Uncanny Valley is inescapable. Just look at the latest eerie video from the amateur (for now) parodist Steven Connolly. The faces of Ronan O’Gara and Johnny Sexton have been merged with, respectively, Emilio Estevez and Ally Sheedy in John Hughes’s film The Breakfast Club. All rivalries are forgotten as the rugby legends make a touching romantic connection.
“Johnny has a public reputation for being a bit of a grump,” Connolly says. “So that suited Ally Sheedy’s character right there. So it just kind of worked. Rog has liked the video, but Johnny hasn’t. Ha ha!”
The video sits among an array of largely sports-related parodies on Connolly’s increasingly popular YouTube channel. Enjoy Graham Souness, the famously combative former footballer, recommending a new scent called Brutal. Rory McIlroy’s face is superimposed on that of Sylvester Stallone in a subversion of Rambo: First Blood Part II. “You gave the order for people to start shouting when people are teeing off, didn’t you?” RorySly grumbles before brandishing a knife at poor (unaltered) Charles Napier.
Over the past year or two Connolly has enjoyed the odd bit of feedback from the celebrities. Ricky Gervais liked his Oscar impressions video and helped that post go viral. Padraig Harrington also gave him a helpful retweet.
We catch Connolly, who works in IT, on his lunch break. “I have always mimicked,” he says. “I think I started mimicking the parish priest in Manorhamilton, in Co Leitrim, for a few laughs. Then I did the teachers in school. A few years ago, my brother said he knew someone who was setting up a radio channel. I auditioned. I didn’t get it, but I then formalised it. It is part time. I don’t think I’ve been paid for anything.”
There are two skills here. Connolly is as adept at the Co Down vocal rambles of McIlroy as he is at Souness’s more wintery Scottish grumbles. But it is the video trickery that establishes his parodies as entertainment of the moment. Just a decade or so ago, it would require millions – and the services of Hollywood’s swankiest special-effects boffins – to merge footage in this manner. Such “deepfakes” are now available to the skilled amateur.
“You basically take the faces – Rog and Emilio, say – and the AI runs for about 24 to 36 hours, and then there is the editing on top of that,” he explains.
So is there a specific piece of software that helps out with such operations?
“Yes, this is DeepFaceLab. It would be tricky to use if you are not IT-orientated,” he says, before going on to mention “batch files” and other terms that cause the civilian brow to furrow. “I could show somebody in a few hours how to do it. It is much more difficult if you are trying to work it out yourself.”
We have become used to online creators playing any number of imaginative conjuring tricks with pre-existing footage. Dialogue is manipulated. Music is reimagined. One wonders where copyright comes into this. The venerable Universal logo is right there at the start of Connolly’s Breakfast Club clip.
“Parody is fine. That is my rudimentary knowledge of copyright law,” Connolly says. “YouTube will notify you if there is any issue with copyright. I put up Star Wars, and obviously John Williams’s soundtrack is in there. They say you can’t monetise this. But you don’t monetise anything anyway.”
Welcome to the new economy.
Olivia Newton-John, the ‘Grease’ star who became a global icon | Culture
She always felt more comfortable as a singer than as an actress, but it was her role as Sandy in the musical Grease (1978) that made her a global icon. Olivia Newton-John died Monday at the age of 73 from breast cancer at her ranch in California. The news was confirmed by her husband.
In a statement posted on social media, her widower John Easterling said: “Dame Olivia Newton-John (73) passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. We ask that everyone please respect the family’s privacy during this very difficult time.”
“Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer. Her healing inspiration and pioneering experience with plant medicine continues with the Olivia Newton-John Foundation Fund, dedicated to researching plant medicine and cancer.”
Olivia Newton-John was the granddaughter of Nobel Prize-winning physicist Max Born, a Jew exiled to the United Kingdom from Nazi Germany. She was born in Cambridge, England, in 1948, and when she was only five years old, her family moved to Melbourne in Australia, where her father worked as a German teacher. She started out very young in the world of music, performing first with a group of schoolmates and then as a solo singer. At the age of 17, she won a talent contest on Australian television, which saw her move to the United Kingdom, where at 18 she recorded her first single.
While living in England, the singer was briefly performed with Pat Carroll. After separating (he had to return to Australia when his visa expired), she released her first album in 1971, If Not for You. The title paid tribute to a Bob Dylan song that had also been recorded by George Harrison.
Newton-John represented the United Kingdom at the 1974 Eurovision Song Contest, with the song Long Live Love, chosen by popular vote among six options. She came fourth, while ABBA won the contest with the song Waterloo.
The British-Australian actress is known worldwide for starring in the 1978 musical Grease, alongside John Travolta. Her role as Sandy catapulted her to fame with songs such as You’re the One that I Want, Summer Nights and Hopelessly Devoted to You. Newton-John was initially reluctant to accept the role that would make her career. She wasn’t sure she wanted to be an actress and also felt that, at 28 years of age, she wasn’t the best fit for a high school student.
Finally, after several screen tests and at the insistence of Travolta, who was 23 at the time, but already a star thanks to the movie Saturday Night Fever, she accepted. “I couldn’t have done the film if I hadn’t met John, because I wasn’t sure about doing it. He convinced me,” confessed Newton-John in an interview conducted in early 2019. The film script was changed slightly to account for the singer’s Australian accent.
The actress maintained a lifelong friendship with Travolta, who posted a message mourning her death on social media on Monday: “My dearest Olivia, you made our lives so much better. Your impact was incredible. I love you so much. We will see you down the road and we will all be together again. Yours from the first moment I saw you and forever! Your Danny, your John!” The two appeared in public for the last time in December 2019, dressed as their characters from Grease.
Grease was the highest-grossing film of the year of its release and its soundtrack, which is also the soundtrack of an entire generation, remained at the top of the charts for weeks. The actress was nominated for a Golden Globe and appeared at the Oscars ceremony the following year singing Hopelessly Devoted to You, which was nominated for Best Song.
Before Grease shot her to worldwide fame, Newton-John released the song Let Me Be There, which won her a Grammy for best female country vocal performance.
After Grease, she starred in films such as Xanadu and topped the charts with songs such as Physical, from 1981. The same-named album was the first to have a music video for each song. As a singer, she won four Grammy Awards, although she was never very popular with critics.
From 1984 to 1995, Newton-John was married to actor Matt Lattanzi, with whom she had a daughter, Chloe Rose. Her next partner, camera operator Patrick McDermott, who disappeared at sea in 2005. In 2008, she married tycoon John Easterling, the founder of Amazon Herb Company.
In 2019, Newton-John was diagnosed again with stage four breast cancer with metastases in the back. The actress, who had battled the disease in 1992 and in 2013, told the television show 60 Minutes Australia that she did not know how long she had left to live. “For me, psychologically, it’s better not to have any idea of what they expect or what the last person that has what you have lived, so I don’t, I don’t tune in,” she said.
Newton-John called on Australia to allow the use of marijuana for medicinal and palliative use, in line with California, where she lived. Her daughter has a cannabis farm in Oregon.
Her loved ones also recognize her fundraising work for cancer research. In one of her most famous campaigns, the singer auctioned off some of her personal clothes, including outfits she wore on Grease.
Justified: Generation Z doesn’t like Justin Timberlake anymore: the ‘new king of pop’ apologized too late | Culture
Twenty years ago, Rolling Stone magazine crowned Justin Timberlake (Memphis, Tennessee, 41 years old) “the new king of pop.” This summer, a video of the singer dancing at Washington’s Something in the Water festival accumulated millions of views on social networks, but not for the reasons he would like. Commenters called the star “creepy,” “hilarious” and “embarrassing.”. “Justin Timberlake still thinking he has any swag left while wearing those Old Navy khakis on stage,” jeered one Twitter user. “This is the height of gentrification,” wrote another. When did Justin Timberlake, once the biggest star on the planet, the world’s best pop dancer and the coolest man in the entertainment industry, become a pop culture piñata? Timberlake has been irritating public opinion for 20 years. Now, all the backlash is hitting him at once.
Timberlake released his first solo album, Justified, in 2002 at the age of 21. The promotional campaign coincided with his breakup with Britney Spears. He used the “Cry Me A River” music video, which featured a lookalike of the pop singer, to make it clear that she had cheated on him. Timberlake revealed on two different radio shows that he had had sexual relations with Spears, despite the fact that during their courtship both had proclaimed their intention to be virgins at marriage.
Timberlake continued talking about Spears over the years. In 2013, he referred to her in a Saturday Night Live sketch about his ancestors’ wishes for their descendents: “He’ll date a popular female singer. Publicly they’ll claim to be virgins, but privately, he’ll hit it.” At a 2007 concert, while Spears was in a rehabilitation center for her mental problems and addictions, he alluded to her more indirectly: he ended “Cry Me A River” singing the chorus of Amy Winehouse’s “Rehab.”
In 2004, Timberlake participated in the Super Bowl halftime show alongside Janet Jackson. At the end of the performance he uncovered her breast for 9/16 of a second before an audience of 143 million viewers. More than 200,000 viewers complained to CBS. In the midst of the Iraq war, the so-called Nipplegate incident occupied ample space in the conservative media, which fueled the controversy to the point of sinking Jackson’s career. Radio and television channels stopped broadcasting her, ABC canceled a movie about Lena Horne that she was going to star in and Disney World removed a statue of Mickey Mouse dressed as Jackson.
Timberlake, by contrast, suffered no consequences. The Grammys canceled Jackson’s planned appearance, but Timberlake did perform, winning two awards and using his speech to apologize. He didn’t mention his stage partner. At no time did Timberlake publicly defend, support or apologize to her. What he did do was criticize the singer’s interview with Oprah Winfrey, in which Jackson claimed to have felt betrayed by Timberlake. Many fans believe he insulted her on the song “Give It To Me:” “Could you speak up and stop the mumbling? I don’t think you’re getting clear. Sitting on the top it’s hard to hear you from way up here. I saw you trying to act cute on TV. Just let me clear the air. We missed you on the charts last week. Damn that’s right, you wasn’t there.” “Give It To Me” reached number one on the United States’ charts.
Timberlake’s album Future Sex/Love Sounds was the third best-selling album of 2006. Three of its songs went on to reach number one: “Sexyback,” “My Love” and “What Goes Around Comes Around,” which also attacks Spears.
His wedding to actress Jessica Biel in 2012 generated controversy. A video, orchestrated by one of his friends to be projected during the reception, was leaked in which several homeless people from Los Angeles congratulated Timberlake and expressed their regret at not being able to attend the event, which was held in Puglia (Italy) and cost six million euros. The friend in question paid €30 to each homeless person for their participation. That month, Shriners Children’s Hospital announced the end of its relationship with Timberlake.
The current of public opinion definitively turned against him until 2016. Grey’s Anatomy actor Jesse Williams gave a speech at the BET gala about the need to rebel against cultural appropriation: “we’re done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment.” Timberlake reacted by tweeting “#inspired,” to which journalist Ernest Owens replied, “Does this mean you are going to stop appropriating our music and culture? And apologize to Janet.” “Oh, you sweet soul,” replied the singer. “The more you realize that we are the same, the more we can have a conversation. Bye.” Given the controversy, Timberlake deleted the tweet but insisted that “we are all one…one human race.”
That exchange sparked a media conversation about cultural appropriation and the well-intentioned passivity of white celebrities. Timberlake has built his career drawing on black aesthetics, musicians and culture. His sound has oscillated between R&B, hip hop, funk and soul, but for him, as Candance McDuffy wrote in Glamour, “black culture is a lucrative disguise that he can remove as soon as it ceases to benefit him.” Or as Luria Freeman summed it up in Vibe, “Justin owes his voice to the black community, but he remains silent.”
In early 2018, Timberlake released his fourth album, Man Of The Woods. He traded his image as a neo-Sinatra heartthrob for flannel, jeans, and fur coats, finding himself in the wilderness of the Wild West (the singer has a ranch in Montana). Criticism raged against the project. “Justin Timberlake relaunches his brand, now as a white man,” The Outline headlined. “Montanans laughed at the notion that a multimillion-dollar home at a private ski resort, filled with other non-Montanans, would evoke ‘the Wild West’; others suggested that he’d watched The Revenant or listened to Bon Iver once and co-opted the signifiers,” observed Anne Helen Petersen on Buzzfeed.
Critics saw Justin Timberlake’s reinvention as another disguise. “Justin Timberlake hasn’t suddenly reclaimed his white masculinity for the first time with Man of the Woods. It’s been with him all along. It’s just that now it’s become impossible to ignore,” wrote Constance Grady for Vox.
The night Justin Timberlake performed at the 2018 Super Bowl halftime show, becoming the first person to take that stage three times, #JusticeForJanet was a trending topic on Twitter. While Jackson’s career remained in shambles 14 years after Nipplegate, Timberlake returned to the scene in style. In addition, many fans considered Prince’s appearance in a giant hologram yet another jab by Timberlake at black culture and an act of disrespect towards Prince, who had stipulated that he did not wish to appear in holograms because he considered them demonic. The press considered it one of the least memorable intermissions of the Super Bowl.
At the beginning of last year, the documentary series The New York Times Presents devoted an episode to Britney Spears’ career and another to the collapse of Janet Jackson’s career after the Super Bowl. In both, perhaps the two most emblematic episodes of misogyny in 2000s pop culture, Timberlake played an antagonistic role. And in both he went unpunished. “Timberlake’s shine has worn off, leaving behind an uncomfortable tale of a man who enjoyed continued success at the expense of other people’s losses,” wrote journalist Chelsea McLaughlin.
Look, it took a scathing documentary to get Justin Timberlake to issue a “heartfelt apology” (likely drafted by his publicist) to Britney Spears & Janet Jackson. He spent nearly 20yrs benefiting from cultural appropriation & misogyny. He’s a jerk – and his apology comes too late.
— Elgin Charles (@ElginCharles) February 13, 2021
Last month, Rolling Stone, the same magazine that two decades ago proclaimed him the new king of pop, analyzed Timberlake’s viral dance in Washington. It blamed Generation Z for the singer’s new status. “Zoomers, particularly those on TikTok, are really good at making previously lauded white men seem remarkably uncool. This is a curse that has now befallen Justin Timberlake, the once pop prince.” But singer’s decline in popularity goes beyond social media run-ins. “The new reckoning around him feels like a cultural exorcism, a chance to use the boy band vessel to purge ourselves of the evils he now represents to many,” writes Maria Sherman at Slate.com. “Timberlake has become the perfect emblem of a bygone era that rewarded guys exactly like him—until it didn’t.”
Britney Spears responds to ex-husband’s ‘hurtful’ claims that her children don’t want to see her | Culture
Singer Britney Spears responded on Sunday to claims made by her ex-husband Kevin Federline about her relationship with their two children, Sean Preston, 16, and Jayden James, 15.
In an interview which will be aired on ITV news, Federline said that the two teens had not seen their mother for months. “The boys have decided they are not seeing her right now. It’s been a few months since they’ve seen her. They made the decision not to go to her wedding,” he said, as reported by The Daily Mail.
In June last year, Spears married personal trainer Sam Asghari. The ceremony was attended by personalities such as Donatella Versace, Madonna, Paris Hilton, Drew Barrymore and Selena Gomez, but not her closest family or children. After the wedding, Spears and Asghari bought a house, valued at $10 million, near Federline’s home.
Federline, a former dancer, had a tumultuous romance with Britney Spears in 2014. The two met while recording a music and started dating. They were soon engaged and married just three months later. But the pair divorced two years later, citing “irreconcilable differences.” Federline has since married volleyball player Victoria Prince, with whom he has two daughters.
In the interview, Federline blamed the alleged fallout between Spears and her children on the singer’s Instagram account, which often features revealing photos. “‘Look, maybe that’s just another way she tries to express herself,’” Federline explained as what he has said to his sons. “But that doesn’t take away from the fact of what it does to them. It’s tough. I can’t imagine how it feels to be a teenager having to go to high school.”
Federline also spoke about the controversial legal conservatorship that gave Spears’ father, Jamie Spears, complete legal control over her finances and day-to-day existence from its signing in 2008 to its end in November last year. According to the former backup dancer, the conservatorship “saved” the singer. “This whole thing has been hard to watch, harder to live through, harder to watch my boys go through than anything else,” he said in reference to the process to end the guardianship.
But Spears has denied Federline’s “hurtful” claims. “It saddens me to hear that my ex-husband has decided to discuss the relationship between me and my children,” wrote Spears. “It concerns me the fact that the reason is based on my Instagram … it was LONG before Instagram … I gave them everything. Only one word: HURTFUL.”
The singer added that her mother advised her to give her children to Federline while she was under the conservatorship.
Spears’ new husband Asghari also rejected the claims. “There is no validity to his statement regarding the kids distancing themselves and it is irresponsible to make that statement publicly. The boys are very smart and will be 18 soon to make their own decisions and may eventually realize the ‘tough’ part was having a father who hasn’t worked much in over 15 years as a role model.”
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