The seven members of the jury have found that the actress Amber Heard defamed her ex-husband, actor Johnny Depp, with her article in The Washington Post in which she described herself as a victim of abuse. Depp also defamed the actress, the verdict stated, but in only one of the three statements relevant to the case, as decided by the jury. The decision marks a victory for the actor. Heard is obligated to pay him $15 million (€14 million), while Depp has been ordered to pay his ex-wife $2 million. The jury also establishes that Depp did not abuse Heard.
Amber Heard was present in the courtroom, her head bowed, as the court declared her guilty of defamation. Johnny Depp has been photographed in recent days singing onstage with Jeff Beck in Sheffield and London.
Of the $15 million that the actress is required to pay her ex-husband, $10 million are for compensatory damages and $5 for punitive damages. The $2 million that Depp is required to pay is for compensatory damages and none for punitive damages. Legal sources, however, point out that legislation in the state of Virginia, where the case has been tried, limits punitive damages to a quantity of $350,000, meaning that Heard will only have to pay $10.35 million.
The reading of the verdict has been delayed because the jury had incorrectly filled out the sentencing form. Judge Penny Azcarate had explained to them that if they considered that defamation had taken place, they had to establish the amount of damages. That gave a clue about the verdict: there was defamation, but it was not clear on which side. It turned out to be both of them, though to different degrees. That blank space likely belonged to the zero of the punitive damages.
Heard and Depp’s reactions
Heard expressed her pain at the verdict. In a statement, the actress said, “The disappointment I feel today is beyond words. I’m heartbroken that the mountain of evidence still was not enough to stand up to the disproportionate power, influence, and sway of my ex-husband.” She continued, “I’m even more disappointed with what this verdict means for other women. It is a setback. It sets back the clock to a time when a woman who spoke up and spoke out could be publicly shamed and humiliated. It sets back the idea that violence against women is to be taken seriously.”
And Depp has claimed his victory: “Six years ago, my life, the life of my children, the lives of those closest to me, and also, the lives of the people who for many, many years have supported and believed in me were forever changed. All in the blink of an eye. False, very serious and criminal allegations were levied at me via the media, which triggered an endless barrage of hateful content, although no charges were ever brought against me. It had already traveled around the world twice within a nanosecond and it had a seismic impact on my life and my career. And six years later, the jury gave me my life back. I am truly humbled,” he wrote in a statement.
The jury has ruled that three statements made by Heard in her column for The Washington Post constituted defamation:
—”I spoke up against sexual violence — and faced our culture’s wrath. That has to change.”
—”Then two years ago, I became a public figure representing domestic abuse, and I felt the full force of our culture’s wrath for women who speak out.”
—”I had the rare vantage point of seeing, in real time, how institutions protect men accused of abuse.”
One Depp statement—which actually came from his then-lawyer, Adam Waldman, who Heard considered spoke on the actor’s behalf—was ruled to be defamation:
—”This was simply a hoax, a deception. They set up Mr. Depp by calling the police, but the first attempt was unsuccessful. Agents went to the penthouses, searched and interviewed them thoroughly, and left after seeing no damage to the face or property. So Amber and her friends spilled some wine and messed up the place, cleared their stories under the direction of a lawyer and a publicist, and then made a second call to 911,″ according to The Daily Mail.
However, Depp’s lawyers’ statements referring to the alleged abuse as a “hoax” and “deception” are not considered false or defamatory. The jury’s conclusion is clear: there was no abuse or rape, and Heard fabricated a hoax.
The jury began its deliberations last Friday. Judge Penney Azcarate warned the members that they could not talk about the case with anyone, not family or friends, nor could they follow the news, opinions and comments that have flooded the media.
The trial took place over a month and a half of marathon sessions in the courthouse in Fairfax, Virginia. Depp filed a lawsuit demanding $50 million dollars (about €47 million) in compensation. Amber Heard filed a countersuit for $100 million against Depp, although her lawyer has admitted that the figure was not realistic: what they wanted was to send a message.
The trial, broadcast live by numerous media outlets in the United States, has generated significant buzz. The public could enter the room where the hearings were held, but it only had capacity for about 100 people. The lines outside the courtroom steadily grew longer, and during the last week of the trial, many people slept outside the court’s doors to secure their place.
The sessions have revealed the intimate details of the Hollywood stars’ violent relationship. Each side presented a completely different version of the same story.
The audience that came to court largely supported Johnny Depp. Some of his followers dressed up as pirates and cheered him on entering and leaving. Amber Heard has received much less support. She has been booed on occasions and has been the victim of harassment on social networks. An expert hired by the actress’s defense says she has received constant, humiliating negative messages.
“The most intimate, embarrassing and deeply humiliating things I have ever survived are being used against me every day, over and over again. It is torture. I am suffering emotionally. I have a baby. I want to keep moving forward. I want Johnny to move on too. I want him to leave me alone,” said the actress at a trial session. The actor’s defense also wanted to move on: “We ask you to give Mr. Depp his life back by telling the world that Mr. Depp was not the abuser, but Mrs. Heard was and that they hold her responsible for her lie,” said his attorney Camille Vasquez.
On the closing day, Johnny Depp’s lawyers asked the jury to decide on the general credibility of the actor and actress. They concluded that Heard was the real abuser, who had “played the performance of her life” by lying about the abuse.
Heard’s lawyers, for their part, appealed to the freedom of expression enshrined in the First Amendment of the United States Constitution. Their argument was that even if the jury found the account of sexual assault, rape and physical, psychological and financial abuse to be untrue, Heard still maintained her right to freedom of expression.
Britney Spears responds to ex-husband’s ‘hurtful’ claims that her children don’t want to see her | Culture
Singer Britney Spears responded on Sunday to claims made by her ex-husband Kevin Federline about her relationship with their two children, Sean Preston, 16, and Jayden James, 15.
In an interview which will be aired on ITV news, Federline said that the two teens had not seen their mother for months. “The boys have decided they are not seeing her right now. It’s been a few months since they’ve seen her. They made the decision not to go to her wedding,” he said, as reported by The Daily Mail.
In June last year, Spears married personal trainer Sam Asghari. The ceremony was attended by personalities such as Donatella Versace, Madonna, Paris Hilton, Drew Barrymore and Selena Gomez, but not her closest family or children. After the wedding, Spears and Asghari bought a house, valued at $10 million, near Federline’s home.
Federline, a former dancer, had a tumultuous romance with Britney Spears in 2014. The two met while recording a music and started dating. They were soon engaged and married just three months later. But the pair divorced two years later, citing “irreconcilable differences.” Federline has since married volleyball player Victoria Prince, with whom he has two daughters.
In the interview, Federline blamed the alleged fallout between Spears and her children on the singer’s Instagram account, which often features revealing photos. “‘Look, maybe that’s just another way she tries to express herself,’” Federline explained as what he has said to his sons. “But that doesn’t take away from the fact of what it does to them. It’s tough. I can’t imagine how it feels to be a teenager having to go to high school.”
Federline also spoke about the controversial legal conservatorship that gave Spears’ father, Jamie Spears, complete legal control over her finances and day-to-day existence from its signing in 2008 to its end in November last year. According to the former backup dancer, the conservatorship “saved” the singer. “This whole thing has been hard to watch, harder to live through, harder to watch my boys go through than anything else,” he said in reference to the process to end the guardianship.
But Spears has denied Federline’s “hurtful” claims. “It saddens me to hear that my ex-husband has decided to discuss the relationship between me and my children,” wrote Spears. “It concerns me the fact that the reason is based on my Instagram … it was LONG before Instagram … I gave them everything. Only one word: HURTFUL.”
The singer added that her mother advised her to give her children to Federline while she was under the conservatorship.
Spears’ new husband Asghari also rejected the claims. “There is no validity to his statement regarding the kids distancing themselves and it is irresponsible to make that statement publicly. The boys are very smart and will be 18 soon to make their own decisions and may eventually realize the ‘tough’ part was having a father who hasn’t worked much in over 15 years as a role model.”
Margot Robbie’s self-confessed ambition has made her the highest paid actress of the year | Culture
Self-doubt is Margot Robbie’s greatest motivator, and competes with ambition in the Australian actress’s psyche. She couldn’t believe her own eyes when she first saw herself on a giant ad for the Pan Am TV series in New York’s Times Square. “I still have the photo,” she told EL PAÍS a few years ago, somewhat wistful for the days when she was still a nobody. The script of The Wolf of Wall Street (2013), the Martin Scorsese film that put her on the map, touted her as “the most beautiful blonde in the world,” but she didn’t believe the hype. “I remember saying to a friend, ‘I haven’t worked in six weeks.’ I’m sure there’s nothing out there for me,” laughed Robbie. But Hollywood didn’t share her skepticism. In July, Variety magazine ranked Robbie as the highest paid actress of the year when her US$12.5 million salary for the upcoming Barbie movie was announced.
Margot Robbie may be this year’s highest paid actress, but 17 men made even more money, led by Tom Cruise who was paid US$100 million for Top Gun: Maverick. Her Barbie love interest, Ryan Gosling, was paid the same as Robbie, even though she has the titular role, more evidence that pay parity in Hollywood is far from being a reality. Robbie ranked ahead of Millie Bobby Brown (US$10 million for the Enola Holmes sequel); Emily Blunt (US$4 million for Oppenheimer); Jamie Lee Curtis (US$3.5 million for Halloween Ends); and Anya Taylor-Joy (US$1.8 million for Furiosa).
Robbie’s misgivings about her career aren’t shared by other industry giants. Martin Scorsese compared her to Carole Lombard for her comedic genius, Joan Crawford for her toughness, and Ida Lupino for her emotional range. He described Robbie as having a surprising audacity, and recalls how she clinched her role in The Wolf of Wall Street by stunning everyone with a tremendous, improvised slap of Leonardo DiCaprio during her audition.
Robbie showed the same boldness when she lobbied director Quentin Tarantino for another role opposite DiCaprio in Once Upon a Time in… Hollywood (2019). She sent the director a letter telling him how much she admired his films, especially her all-time favorite, True Romance (1993). The letter probably wasn’t necessary, as Tarantino already had the I, Tonya star in mind to play Sharon Tate in his new movie, describing her to EL PAÍS as an actress with a visual dynamism and personal qualities that you don’t see every day.
Robbie has wanted to work in movies ever since her start in Neighbours, the long-running Australian TV series that is coming to an end after 9,000 episodes and 37 years on the air. “Of course I’m ambitious. My career motivates me. I came to the United States with a plan, and I’m always looking ahead,” she told us. Even as a child growing up in Queensland (northeastern Australia), Margot Elise Robbie displayed her business smarts and drama queen chops when she decided to sell all her brother’s old toys from the sidewalk in front of the family home.
She jokes about her childhood, but part of that little girl always comes out in the wide variety of characters she plays. She has had all kinds of roles in little-known films like Suite Française and Z for Zachariah, and also in box-office hits like Suicide Squad and Birds of Prey. She won Oscar nominations for playing driven women in I, Tonya (2018) and Bombshell (2020). “Yes, many of the women I’ve played share my ambition – this is a tough industry. But I’m full of doubt like anyone else. You never know how things will turn out,” she said.
Seeking more control over her films, Robbie founded production company LuckyChap Entertainment in 2014 with her husband, British filmmaker Tom Ackerley, and some friends. She hopes to use LuckyChap as a vehicle for herself and other actresses, as she did with Promising Young Woman starring Carey Mulligan, a black comedy thriller film that won writer/director Emerald Fennell an Oscar for best original screenplay. “Margot is an extraordinary person,” said Fennell. “That’s why she’s doing so well as a producer who is determined to try different things and give women a voice.”
Robbie met British assistant director Tom Ackerley on the set of Suite Française in 2013. They began a romantic relationship the next year and moved in together right after attending their first Golden Globes gala for The Wolf of Wall Street. Married since 2016, the couple and co-workers in LuckyChap have a bright future ahead, judging by all the work that is piling up for Robbie. In addition to Barbie, she will appear in Amsterdam, directed by David O. Russell; as silent film star Clara Bow in Babylon, directed by Damien Chazelle; and has a role in Wes Anderson’s Asteroid City. As if that wasn’t enough to keep Robbie busy, a remake of Ocean’s Eleven awaits her; she will play opposite Matthew Schoenaerts in the post WWII drama, Ruin; produce a remake of Tank Girl; and play a female Jack Sparrow in another installment of Pirates of the Caribbean. Surely Margot Robbie doesn’t have any more doubts about her career.
Salem’s last witch regains her honor | Culture
As statues of slave owners and slave traders continue to fall in the United States, the embers of the bonfires that burned women accused of committing spells and witchcraft are also being extinguished. In the umpteenth revision of history to try to exonerate the victims, the most recent episode concerns the last official Salem witch, Elizabeth Johnson Jr., from the massive 1692 and 1693 trials in the English colony of Massachusetts. Thanks to the initiative of a middle school teacher and her students in Andover, located in the same county as Salem, her spirit can now roam free. The enthusiastic students began the vindication process in 2020 and persuaded Massachusetts state senator Diana DiZoglio (D), who took up the cause and pushed for Johnson’s pardon, which was announced last week.
It has taken 329 years for Elizabeth Johnson Jr.’s name to be cleared definitively. She was the last of the Salem witches to be exonerated. While Johnson was spared a death by hanging, she was stigmatized until she died at 77, an uncommonly long life for the time. Historians say that Johnson showed signs of mental instability and was single and childless, all of which were signs of witchcraft during that period. She pled guilty before the court of inquisitors. Almost 30 members of her extended family were also implicated, as if witchcraft were contagious, hereditary, or both. Johnson, her mother, several aunts and her grandfather, a church pastor, were tried as well. According to historian Emerson Baker, the author of a book about the Salem witch trials, her grandfather described Johnson to the judges as a “simplish person at best.” Most likely, the judges would have equated “simplish” with different during that superstitious and pre-scientific period.
The fact that Johnson didn’t have any descendants deprived her of anyone to vindicate her good name, as relatives of the other defendants did. The first attempt to do so happened at the beginning of the eighteenth century. Then, in the 1950s, Massachusetts passed a law exonerating those found guilty, but it failed to gather all the names. A 2001 attempt at justice excluded Johnson because, after her conviction in 1693, she was formally presumed to be dead (executed).
The social hysteria against everything that deviated from the norm, against the minimal exercise of free will, was implacable against women, as Arthur Miller’s play The Crucible (the playwright adapted it for the big screen in 1996) and recent variations remind us. The theme lends itself very well to artistic creation, but in real life it amounted to opprobrium for those who suffered it and represented a cause for scorn among puritans.
Salem was more than a witch trial. According to historians, it was a collective exorcism fueled by a puritanical inquisition based on paranoia and xenophobia, a gratuitous auto de fe that unleashed people’s worst instincts: fear and the human tendency to blame others for one’s own misfortunes. At least 172 people were indicted in the 1692 trial. About 35% confessed their guilt and were spared the gallows; according to sources, around twenty insisted on claiming their innocence and did not escape that fate. The rest of the detainees were acquitted or sentenced to prison. The Salem witch trials represented a collective bogeyman through which one can foresee the later threat of the Ku Klux Klan. It is hard not to wonder what bonfires would have burned today on the pyre of social media and extreme polarization.
The great Salem witch hunt can be re-read through the prism of gender. As the adage goes, se non è vero è ben trovato (Even if it is not true, it is well conceived). Witches, like those in Salem and the woman in Nathaniel Hawthorne’s novel The Scarlet Letter (made into a film in the 1950s), were demonized for going off the rails. The dominant society’s puritanical stance against any kind of heterodoxy or freestyling, against rebels with or without a cause, led people to be targeted for dressing exotically by puritanical standards or for daring to drink at a tavern, a sacrilege for the morals of the day. It’s not difficult to draw a straight line from the bonnet of a witch on the gallows to the handmaid’s white bonnet in Margaret Atwood’s novel: all were women who were demonized, objectified, and scapegoated for deeper ills.
Beyond gender, other historians emphasize the socioeconomic dimension of the Salem witch trials, which combined a deep-seated inequality with racism, the United States’ original sin since well before the Declaration of Independence. The trials targeted colonial society’s most vulnerable during a period of economic instability that unleashed fierce rivalry among Salem families. According to historian Edward Bever, society was permeated by interpersonal conflict, much of it stemming from competition over resources. People did whatever they could to survive, from physical aggression to threats, curses, and insults. One of the first women accused, Sarah Osborne, was a poor widow who dared to claim her husband’s land for herself, defying the customary laws of nature, which granted the inheritance to sons. The accusation of witchcraft ended Osborne’s claim. Tituba, an indigenous slave, was accused of being a witch because her racial origins differed from the norm. Sarah Good was also poor, but she defended herself against the humiliations of her neighbors, which led her to the gallows; her daughter, Dorothy Dorcas Good, was Salem’s youngest victim: she was arrested at only four years old and spent eight months in prison.
Since then, history has not changed the fact that vulnerable women pay the price for circumstances beyond their control. That the Puritans of the time considered women—the evil heirs of Eve —prone to temptations such as the desire for material possessions or sexual gratification was only an added factor. Poor, homeless, and childless, these women in the shadow of society’s dominant morality were fodder for the gallows. But Elizabeth Johnson Jr. didn’t just manage to save her life; 329 years later she recovered her honor as well.
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