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Prehistoric art in Spain: The 27,000-year-old cave art found under graffiti in Spain’s Basque Country | Culture

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Diego Garate, doctor of prehistory at the University of Cantabria and a specialist in Paleolithic art, was surprised when he came across a 27,000-year-old painting of a bison a meter and a half long, hidden under graffiti, in one of the Aizpitarte caves in the Basque Country. The discovery of the artwork, obscured by the word “exit” and an arrow indicating the way out of the cave, took place in September 2015. Now, following years of research, investigators claim it indicates the existence of a shared artistic culture in ancient Europe.

According to Garate, the bison painting was found when he and a team of speleologists explored the cave in search of cave art. “We went through a small, very low arch about 50 centimeters high, that led into a passageway and when I raised my head I saw an impressive bison covered by graffiti on the rock,” he says. “Its characteristics were similar to those of other bison found in at least 17 caves in different parts of the Iberian Peninsula and Central Europe.” Garate and his team’s research, which was published last week in the journal PLOS One, also includes studies of paintings found in three caves in the area of bison, horses and a bird in an artistic style previously unseen in the Iberian peninsula.

Garate began searching for Paleolithic paintings in Spain’s Basque Country a decade ago. “Very little was known about the cave art in this region compared with neighboring areas such as Cantabria, which has the Altamira cave; or the central Pyrenees, which is full of decorated caves; or the French Dordogne, which is famous for its paintings of bison and mammoths,” says Garate.

These bison paintings date back 27,000 years.
These bison paintings date back 27,000 years.

In the center of that geographical triangle is Basque Country, which then – like now – was a transit area for people crossing between the Iberian Peninsula and the rest of Europe. “It was paradoxical that there was so little cave art considering it was the only pass available to the men and women of that period,” says Garate. In 2011, when he began his research, only six caves with artwork were recorded in the entire Basque Country. Now that number has risen to 28.

Manuel González Morales, a researcher at the International Institute of Prehistoric Research in Cantabria, says that Garate’s work is “extraordinarily” significant both archaeologically and historically as it has revealed more locations containing Paleolithic art in an area that, until several years ago, appeared relatively empty of this kind of historical evidence. Beyond purely aesthetic considerations, González says these paintings represent “new examples of how underground spaces, including some difficult to access, were used for the development of artistic activity.”

Garate claims that the discovery of the bison paintings in that region of Spain proves that its inhabitants exchanged ideas, shared graphic expressions and had similar and recurring motifs. “We have discovered that human groups in the area communicated with each other,” says Garate. “For example, they used the same tools fashioned from bone to sculpt the stone. We found the remains of those tools in the same caves where we found the paintings.”

The research also points to the existence of exchange networks rather than the same groups of humans moving or migrating from one place to another. “These bison are proof of what would be the first instance of globalization on a continental scale, from Central Europe to the Iberian Peninsula, something like the first European Union 27,000 years ago,” says González, who adds that Garate’s findings show that Upper Paleolithic hunter-gatherer groups made contact with other groups and exchanged technical and stylistic ideas.

The depiction of the animals' limbs had no perspective or depth.
The depiction of the animals’ limbs had no perspective or depth.

One of the most notable features of these paintings is their perspective, which is very different from what we use today. “The type of art that was developed on the continent 27,000 years ago was expressionist,” explains Garate. “The artists did not try to depict reality, but to offer their own interpretation of it.” Consequently, the animals in these paintings appear disproportionate – their faces are grotesque while their legs and horns are two dimensional, like the art found in Egyptian temples.

Garate explains that the style of the paintings is difficult to appreciate today, not because the artists could not portray the subject of their art as they saw them, but because there was an established painting technique. “It gives us the feeling that the art was controlled; subject to rules imposed from a place of power,” says Garate. “The artist would be more like a craftsman. Rather than doing what occurred to them, they could only do what they were ordered to do. It was a collective rather than an individual form of art.”

But experts still don’t know the purpose or meaning of these paintings. “There are multiple interpretations and perhaps there is more than one answer,” Garate acknowledges. “We know that for 30,000 years, animals rather than plants, humans or stars were depicted. Over that period of time, there were several different human groups, but the art is limited to the same motif. We also know that they [the paintings] did not depict the animals that were hunted and eaten, which makes us think that these paintings have a very strong message, perhaps related to social cohesion; to that need to keep the group together in order to survive.”

English version by Heather Galloway.

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Shock in Germany after cashier shot dead in Covid mask row

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The killing on Saturday evening in the western town of Idar-Oberstein, Rhineland-Palatinate, is believed to be the first in Germany linked to the government’s coronavirus rules.

The row started when the cashier, a student, told the customer to put on a face mask, as required in all German shops. After a brief argument, the man left.

The suspect then returned about an hour and a half later, this time wearing a mask. But as he brought his six-pack of beer to the till, he took off the mask and another discussion ensued.

“The perpetrator then pulled out a revolver and shot him straight in the head,” prosecutor Kai Fuhrmann told reporters on Monday.

The suspect, a 49-year-old German man, walked to a police station the following day to turn himself in. He was arrested and has confessed to the murder.

He told police he felt “cornered” by the coronavirus measures, which he perceived as an “ever-growing infringement on his rights” and he had seen “no other way out”, Fuhrmann said.

Idar-Oberstein mayor Frank Fruehauf called it “an unfathomable, terrible act”, and residents have laid flowers and candles outside the petrol station.

The murder comes just days before Germans head to the polls for a general election on September 26 that will see Chancellor Angela Merkel bow out of politics after 16 years.

Katrin Goering-Eckardt, the parliamentary leader of the Green party, tweeted that she was “deeply shaken” by the killing, which she said was “the cruel result of hatred”.

Agriculture Minister Julia Kloeckner from Merkel’s centre-right CDU party, who hails from the region, said the murder was “shocking”.

The Tagesspiegel newspaper said far-right chat groups on Telegram were applauding the murder, with one user writing “Here we go!!!” while others posted thumbs-up emojis.

Germany has seen repeated protests from anti-mask demonstrators throughout the pandemic, some of them attracting tens of thousands of people.

The Querdenker (Lateral Thinkers) movement has emerged as the loudest voice against the government’s coronavirus curbs and regulations. Its marches have drawn a wide mix of people, including vaccine sceptics, neo-Nazis and members of Germany’s far-right AfD party.



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Remains found in Dublin adds intrigue to search for Robert Emmet’s grave

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Skeletal remains have been found at one of the locations identified as a possible last resting place of Robert Emmet who was executed on this day in 1803.

The remains were found during an excavation at the back of St Paul’s Church in Stoneybatter in Dublin.

The disappearance of the body of Robert Emmet is one of the great mysteries of Irish history.

Emmet was tried and then hanged for instigating the ill-fated 1803 rebellion. He became a symbol of Irish martyrdom for his speech from the dock in which he concluded: “Let them and me rest in obscurity and peace, and my name remain uninscribed, until other times and other men can do justice to my character. When my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written.”

After he was publicly hanged outside St Catherine’s Church in Thomas Street on September 20th, 1803, his head was displayed to the crowd by the hangman Thomas Galvin. The remains of Emmet’s body was taken to Bully’s Acre in the grounds of what is now the Royal Hospital Kilmainham and buried there.

When some of his friends went to reintern his remains from Bully’s Acre to St Michan’s Church in Church Street, a church associated with the United Irishmen, they found there was no body there, and so began a search which endures to this day.

Robert Emmet was publicly hanged outside St Catherine’s Church in Thomas Street on September 20th, 1803.
Robert Emmet was publicly hanged outside St Catherine’s Church in Thomas Street on September 20th, 1803.

His great-nephew Dr Thomas Addis Emmet requested an archaeological dig at the family vault in St Peter’s Church in Aungier Street to mark the centenary of Emmet’s death in 1903, but that proved to be unsuccessful.

Speculation

St Paul’s Church is another contender in the saga of Emmet’s remains. It was the parish church of Kilmainham Gaol’s doctor and effective governor Dr Edward Trevor.

In his book In the Footsteps of Robert Emmet, JJ Reynolds speculated that Trevor removed Emmet’s body and put it in an unmarked grave in the grounds of St Paul’s Church. This was to ensure that his grave would not become a shrine for Irish nationalism.

The church, which was the venue for the consecration of the philosopher George Berkeley as Bishop of Cloyne in 1734, has been converted into the Spade Enterprise Centre, a not-for-profit social enterprise unit.

The land where the skeletal remains were found is being turned into a shared kitchen for small business enterprises in the area.

The yard at the the back of St Paul’s Church in Stoneybatter, Dublin where skeletal remains were found.
The yard at the the back of St Paul’s Church in Stoneybatter, Dublin where skeletal remains were found.

Archaeologist Franc Miles said burials in the grounds were from 1702 to the 1860s. A extant set of burial records remain, but Emmet, if he really is buried there, would have no record.

Previous exhumations were carried out when the graveyard was closed in 1860s to make way for a school on the site.

“With all the evacuations, we were left with bits and pieces of body. There weren’t many full skeletons,” he said.

Mr Miles said it all the gravemarkers and stones were removed in the 1860s “so all you are left with really are bones.”

Mr Miles said it would be difficult if not impossible to identify Emmet’s remains even if they are buried in the grounds of St Paul’s Church.

His own “educated guess” is that Emmet’s body is still buried somewhere in Bully’s Acre.

As many of his supporters have said over the last two centuries: “Do not look for him. His grave is Ireland.”

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How the cost of renting an apartment in Copenhagen compares to other cities in Denmark

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With the arguable exception of second city Aarhus, Copenhagen is significantly more expensive to rent housing than anywhere else in Denmark.

But the extra cost in the capital depends on where else in Denmark you compare with, as well as the type of housing you rent.

Private or general housing?

First, it is important to note the difference between the two main types of rental housing in Denmark: private rentals and almene boliger (literally, ‘general housing’), a form of subsidised housing.

For almene boliger, local municipalities put up 10 percent of building costs and in return have the right to decide who is allocated one in four available apartments, enabling them to provide housing to municipal residents who need it. The housing therefore plays a role in the social housing provision.

This type of housing is normally managed by a boligforening or housing association. Rent goes towards costs of running the housing and to pay off the housing association’s loans, which means property owners aren’t profiting from rents and prices are controlled.

Aside from housing assigned by the municipality, almene boliger are open for anyone. However, to get one, you must get to the top of a waiting list, which you join by signing up with associations which operate housing in the city where you live (or want to live).

In Copenhagen or Aarhus, it can take years to get to the top of these lists, while in smaller cities you might get an offer in weeks or even days.

As such, many newcomers to Denmark must turn to the private rental market if they are living in one of the main cities.

READ ALSO: Deposits, complaints and registration: Five key things to know about renting in Denmark

Private housing: Copenhagen clearly pricier 

A study conducted by housing research centre Bolius in November 2020 found the cost of a 56 square-metre apartment in Copenhagen’s Nørrebro district to be 8,536 kroner per month.

The study, which was based on data from 2019 and 2020 from rental platforms boliga.dk and boligportal.dk, shows the average monthly cost of non-limited private apartments on Nørrebro, compared with 16 other locations in Denmark.

The cost takes into account the cost of a deposit (normally three months’ rent) and adds it to the average cost of renting the housing for five years (thereby assuming none of the deposit is returned to the tenant).

In comparison to the price in Nørrebro, the study found rent in Hillerød north of Copenhagen to be slightly less (8,218 kroner) for a slightly larger apartment (65 square metres).

Moving further out from Copenhagen, costs begin to drop even more.

In Kalundborg on the west coast of Zealand, you can rent a 71-square-metre flat for 5,167 kroner per month. Næstved, a commuter town between Copenhagen and the Great Belt Bridge, comes in at 6,039 kroner for an apartment at 72 square metres.

The cheaper rents are consistent further to the west, exemplified in Jutland cities Aalborg (5,544 kroner for 62 square metres), Vejle (6.696 kroner for 84 square metres) and Esbjerg (4,399 kroner for 54 square metres).

Although Aarhus is not included in the study, third-largest city Odense is. Here, there is still a significant saving on Copenhagen, with 8,488 kroner, a similar rent to that in Nørrebro, getting you an apartment over 50 percent bigger at 82 square metres.

General (almene) housing: closer, but still higher in Greater Copenhagen

Rent prices for almene or subsidised housing were most recently analysed in a 2020 report by Landsbyggefonden (National Building Foundation), a support institution for the social housing sector.

According to that report, the rent for family housing (meaning housing not reserved for students or seniors) is “on average, approximately 100-200 kroner per square metre higher [per year, ed.] east of the Great Belt Bridge than west of it”.

Of the five administrative regions, average rent for family subsidised housing is highest in Greater Copenhagen at 906 kroner per square metre for a year’s rent.

The lowest rents can be found in South Denmark, where the yearly cost is 722 kroner per square metre.

Zealand is the region that comes closest to Copenhagen on the costs for this type of regular housing. Here, tenants can expect to pay 859 kroner per square metre in a year. The equivalent costs in Central Jutland and North Jutland and 778 kroner and 747 kroner respectively.

The study also places Greater Copenhagen as the most expensive region when rents are presented as the median monthly rent for family housing.

Here, the median values are split into five categories based on apartment size, with Copenhagen coming out as the most expensive region for each category.

For example, the median monthly rents for apartments between 50-60 square metres are as follows: 5,039 kroner (Greater Copenhagen); 4,913 kroner (Zealand); 4,541 kroner (Central Jutland); 4,388 kroner (North Jutland); 4,236 kroner (South Denmark). The national average is 4,667 kroner.

Sources: Domea, Bolius, Landsbyggefonden



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