This article has nothing to do with Russia, but we are running it here in keeping with my commitment to publish articles that fairly and honestly discuss the influence of Jewish elites, particularly when it is malevolent, which I believe it often is.
The refusal of most media to discuss Jewish influence is causing huge problems both domestically and in foreign relations. I discuss this at length in my article It’s Time to Drop the Jew Taboo.
The Russian angle on this story is that Russia, both its people and its government, has remained staunchly opposed to this cultural Marxist encroachment by gay activism. This is in part because Jewish elites have far less influence in Russia in the media, among NGOs, and in government. It makes a huge difference.
Charles Bausman, Editor
Fash the Nation is the most popular Alt-Right podcast with a very large weekly audience. it is essential listening to understand what is going on in the US from a conservative viewpoint. It also features an excellent regular feature called ‘The Europa Report’, covering the European migrant crisis.
Since gay marriage was legalized in 2015 the American public has seen that the slippery slope from legal gay marriage to trannies in girls locker roomsto troubled children given hormone blockers is real. And Americans aren’t too happy about it: as Alyssa Rosenberg lamented in the Washington Post, the number of Americans who express discomfort around LGBT people has risen for the first time since 2014.
In light of this, it’s worth looking back at how this slippery slope began and how gay marriage was legalized in the first place.
An interesting perspective on this subject can be found in an article published in 2014 by Tikkun Magazine titled “How Jews Brought America to the Tipping Point on Marriage Equality” which details how “Jewish activists gathered enough force to help push the state-by-state dominoes over to legalizing same-sex marriage” and how “Jews can claim a fair share of the credit for bringing Americans to a tipping point of accepting marriage equality.”
This may sound like a shocking anti-Semitic accusation to some, especially to those Evangelical Christians who seem to think Jews are God’s Chosen People™ who can do no wrong, but this article was written by a Jewish activist in a Jewish magazine. Tikkun Magazine is named after the Jewish concept of “tikkun olam,” which means “repair the world” in Hebrew.
In the article, Amy Beam explains not only how Jewish activists and social organizations pushed the gay marriage issue, but also how their victories can serve as a blueprint for other “social justice” issues—which in the near future will probably include such things as taking “trans” children away from parents who refuse to allow them to transition genders and labeling anyone with a conservative view of sexual morality a mentally ill sexist, homophobe or bigot.
The first lesson from the Jewish fight for gay marriage, Amy Beam explains, is taking a clear moral stance:
“By coming out early with a clear moral position rooted in religious values and coordinating their message at the national and state levels, Jewish leaders helped reassure voters who may have been unsure about the religious implications of voting for marriage equality.
As early as 2007, Rabbi David Saperstein, director of the Religious Action Center of Reform Judaism, wrote in an op-ed in the Washington Post: “We have reached a point in American society where the obvious is clear: neither my marriage nor anyone else’s is threatened by two loving individuals of the same sex. And it is increasingly difficult for religious leaders to envision that the loving God of the Universe does not welcome such faithful relationships.”
The shift in attitudes is a deep one, according to a recent poll cited in a report in The Atlantic this past summer: “Even among the most conservative Christian group in America, 51 percent of white evangelicals aged 18 to 34 now support gay marriage.” And polls say Jews themselves now support marriage equality to the tune of over 80 percent. Susskind suggests it is no accident that Jews embraced same-sex marriage. “As the narrative on marriage equality in the country has moved,” he says, “Jews—as people who value equality, value civil rights, and have a long historical understanding of what it means to be discriminated against—are consistently at the front of that.”
First, note how Jews here utilize religion to their own political ends. They realize that many Christians in America, who erroneously and often unknowingly follow a dispensationalist theology, view Jews as a uniquely holy people, as a people who have their own covenant with God. So Jews use their own status to couch their left-wing political opinions in religious terminology, and then they sell those opinions as uniquely moral to American Christians. Most American Christians, unfortunately, are more than willing to gobble it up. After all, God’s Chosen People™ couldn’t be wrong, could they?
This is a view that we have to be willing to challenge on a fundamental level. The correct Christian worldview is that the Jews aren’t God’s Chosen People any longer, they lost their covenant with God the moment they rejected Christ and killed Him.
Second, note how Jews view their own influence in society and how they explain why they champion left-wing causes: “Jews – as people who value equality, value civil rights, and have a long historical understanding of what it means to be discriminated against.” In other words, their support for left-wing “social justice” issues like gay marriage, Black Lives Matter, open borders, and so on isn’t a mere political opinion—it is inherent to their ethnic and religious identity, an identity shaped by being a minority in every country that they lived in for well over 1,000 years.
In their own eyes, the Jews are on a crusade against all forms of discrimination, real or perceived. And it doesn’t matter how reasonable the discrimination they’re fighting is, e.g. discrimination against trannies in girl’s locker rooms or unvetted migrants from radical Muslim countries flooding into the West.
This mentality isn’t held by a small Jewish elite but by a majority of rank-and-file Jews, as the article mentions later:
“Noting the recent Pew poll that showed that 70 percent of Jews vote and 56 percent say that being Jewish means working for justice, Abby Levine, director of the Jewish Social Justice Roundtable wrote in a November 22 op-ed in Zeek magazine that she sees a rise in Jewish involvement in “projects dealing with economic justice, women’s rights and community organizing.” Jewish social justice organizations are primed to train and mobilize even more faith-based activists to take on this next wave of struggles.
“We [Jews] bring a different paradigm than the typical paradigm of the policy marketplace, which is a paradigm of morals,” says Susan Lubeck of Bend the Arc’s Bay Area office in California. “Of what’s fair and right and good, and not just what is politically appetizing.”
Unmentioned here is that the vast majority of Jews vote for liberal Democrats, regardless of whether or not they think that “being Jewish means working for justice.” Their support for left-wing “social justice” politics is rooted in their understanding of their own identity, which is why any attempt to win over Jews to the right will be doomed to fail.
But to get back to the meat of the article, Amy Beam explains the other “lesson” from the Jewish fight for gay marriage and other social justice issues in America, the necessity of a solid ground game:
“Jewish activists and leaders at both the national and local/regional levels spearheaded the recent wave of victories for marriage equality (such as state-by-state legalizing of same-sex marriage and the defeat of the Defense of Marriage Act). “We did it in a variety of smaller ways,” says Susskind. “[We had to] get rabbis signed on, get other community leaders signed on, do calling drives, get people engaged with their state legislators.” Susskind cites the work of regional Jewish groups as key to winning in several states; these include Jewish Community Action (JCA) in Minnesota, Jews United for Justice in Maryland, and Bend the Arc’s regional offices in Los Angeles and the Bay Area in California.
State Senator Scott Dibble of Minnesota said the work of JCA was “very important” in two major recent fights there: defeating a 2012 amendment to the state’s constitution that would have banned same-sex marriage, and the subsequent passage of a state law that legalized it. “They provided lots of organizational support.” Dibble said. “The support came in many forms, a lot of it very practical and tangible. JCA arranged for meeting space in several different synagogues as we were getting underway.” Beyond providing such material assistance, Dibble said JCA was “also just a real key force and driver in the aspect of the campaign that relied on bringing the faith voice to the forefront.”
Again, Jewish organizations played a “very important” role in pushing for gay marriage. So no, it’s not an anti-Semitic conspiracy.
The article goes on to mention several other ways that Jewish organizations lobbied their local and state governments for gay marriage as well as “economic justice” issues like higher minimum wages:
“In the Washington, DC, region, JUFJ worked alongside workers’ rights groups to pressure the city council into scheduling the December 17 vote to pass an $11.50 an hour minimum wage. DC councilmember Tommy Wells, who is currently running for mayor on a progressive platform, said, “Right off the bat, I was impressed” by JUFJ’s organizing on paid sick days and the minimum wage. “They held some events that I went to. And they met with me. I appreciated how clear they were on exactly what they wanted to happen.”
What they wanted to happen was for the city council to bring DC’s minimum wage into alignment with the surrounding Maryland region of Prince George’s and Montgomery counties. There, the county councils in November passed the same increase—to $11.50 by 2017—following intense organizing by JUFJ and other groups. “We organized a lot of ways for Jewish people to contact their representatives,” said Ennen. “Jews, like anybody else, don’t necessarily participate that much in local politics. Jews do tend to be pretty hooked into progressive politics nationally, or national issue campaigns, but lots of people who are involved in JUFJ had never called their actual county representative. It turns out,” she went on, “that county elected leaders aren’t used to the level of lobbying that Congress is. So it doesn’t take hundreds of phone calls and thousands of petition signatures. They’re receptive to hearing from their constituents. So we did a lot of work to mobilize people to have those meetings and make those calls. That was one of the ways that we were able to win in Montgomery County.”
This highlights an important lesson that the right-end of the political spectrum needs to learn from: politics doesn’t end at the ballot box.
Notice how in addition to voting a certain way, pushing out certain messages through the media and religious organizations, etc. these Jewish organizations actively engage in large-scale and well-organized grassroots lobbying campaigns. They encourage their members to call and write their representatives, participate in petition drives, etc.
This is something that the right-wing has to do more of. Too often we’re satisfied by donating some money to our favorite candidates, voting, and then sitting at home and occasionally sharing something on Facebook or Twitter. Worse still, on the rare occasion that a relatively good guy like Donald Trump wins, we satisfy ourselves by thinking that no follow up is needed, “he’s got it in the bag.” But that isn’t enough.
Just like these Jewish lobbies, we have to learn to start engaging more with our elected officials, local, state, and federal. When important votes for issues come up, call your Congressman, Senator, or county representative. Tell them how they have to vote if they want your support next election cycle. The thing is legislators actually listen because they do want to get re-elected at the end of the day. And the more feedback they get from their constituents, the more likely they are to vote with them.
If we do not start engaging more heavily with this kind of grassroots lobbying then we’re letting the groups that do win the game completely unopposed.
Sex education: The creator of CLIMAX: ‘Good sex is like cooking, but there aren’t recipes for female pleasure on the internet’ | Society
Our ways of watching television have changed. No longer do we sit down to see what’s on TV, instead subscribing to platforms where we can watch our favorite content. But can that formula translate to content beside series, documentaries and movies? Can it be used to change the way we experience sex education? CLIMAX, a platform of sex education videos, is trying it out.
The platform started as an explicit educational series dedicated to female pleasure. Far from pornography, it was particularly directed towards women and sought to give advice and ideas for greater self-knowledge and sexual enjoyment. But that was just the beginning. As Camille Mariau, CLIMAX’s director of projects, explains, they are currently working on “a monthly membership platform dedicated to sexual wellbeing. The users will ahve access to periodic new content, ordered by topic (pleasrue for people with vulvas, for those with penises, tantric sex, oral sex, post-partum sex, etc.). We really want to create the perfect guide to help our users deconstruct their ideas about sexuality.” Currently, the platform has partnerships with educational and healthcare institutions, in order to bring education about female sexuality to all parts of society.
Laurène Dorléac is an expert in the technology market and co-creator of CLIMAX. “Not only is female pleasure little understood, but I also realized that taboos around the subject are still very present.” That’s why, despite her lack of experience in the area, she decided to venture into the topic. “Good sex is like cooking: it’s a creative process that requires practice, experimentation and care to have a good flavor. There are plenty of recipes and cooking classes, but we can’t find anything satisfactory about female pleasure on the Internet! That’s what led me to create the platform, so that we can all have access to better sexual education.”
The project brought together international studies, advice from psychologists and sexologists and over 100,000 testimonies. “Pleasure is a very serious thing, and it deserves a very rigorous approach,” she says.
CLIMAX comes to Spain
While the project was founded in France, currently, 40 percent of its subscribers are outside of the country, largely in the United States and United Kingdom. The team is optimistic about the Spanish market. “The market seems to be ready for a project like this. More than talking about pleasure, we really want people to have easy access to safe information about sexual education,” says Camille Mariau. Since the project launched in Spain just a few months ago, most of its users are between 28 and 45 years old, and, surprisingly, they are divided 50/50 between men and women.
To spread the news about the project, they have the help of Teresa Riott, known for her role as Nerea in the Netflix series Valeria, who narrates the videos. “It seems to me like a new idea in education, and it’s very necessary in order to better understand all the possibilities of our pleasure. CLIMAX has also had success in other countries. I’ve learned a lot about female sexuality in the process,” the actress explains.
She emphasizes that “they are videos that you can watch alone, in private, and you can experiment,” which “gives people confidence to explore their bodies without concerns.”
The platform’s content is explicit, but tasteful; obvious, but well-presented. It repeats explanations we have read in plenty of books, but which acquire a new dimension when we can see them on a screen: without drawings, diagrams or taboos, simply showing how to stimulate a vulva. The videos are meant to educate, not to excite, and they have no resemblance to porn. The images are accompanied by Riott’s voice, which explains each step in a clear and simple way, adding touches of scientific information. It explains not only how to stimulate the vulva, but also how and why the stimulation works.
We’ve learned that it’s much easier to exercise at home, or even to do home improvement projects, with the help of a Youtube tutorial video that shows us each step. So it makes all the sense in the world that we can use tutorials to learn how to excite our bodies, moving step-by-step over each part of our anatomy.
The platform is also notable for its diversity, not only in the appearances of the vulvas on screen, but also in the techniques proposed. It includes videos of 19 different masturbation techniques. In Spain, female masturbation has experienced a revolution in recent years. The brand Lelo, specialized in clitoral suction toys, increased its sales by 440% in 2019. The Satisfyer toy was even more popular: it registered an increase in sales of 1,300% in 2020, to the point that it had to resort to European countries to restock the toys during one of the busiest months of the year. Those toys finally normalized female masturbation. Vibrators themselves have also experienced their own revolution. Their technology and shapes have become more sophisticated, and they have become more effective and discreet. And Gwyneth Paltrow’s website Goop now features Viva la Vulva, an “extra-silent” vibrator model that can be used at any time without making any noise. Such devices are proof that manufacturers have taken pains to innovate their products for female pleasure, until recently a forgotten sector. Gone are the old dildos and penis replicas.
Beyond masturbation, with or without the help of toys, the content of CLIMAX “is like an encyclopedia of ideas that you can choose and use to enrich your sexual life. It can help you be more creative, learn moves that women with vulvas might like, etc. It can also be used as a basis to start a conversation with your partner about what you like, what you want to try or not. We want to give people the opportunity to get to know their own body or the body of their partner better,” explains Mariau.
To that end, the first two seasons are entirely scientifically based. To develop the content, 74 international scientific studies, widely referenced and accepted by the scientific community, were consulted. “There is one study that I find special: Shere Hite’s ‘The New Hite Report,’ a bestseller that has sold tens of millions of copies, which describes how women feel during different sexual activities and when they orgasm with greater frequency,” Mariau says.
In addition to a surge in vibrator sales, women have been consuming more porn than ever in recent years. According to a study by Pornhub on porn consumption in the pandemic, women increased the amount of porn they consumed by 17.5%. Audio porn, one of the latest developments in the industry, is particularly popular among women. And websites for pornographic content aimed at women, taking into account the tastes and aesthetics that female arousal requires, have proliferated in recent years.
Mission: equality in pleasure
The work of Shere Hite is one of the great sources of inspiration for CLIMAX. The late writer and sexologist was especially interested in the female orgasm. She interviewed some 3,500 American women, from prostitutes to former nuns, to create ‘The Hite Report: A Nationwide Study of Female Sexuality’ in 1976. Among her conclusions stood out two ideas: first, that few women reached orgasm through intercourse (only 30%), although they did through masturbation. Secondly, the clitoris was the key to climax.
CLIMAX is organized into several themes, which are available in different subscription packs: external pleasure (10 episodes), internal pleasure (11 episodes) and tantra exercises (7 episodes).
“Our mission is to equalize pleasure in a world where women report being less satisfied than men in their sexual activities, feeling less pleasure and having fewer orgasms. Education will make it possible,” the expert concludes.
Sonny Barger, founder of Hells Angels, dies at 83 | USA
Sonny Barger, the founding member of the Hells Angels Motorcycle Club, died on Thursday in California at the age of 83. Barger was the face of the biker gang that became one of the main counterculture movements in the United States in the 1960s. Barger’s family confirmed his death in a message on Facebook. “Please know that I passed peacefully after a brief battle with cancer,” the message stated.
Sonny Barger – whose real name was Ralph Hubert Barger – was born in northern California, and taught himself to ride a motorcycle when he was 11 years old. It was an American-made Cushman scooter. From that moment on, he tried to only assemble motorbikes with parts made in the US, a task that became increasingly difficult as the world became more open to international trade.
In 1957, he founded the Hells Angels chapter in Oakland, California. This chapter was founded nine years after the first one opened in Fontana, in the same state. Barger was the national president of the Hells Angels, a group that became notorious for its links to violent and organized crime. Barger was arrested more than 20 times and spent 13 years of his life in prison for different crimes. In November 1992, for example, he was released from federal prison after spending four years behind bars for organizing to kill members of the rival Outlaws Motorcycle Club. When his parole came to an end in 1994, 700 bikers came out to celebrate the news.
But the darkest chapter of the Hells Angels took place on December 6, 1969. That night, the biker members were hired as security guards at the Altamont Free Concert in California, where the Rolling Stones performed. Representatives of the band reportedly offered the Hells Angels $500 worth of beer in exchange for providing security. Members of the biker gang had worked without incident as security at concerts for bands such as The Grateful Dead and Jefferson Airplane. But at the Altamont Free Concert, which brought together 300,000 people, the situation became violent. During the Rolling Stones’ performance, fights broke out in the audience. Meredith Hunter, an 18-year-old concertgoer, was stabbed to death by a member of the Hells Angels after approaching the stage. The incident was caught on camera and became a central scene in the Maysles Brothers documentary Gimme Shelter, in which Barger admitted the bikers did not have the training to do security work. A few days after the concert, in a call to a local radio station, he said: “I ain’t no cop. I ain’t never gonna police nothin.’”
The incident stained the image of the Hells Angels and Barger – who had the name Hell’s Angels Oakland tattooed on his right shoulder – struggled for several years to change the gang’s violent reputation. “Catholics probably commit more crimes than we ever thought of,” he told the Los Angeles Times in 1994 after being released from prison on parole. “Probably politicians commit more crimes.”
Writer Hunter S. Thompson compared the biker gang to the student protesters of the 1960s, who paved the way for civil rights in America. “The difference between the student radicals and the Hells Angels is that the students are rebelling against the past, while the Angels are fighting the future. Their only common ground is their disdain for the present, or the status quo,” he wrote in his book Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs.
The Hells Angels were one of America’s most striking subcultures, and their influence can be seen in many areas of society. In one of his books, Barger claims that Harley-Davidson – the motorcycle brand favored by the group – adopted the gang’s ideas into its models. Barger played himself in the 1967 film Hells Angels on Wheels, where he appeared alongside Jack Nicholson. He also had a small role in the TV show Sons of Anarchy.
Barger was a difficult character to define. He got up at 4.30am to feed his dogs and horses, then worked out for three hours, doing weights and going jogging. By 8am, he was on his motorcycle and driving down an off-beaten track. Unlike the stereotypical biker, he wore a helmet that covered his entire face. This was due to the fact that he had his vocal cords removed in 1982 after suffering from throat cancer.
Art fakes: Disputed ‘Basquiats’ seized by FBI shake the US art world | Culture
While New York surrenders once again to the genius of Jean-Michel Basquiat with an exhibition of unpublished work curated by his family, in Orlando (Florida), there is considerably more controversy over the work of the artist who died at the age of 27. An exhibition at the Orlando Museum of Art dedicated to the former close friend of Andy Warhol, entitled Heroes & Monsters, has cost the head of that gallery his job, while the FBI investigates the authenticity of 25 of the works, not to mention the threats made by the director against an expert who had been commissioned to evaluate the authorship.
Although the scandal began to take shape in February, when the exhibition opened, the FBI raid took place last Friday with the seizure of the paintings with a contested attribution to Basquiat. Aaron De Groft, director and chief executive of the museum, has relentlessly defended that these are genuine works, while emphasizing that it is not a museum’s role to certify the authenticity of the works it exhibits. “[The paintings] came to us authenticated by the best Basquiat specialists,” he told the local NBC television station in February.
De Groft had for months championed the importance of the paintings, asserting that they are worth millions of dollars, until an expert showed up who’d been hired by the owners of the paintings and she began to question his version of events. The director was fired on Tuesday, just two business days after agents seized the 25 suspicious works. The museum’s board of trustees met for hours that day, but not before warning employees that anyone who dared to discuss the matter with journalists would suffer the same fate as De Groft. Hence, it is impossible to know the version not only of the former director, but of any worker at the center. Nor can any information be gleaned at the New York exhibition, a mixture of unpublished work and memorabilia, where organizers are fearful of the devaluation caused by the Orlando scandal.
“It is important to note that there is still nothing that makes us think that the museum has been or is the subject of an investigation,” Emilia Bourmas-Free told the local chain on behalf of the art gallery. Cynthia Brumback, chairwoman of the museum’s board of trustees, expressed itself in similar terms in a statement, saying that the board of trustees is “extremely concerned about several issues related to the exhibition Heroes & Monsters,” including “the recent revelation of an inappropriate e-mail correspondence sent to academia concerning the authentication of some of the artwork in the exhibition,” as reported by The New York Times.
The statement refers to a disparaging message sent by De Groft to the specialist hired for the expert opinion, cited in the FBI investigation as “Expert 2″ but who the New York Times has confirmed is Jordana Moore Saggese, an associate professor of art at the University of Maryland. This expert, who received $60,000 for a written report, asked the museum not to have her name associated with the exhibition, according to the FBI affidavit. Angry, De Groft threatened to reveal the amount of the payment and share the details with her employer, the university.
“You want us to put out there you got $60,000 to write this?” wrote De Groft, according to the affidavit. “Ok then. Shut up. You took the money. Stop being holier than thou. Do your academic thing and stay in your limited lane.” The board said it has launched an official process to address the matter. The scandal was precipitated a few hours after the closing of the exhibition, which had originally been meant to travel to Italy.
The mystery of the cardboard box
But how did the paintings get to the Orlando Museum? The museum and its owners maintain that the paintings were found in a Los Angeles storage unit in 2012. The New York Times reported that questions arose over one of the paintings, made on the back of a cardboard shipping box with FedEx lettering in a typeface that was not used until 1994, six years after Basquiat’s death, according to a designer who worked for the company.
Both De Groft and the owners of the paintings maintain that they were made in 1982 and that Basquiat sold them for $5,000 to a famous television screenwriter, now deceased, who deposited them in a storage unit and forgot about them.
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