Seville was known as Isbilia.

“There is documentary evidence in Christian texts from 1281 about the so-called baths of García Jofre, described as adjoining a property given by King Alfonso X to the Church of Seville. The next testimony is from the 17th-century historian Rodrigo Caro, who said that the vault you see when you enter from Borceguinería [the earlier name for Mateos Gago street] is not a bath, writing: ‘I’d sooner believe these are relics from some circus or amphitheater.’ Even the art historian José Gestoso said the vault is ‘of Mauritanian tradition, a construction that is frequently seen in Seville monuments from the 15th and 16th centuries,” says Jiménez, illustrating how popular belief held that the García Jofre bath had disappeared due to the passage of time.

But it was there the whole time. In the 17th century, there was a major reform that took down the vault in the warm room and rebuilt a much lower one to make room for an extra floor above it. “The building was ‘Italianized’ and the original columns, probably made from reused Roman columns, were replaced with others made with Genoese marble. All the skylights were shut. Our theory is that it became the premises for a merchant who built his home over the shop,” adds Jiménez.

The 20th-century architect Vicente Traver could have torn down the remains of the bathhouse, but he chose to protect and preserve them. And now, customers of Cervecería Giralda know that they are having their beers inside an Almohad hammam.

English version by Susana Urra.

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Census 2022 – what difference does it make?

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Next Sunday, April 3rd, is Census night. Millions of people in homes countrywide will fill in page after page of questions, some of which are deeply personal and many of which might be unfamiliar.

But what it is it all about?

At a basic level, Census 2022 will be used to inform planning of public policy and services in the years ahead, according to the Central Statistics Office.

The questions will cover a range of environmental, employment and lifestyle issues, including the use of renewable energy sources in homes.

The questions will help inform policy development in the areas of energy and climate action, and the prevalence of internet access, to understand the availability of and need for internet connections and range of devices used to access the internet.

Questions also focus on changes in work patterns and will include the trend of working from home and childcare issues, while questions are also asked about the times individuals usually leave work, education or childcare, to help identify and plan for transport pattern needs locally and nationally.

Other topics covered include volunteering and the type of organisations volunteers choose to support, tobacco usage and the prevalence of smoke alarms in the home.

And of course there is a time capsule – the chance to write something which will be sealed for the next 100 years.

In this episode of In The News, the head of census administration Eileen Murphy and statistician Kevin Cunningham about what it all means for us.

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Oscars 2022: Will Smith makes Oscar history after slapping Chris Rock over joke about wife Jada Pinkett Smith | Culture

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Will Smith took the Oscar for Best Actor at last night’s 94th Academy Awards, but he also became the protagonist of the ceremony for other reasons. The night was following the script, until Smith slapped comedian Chris Rock on the stage after the latter made a joke about the shaved head of the former’s wife, Jada Pinkett Smith. Rock had quipped that he was “looking forward to GI Jane 2,” in reference to her look. Pinkett Smith has revealed publicly that she has alopecia. It looked as if the moment had been planned, until Smith went back to his seat and shouted: “Get my wife’s name out of your fucking mouth.”

The moment, which immediately became Oscar history but for all the wrong reasons, left the attendees with frozen smiles, and asking themselves whether it was possible that a veteran such as Smith could have lost his cool in front of tens of millions of people. After taking the prize for Best Actor, the superstar actor made a tearful apology, saying that he hoped the Academy “will invite me back.” Later on, actor Anthony Hopkins called for “peace and love,” but it was already too late. The incident overshadowed the success of CODA, which took the Oscar for Best Picture. Just like the time when Warren Beatty mistakenly named La La Land as the big winner of the night, no one will speak about anything else from last night’s awards.

At first sight, Smith’s actions looked as if they were scripted. When he first heard Rock’s joke, he laughed. But his wife was seen on camera rolling her eyes, and it was then that the actor got up onto the stage and hit Rock. When he returned to his seat he raised his voice twice to shout “Get my wife’s name out of your fucking mouth,” sending a wave of unease and shock through the attending audience. The fact that he used the f-word, which is prohibited on US television, set alarm bells ringing that this was real and not a planned moment. In fact, the curse word was censored by the broadcaster, ABC, in the United States.

During a break, Smith’s PR manager approached him to speak. In the press room, which the actor skipped after collecting his prize, instructions were given to the journalists not to ask questions about the incident, Luis Pablo Beauregard reports. The next presenter, Sean “Diddy” Combs, tried to calm the situation. “Will and Chris, we’re going to solve this – but right now we’re moving on with love,” the rapper said.

When Smith took to the stage to collect his Best Actor award for his role as Richard Williams – the father of tennis stars Venus and Serena – in King Richard, he referred to the character as “a fierce defender of his family.” He continued: “I’m being called on in my life to love people and to protect people and to be a river to my people. I know to do what we do you’ve got to be able to take abuse, and have people talk crazy about you and have people disrespecting you and you’ve got to smile and pretend it’s OK.”

He explained that fellow actor Denzel Washington, who also spoke to Smith during a break, had told him: “At your highest moment, be careful, that’s when the devil comes for you.”

“I want to be a vessel for love,” Smith continued. “I want to be an ambassador of that kind of love and care and concern. I want to apologize to the Academy and all my fellow nominees. […] I look like the crazy father just like they said about Richard Williams, but love will make you do crazy things,” he said. He then joked about his mother, who had not wanted to come to the ceremony because she had a date with her crochet group.

The Los Angeles Police Department released a statement last night saying that Chris Rock would not be filing any charges for assault against Smith. “LAPD investigative entities are aware of an incident between two individuals during the Academy Awards program,” the statement read. “The incident involved one individual slapping another. The individual involved has declined to file a police report. If the involved party desires a police report at a later date, LAPD will be available to complete an investigative report.”

On December 28, Pinkett Smith spoke on social media about her problems with alopecia. She stated that she would be keeping her head shaved and would be dealing with the condition with humor. “Me and this alopecia are going to be friends… Period!” she wrote on Instagram.



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House-price inflation set to stay double digit for much of 2022

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House-price inflation is expected to remain at double-digit levels for much of 2022 as the mismatch between what is for sale and what buyers want continues.

Two new reports on the housing market paint a picture of a sector under strain due to a lack of supply and increased demand driven by Covid-related factors such as remote working.

The two quarterly reports, one each from rival property websites myhome.ie and daft.ie, suggest asking prices accelerated again in the first quarter of 2022 as the stock of homes available for sale slumped to a new record low.

Myhome, which is owned by The Irish Times, said annual asking-price inflation was now running at 12.3 per cent.

Price

This put the median or typical asking price for a home nationally at €295,000, and at €385,000 in Dublin.

MyHome said the number of available properties for sale on its website fell to a record low of 11,200 in March, down from a pre-pandemic level of 19,000. The squeeze on supply, it said, was most acute outside Dublin, with the number of properties listed for sale down almost 50 per cent compared with pre-pandemic levels.

It said impaired supply and robust demand meant double-digit inflation is likely until at least mid-2022.

“Housing market conditions have continued to tighten,” said author of the myhome report, Davy chief economist Conall Mac Coille.

“The broad picture of the market in early 2022 remains similar to last year: impaired supply coupled with robust demand due to Ireland’s strong labour market,” he said.

Soure: MyHome.ie

“One chink of light is that new instructions to sell of 7,500 in the first 11 weeks of 2022 are well up from 4,800 in 2021, albeit still below the 9,250 in 2019. The flow of new properties therefore remains impaired,” said Mr Mac Coille.

“Whatever new supply is emerging is being met by more than ample demand. Hence, transaction volumes in January and February were up 13 per cent on the year but pushed the market into ever tighter territory,” he said.

He said Davy was now predicting property-price inflation to average 7 per cent this year, up from a previous forecast of 4.5 per cent, buoyed strong employment growth.

Homes

Daft, meanwhile, said house asking prices indicated the average listed price nationwide in the first quarter of 2022 was €299,093, up 8.4 per cent on the same period in 2021 and and just 19 per cent below the Celtic Tiger peak, while noting increases remain smaller in urban areas, compared to rural.

Just 10,000 homes were listed for sale on its website as of March 1st, an all-time low. In Dublin, Cork and Galway cities, prices in the first quarter of 2022 were roughly 4 per cent higher on average than a year previously, while in Limerick and Waterford cities the increases were 7.6 per cent and 9.3 per cent respectively.

The report’s author, Trinity College Dublin economist Ronan Lyons, said: “Inflation in housing prices remains stubbornly high – with Covid-19 disturbing an equilibrium of sorts that had emerged, with prices largely stable in 2019 but increasing since.

“As has been the case consistently over the last decade, increasing prices – initially in Dublin and then elsewhere – reflect a combination of strong demand and very weak supply.”


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