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‘Million Years ago’: Toninho Geraes vs Adele: The latest plagiarism case in Brazilian music | USA

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Legendary jazz guitarist and composer Pat Metheny once said that Brazilian pop music “might have been the last in the world to have a sophisticated harmony.” Metheny, the winner of 20 Grammy Awards, is one of many international artists to have fallen in love with the Brazilian music of the 1970s and 1980s and incorporated the sound into his own songs. Another example is Greg Kurstin, an award-winning music producer who studied Música Popular Brasileira (or Brazilian Popular Music) in New York, and now works with superstars such as Paul McCartney, Pink and Adele. Now Kurstin and Adele have been accused of plagiarism: singer-songwriter Toninho Geraes, who has written hits for the likes of Zeca Pagodinho, Diogo Nogueira and Martinho da Vila, among others, has claimed that the producer and the British singer almost completely copied the melody of his song Mulheres (recorded by Martinho da Vila in 1995) on the single Million Years Ago, which was released in 2015 and featured on Adele’s album 25.

This dispute over intellectual property coincides with the pre-launch of Adele’s new album following a six-year hiatus. The singer, whose new album 30 is due for release on November 19, felt compelled to mute comments from fans on social media after being inundated with messages from Brazilians on her publications and live transmissions asking her to respond to the accusations of plagiarism. For the time being, both Adele and Kurstin have made no public comment on the matter.

I only wish to protect my musical legacy

Brazilian singer-songwriter Toninho Geraes

“This silence is an evasive strategy,” says Fredímio Biasotto Trotta, Toninho Geraes’s lawyer, who last February sent two extrajudicial notifications to Adele, the British record label XL Recording, Sony Music and Kurstin. In a press release, Sony stated “the matter is currently in the hands of XL Recordings [which owns the rights to the record] and of Adele herself,” explaining that it had only been responsible for the distribution of the single in Brazil and that its contract had expired. XL Recording, for its part, has not made any statement. “We are gathering evidence to file a claim in the British courts, where judges tend to be meticulous in cases like this,” says Trotta, who has been working in the industry for three decades and has been a musician since the age of 11.

What has not yet been revealed, however, is the amount of compensation the lawsuit is seeking. The documents from Trotta ask Adele and Kurstin to provide details of the income derived from album sales of 25 and the profit generated by Million Years Ago on streaming platforms. Martinho da Vila’s album Tá Delícia, Tá Gostoso, on which the single Mulheres is included, was a hit in Brazil and sold 1.5 million copies, according to data from Columbia Records. Toninho Geraes, however, does not want to take legal action and will settle for his name appearing on the writing credits for Million Years Ago, his lawyer has stated. “I only wish to protect my musical legacy,” Geraes says.

Geraes found out about the surprising similarity between the two songs through Misael da Hora, the son of Rildo Hora, who wrote the arrangement for Mulheres and who has worked with the greatest Brazilian samba composers. “He told me about it, thinking it was an authorized version in English, and I was stunned,” says Geraes. The expert analysis requested by his lawyer identified 88 identical, similar or slightly varying bars in the two songs, as well as identical parts in the intro, chorus and endings.

“Brazilian music is very well known, it is a reference point and it is studied wildly everywhere in the world, especially that of the 1960 and 1970s, but generally all of the melodies up to the beginning of the 1990s,” says Trotta. Perhaps one of the most famous cases in this sense was that of Brazilian singer Jorge Ben Jor, who in 1979 sought compensation from British rock singer Rod Stewart for plagiarism of his song Taj Mahal (released five years earlier) in the chorus of the star’s hit single Da You Think I’m Sexy? Stewart publicly admitted the plagiarism in 2012, describing it as “overstepping the boundary” in his autobiography.

In keeping with Trotta’s claim, bossa nova musician and multi-instrumentalist Edu Lobo filed at least two international claims for plagiarism of songs he wrote in the 1960s: one against a French songwriter whose name was never revealed and another, in 1994, against Japanese songwriting trio Tsukasa Yamaguchi, Eiji Takehana and Yasuhiro Nara, who copied his song Ponteio Numa Outra and rebaptized it as Beatitude on their compilation album Multidirection. The case was settled out of court for an undisclosed amount.

More recently, the heirs of songwriter Luiz Bonfá, who died in 2001, accused Belgian-Australian artist Gotye of plagiarizing a small part of Bonfá’s instrumental Seville on the hit single Somebody That I Used to Know, which won two Grammy Awards for Best Pop Duo/Group Performance and Record of the Year. Gotye reached an agreement to credit Bonfá as a co-writer of the song, a credit that has even been registered with the Australian Copyright Council.

Lawyer Caio Mariano, a specialist in copyright and intellectual property, says though that cases like this are not that common. “At the end of the day, there are also coincidences in music, so it is necessary to prove mens rea – the will and the intention to copy something – to be able to accuse someone of plagiarism. Something that happens a lot is the unauthorized use of musicians such as Tim Maia and Arthur Verocai, among others, who have a rich body of work. In the genesis of genres like hip-hop and rap, for example, there was the culture of sampling in songs. The problems arise when it is done without proper authorization, without worrying about whether it is a violation of copyright,” Mariano explains.

On the dispute between Toninho Geraes and Adele, Mariano opines: “There is a very striking similarity in the harmony, tempo and structure of the songs.” The lawyer points out that Brazilian legislation follows international copyright conventions and that cases such as this one tend to be resolved out of court, via agreements and negotiations. It remains to be seen if this is the path Adele and Kurstin choose when they decide to break their silence.

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Lewis Hamilton wins chaotic Saudi GP to draw level with Max Verstappen

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After chaos, needle, misunderstanding and some absolutely uncompromising racing, it took a cool head to prevail and Lewis Hamilton duly delivered, his win at the Saudi Arabian Grand Prix ensuring there is now nothing in it going into the Formula One season finale.

Beating title rival Max Verstappen into second, the pair are now level on points after a race of complexity and confusion fitting perhaps in a season that has been impossible to predict. The two protagonists endured an ill-tempered race and both left with differing views, Hamilton accusing his rival of being dangerous and Verstappen aggrieved. What it made clear is that neither will leave anything on the table next week in Abu Dhabi.

The investigations and debriefs will go on long into the night after this staccato affair interrupted by red flags, safety cars and the two leaders clashing repeatedly on track but ultimately and crucially for his title hopes it was an exhausted Hamilton who came out on top.

Hamilton had gone into the race trailing Verstappen by eight points, they are now level. The lead has changed hands five times during this enthralling season, which has ebbed and flowed between them but of course Hamilton has experience in tense showdowns, pipped to his first title in the last race of 2007 and then sealing it in a nail-biting showdown in Brazil a year later.

Verstappen is in his first title fight but has shown no indication of being intimidated, instead eagerly grasping his chance to finally compete and he still has it all to play for despite his clear disappointment at the result at the Jeddah circuit.

Hamilton admitted how hard the race been. “I’ve been racing a long time and that was incredibly tough,” he said. “I tried to be as sensible and tough as I could be and with all my experience just keeping the car on the track and staying clean. It was difficult. We had all sorts of things thrown at us.”

Hamilton’s race engineer Peter Bonnington credited his man with how he had handled it, noting: “It was the cool head that won out”. It was a necessary skill beyond that of wrestling with this tricky, high speed circuit, given the incidents that defined the race as it swung between the two rivals.

Hamilton held his lead from pole but an early red flag due to a crash left Verstappen out front when Red Bull had opted not to pit under a safety car. Thus far at least it was fairly straightforward.

When racing resumed from a standing start Hamilton, off like a bullet, had the lead into turn one but Verstappen went wide and cut the corner of two to emerge in front. Esteban Ocon took advantage to sneak into second only for the race to be stopped again immediately after several cars crashed in the midfield.

With the race stopped, the FIA race director, Michael Masi, offered Red Bull the chance for Verstappen to be dropped to third behind Hamilton because of the incident, rather than involving the stewards. In unprecedented scenes of negotiations with Masi, Red Bull accepted the offer, conceding Verstappen had to give up the place, with the order now Ocon, Hamilton.

Verstappen launched brilliantly at the restart, dove up the inside to take the lead, while Hamilton swiftly passed Ocon a lap later to move to second.

The front two immediately pulled away with Hamilton sticking to Verstappen’s tail, ferociously quick as they matched one another’s times. Repeated periods of the virtual safety car ensued to deal with debris littering the track and when racing began again on lap 37, Hamilton attempted to pass and was marginally ahead through turn one as both went off but Verstappen held the lead, lighting the touchpaper for the flashpoint.

Verstappen was told by his team to give the place back to Hamilton but when Verstappen slowed apparently looking to do so, Hamilton hit the rear of the Red Bull, damaging his front wing. Mercedes said they were unaware Verstappen was going to slow and the team had not informed Hamilton, who did not know what Verstappen was doing. Hamilton was furious, accusing Verstappen of brake-testing him. Both drivers are under investigation by the stewards for the incident and penalties may yet be applied.

Verstappen then did let Hamilton through but immediately shot back up to retake the lead but in doing so went off the track. He was then given a five-second penalty for leaving the track and gaining an advantage and a lap later Verstappen once more let his rival through, concerned he had not done so sufficiently on the previous lap. After all the chaos, Hamilton finally led and Verstappen’s tyres were wearing, unable to catch the leader who went on to secure a remarkable victory.

It was all too much for Verstappen who left the podium ceremony immediately the anthems concluded. “This sport is more about penalties than racing and for me this is not Formula One,” he said “A lot of things happened, which I don’t fully agree with.”

Both teams had diverging viewpoints on the incidents but both must now look forward. After 21 highly competitive races, the last a febrile, unpredictable drama, the season will be decided in a one-off shootout where both drivers have without doubt earned their place but just when the respect between them appears at its lowest ebb. – Guardian

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Covid testing rules for all arrivals into State come into force

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New Covid testing rules for travellers arriving into the State have come into force today.

At the start of the week the Government announced that all incoming travellers except those travelling from Northern Ireland will have to present a negative test result in order to enter the country irrespective of the vaccination status.

The move came in response to concerns about the spread of the Omicron variant of Covid-19.

The test requirements were due to be introduced from midnight on Thursday. However the system was postponed at the last minute to midnight on Sunday in order to allow airlines prepare for checks.

For those with proof of vaccination they can show a negative professionally administered antigen test carried out no more than 48 hours before arrrival or a PCR test taken within 72 hours before arrival. Those who are unvaccinated must show a negative PCR test result.

Ryanair’s Michael O’Leary had described the move as “nonsense” and “gobbledygook”.

Meanwhile more than 150 passengers have departed Morocco for Ireland on a repatriation flight organised by the Government.

The 156 passengers on the flight from Marrakech to Dublin included Irish citizens as well as citizens of several other EU countries and the UK.

The journey was organised after flights to and from Morocco were suspended earlier this week until at least December 13th, amid fears over the spread of the new Omicron Covid-19 variant.

The repatriation flight on Saturday was operated on behalf of the Government by Ryanair.

Responding to news of the flight’s departure, Minister for Foreign Affairs Simon Coveney hailed the efforts of the Irish Embassy in Rabat in the operation, tweeting: “Well done and thank you!”.

On Saturday the number of Covid patients in hospital has fallen to 487, the lowest level in almost four weeks, the latest official figures show. The number of Covid patients in hospital fell by 41 between Friday and Saturday. There were 5,622 further cases of Covid-19 reported on Saturday.

Tweeting about the latest hospital figures on Saturday, Tánaiste Leo Varadkar said the “plan is working – 3rd doses, masks, test & isolate, physical distancing. Thank you for what you are doing. Please don’t lose heart. Let’s all have a safe Christmas.”

The figures come as the Government on Friday announced its most wide-ranging introduction of new restrictions this year after “stark” warnings from the National Public Health Emergency Team (Nphet) to take immediate action in the face of the threat from the Omicron variant.

From Tuesday until at least January 9th, indoor hospitality will be limited to parties of up to six adults per table, while nightclubs will be closed and indoor events limited to half a venue’s capacity. Advice has been issued that households should not host more than three other households in their home, while the use of the vaccine pass is to be extended to gyms and hotel bars and restaurants.

Trinity College immunologist Prof Luke O’Neill said the main reason for the new restrictions was the new Omicron variant, and he thought they were needed as the “next three to four weeks are going to be tough”. Speaking to Brendan O’Connor on RTÉ radio, he said it was “strange” that restrictions were being introduced when things are stabilising, with the lowest hospital numbers since November 6th.

Prof O’Neill said he was “hopeful” at news that the Omicron variant may have a piece of the common cold virus in it which could make it more like the common cold.

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Divock Origi delivers late delight as Liverpool see off Wolves

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Wolves 0 Liverpool 1

Divock Origi’s last-gasp strike sent Liverpool top of the Premier League with a dramatic 1-0 win at Wolves.

The substitute fired in from close range in stoppage time just as it looked like the Reds would fail to score for the first time in eight months.

He spared Diogo Jota’s blushes after the forward hit Conor Coady on the line following Jose Sa’s second-half mistake.

Chelsea’s 3-2 defeat at West Ham gave the Reds a path to the summit and they went top thanks to Origi’s late show. Resilient Wolves were left with nothing despite another battling display and sit eighth.

Liverpool had blown away the majority of their rivals this season, having scored four in each of their last three Premier League games before arriving at Molineux.

They had, simply, been too good but found Wolves at their resolute best until the death.

Only Chelsea and Manchester City have conceded fewer goals than Bruno Lage’s side prior to the game and there was strong resistance to Liverpool’s threat.

The visitors failed to find any early rhythm, thanks largely to the hosts’ determination. Aside from Leander Dendoncker slicing a clearance from Jota’s header the Reds made few first-half inroads.

Three straight clean sheets had given Wolves’ defence renewed confidence and they continued to keep it tight as Liverpool slowly began to turn the screw.

Trent Alexander-Arnold volleyed over after 28 minutes and then turned provider for Jota, who headed his far post cross wide.

Liverpool had control but only managed to open their hosts up once and, even then, Romain Saiss’s presence ensured Mohamed Salah just failed to make contact with Andrew Robertson’s low centre.

As an attacking force Wolves were non-existent. Having scored just five league goals at Molineux that was no surprise but Adama Traore, Raul Jimenez and Hwang Hee-chan carried little threat.

Joel Matip and Virgil Van Dijk were on cruise control and apart from Rayan Ait-Nouri’s sharp run – before he wasted his cross – there was little for Liverpool to fear.

Yet, they were still searching for a goal. Having scored in every Premier League game since a 1-0 defeat to Fulham in March more was expected after the break.

Salah’s knockdown caused some penalty box pinball which saw Thiago Alcantara twice denied but Jürgen Klopp’s men lacked the fluidity and precision to break Wolves down.

They needed a mistake from Sa to create their best opening on the hour and even then Jota missed it.

The goalkeeper raced out to the left after Jordan Henderson’s searching pass for Jota but collided with Saiss to give the forward a clear run to goal.

He advanced but from just six yards belted the ball at the covering Coady on the line.

Alexander-Arnold drove over as Liverpool’s frustrations grew and Sa denied Sadio Mane late on.

But Origi had the final say deep into added time when he collected Salah’s pass, turned and fired in from four yards.

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