In France the health passport is already in use for venues including cinemas, tourist sites and nightclubs and from the beginning of August will be extended to bars, restaurants, cafés, some shopping malls and long distance train or bus services. Find the full list of venues where it is necessary HERE.
The health passport can show proof of either; fully vaccinated status, recent recovery from Covid or a negative Covid test taken within the previous 48 hours.
It is required for everyone at the listed venues – visitors and staff – but staff have until August 30th to get vaccinated. The passport is required for all over 12s, but children aged between 12 and 17 do not have to start showing their passports until August 30th.
There is no fine for members of the public who do not have a health passport, but you can expect to be barred from any of the listed venues if you cannot show your passport to staff. Venues found not enforcing the health passport face being closed down.
Italy’s green pass, ‘certificazione verde’, will soon be required to access more leisure and cultural venues, including indoor restaurants, gyms, swimming pools, museums, cinemas, theatres, sports stadiums and other public venues.
Although it’s been in use since June, the Italian government announced on July 22nd that it would be extending its health pass scheme from August 6th.
From next month, people in Italy wanting to access most venues in Italy will need to show proof of being vaccinated – including those who have only had the first of two doses – having tested negative for coronavirus within the previous 48 hours or having recovered from Covid-19 within the last six months.
At the moment Italy’s digital health certificate is available to people over 12 years old who were vaccinated, tested or recovered in Italy.
The Italian version of the green pass is only for people who were vaccinated, recovered or tested in Italy. If that’s you, find out exactly how to claim it here. If you don’t fall into that category, here’s what you need to know about accessing Italy’s extended green pass.
If you’re from outside the EU, the rules are complicated or still being negotiated. At the border, Italy accepts vaccination certificates, tests results and medical certificates of recovery from the United States, Canada or Japan. However, there is currently no news on how travellers can access the green pass once they’re in Italy.
As for the United Kingdom, Italy does not currently have an agreement to recognise vaccinations performed in England, Scotland, Wales or Northern Ireland.
Covid ‘health passes’ haven’t been imposed at a national level by the Spanish government, but two regions – Galicia and the Canary Islands – have opted to require proof of vaccination, testing or recovery for people to go inside bars, cafés and restaurants.
In both regions the scheme is only being applied in municipalities with particularly high infection rates, and although it seemed that it would initially only apply to the interior of hospitality establishments, the Canary government has extended the requirement to gyms and cultural events held indoors.
Other regional governments in Spain such as Valencia’s have shown interest in implementing a ‘health pass’ requirement, but this has been met with opposition from the hospitality industry for the economic losses and holdups all the checking could potentially cause.
The EU-approved Digital Covid Certificate issued mainly for the purpose of travel by Spain’s regions is the preferred means of proving Covid health status, although in practice bar and restaurant owners can accept other proof, paper or digital.
Neither the Galician nor the Canary government have announced what foreign tourists should show to access the interior of bars and restaurants in their territories.
Spain’s Digital Covid Certificate is only available to residents in the country but as the system is standardised across the EU, European tourists will likely be able to use their country’s Covid Certificates with a scannable QR Code to go inside hospitality establishments (not needed for terraces).
Sweden is part of the EU-wide vaccine pass scheme which means the Covid-19 pass can be used as an alternative to showing a negative test result in order to enter the country.
But aside from travel into the country, the pass is not used at all for access to things like events, museums, restaurants or bars. The government hasn’t ruled it out entirely, but has said the Swedish preference is to open up for everyone at the same time instead.
To access the Swedish version of the EU vaccine pass, you need to have either had both doses of your Covid-19 vaccine in Sweden, or at least the second dose, so it is not currently possible for people vaccinated elsewhere to receive it. Another group excluded from the pass is those without a Swedish personnummer or social security number; although the eHealth Agency has told The Local they are working on making it available to the thousands of people in Sweden who were vaccinated without this number, this is not expected to happen until September at the earliest.
Denmark controls access to certain activities and facilities – from indoor dining to cultural attractions like museums and sports games – using the scannable coronapas application, which tracks vaccination status, recent recoveries and test results.
The system is currently only available to Danish residents enrolled in the public health system, but it’s compatible with the vaccine certificates from other EU and Schengen area countries. People from outside the EU/Schengen area who received full courses of Pfizer, Moderna, Johnson & Johnson or AstraZeneca can also use proof of vaccination in place of a coronapas. That documentation needs to meet a handful of requirements to be legally valid: the documentation must be in English or German and contain your name, date of birth, the vaccine you received and the dates for your first and second doses.
The coronapas scheme is set to twilight on October 1st, when Denmark is scheduled to fully reopen.
Norway’s domestic Covid pass is used to access large events such as concerts, festivals and football matches in addition to domestic cruises and tours.
To enter venues and events using the pass, you will need a valid certificate.
Certificates will be valid if three weeks have passed since your last jab, you are fully vaccinated, have had covid in the past six months and can prove so via the health pass, or have received a negative test result in the previous 24 hours.
The certificate is presented as a QR code and will scan green if valid and red if not.
It’s worth noting that a valid domestic covid certificate is not valid for travel as part of the EU’s health pass travel scheme. You can read more about how the Norwegian Covid certificate is used for travel here.
A paper version of the certificate can be ordered here.
Covid certificates in Norway require a national identification number and level four security electronic ID. Unfortunately, this means that it’s practically impossible for tourists and non-residents to access the Norwegian certificate and attend events that require a health pass.
Furthermore, as the Norwegian certificate’s domestic version is different from the version used for travel, it also means that EU health passes can’t be used as a substitute for domestic vaccine passports.
Austria was one of the first European countries to introduce a Covid-19 health pass system, having done so on May 19th as the 3G Rule.
The 3G Rule refers to ‘Getestet, Geimpft, Genesen’ (Tested, Vaccinated, Recovered) and describes the three ways someone can provide evidence they are immune to the virus.
As a result, the framework is relatively well established in Austria.
Austria’s Covid-19 health pass, known as the “green pass”, is needed to access bars, restaurants, hotels, hairdressers, gyms, events and a range of other venues.
Austria is a part of the European Covid-19 pass network since July 1st.
This means that if you are visiting Austria and you have the pass from your EU country, you can use it in Austria.
Unfortunately, people with Covid-19 passes from outside the EU cannot yet use it in Austria, however they can use paper documentation.
Also, as an Austrian phone number is needed to get the green pass (other than in Vienna), foreigners with documentation of a vaccination, recovery or a test cannot download it and use it when they are in Austria.
Please read the following link for more information.
In Hungary immunity certificates delivered from the time of the first vaccine shot are required in health establishments and to attend sports and music events, as well as gatherings of more than 500 people.
In Luxembourg a pass is asked for in shops.
In Azerbaijan a health pass has been mandatory since the beginning of June to enter sports centres or attend weddings.
In Portugal such a certificate is required to stay in a hotel or play sport. It is also required to eat inside restaurants, but only at weekends in the most hard-hit regions.
In Ireland the health pass is for the time being only needed for indoor eating and drinking in restaurants and pubs.
In Russia the Moscow region in June imposed a health pass for restaurants but this was so unpopular it was scrapped three weeks later.
The British government is planning to introduce in September a health pass in England to enter nightclubs and other places admitting large groups of people. Professional football matches could be included, reports say.
The UK’s other nations — Scotland, Wales and Northern Ireland — set their own health policies.
The Covid-19 pandemic divided the world in two: those who tackled personal projects, taking advantage of the collapse, and those who later regretted not having done so. For Chuck Palahniuk, 60, confinement was not as problematic – after all, a writer needs a certain degree of isolation in order to concentrate – as the closing of the gyms. Suddenly, he had no way of working up. So, he set himself a new routine: building a castle with his bare hands on top of a cliff outside of Portland. He chuckles as he recalls: “I changed a completely abstract activity in the gym for lifting rocks weighing more than 40 pounds. I started with a simple room and before I knew it I was making windows, niches for statues, a patio… There it is, without ceilings, like a strange uninhabitable fantasy.” During those months, he took on something he had been avoiding: teaching and preparing a manual for aspiring novelists: Consider This: Moments in My Writing Life After Which Everything Was Different (Grand Central Publishing).
Question. You start this book by saying that you never wanted to write it. What made you change your mind?
Answer. Before publishingFight Club, I used to work on a truck assembly line. There were so many of us journalists in that company that we joked that they should teach welding during the career. Then I signed up for the writing workshop of Tom Spanbauer [author of The Man Who Fell in Love with the Moon] and everything changed. I owe him a lot of what I know. Thanks to him, I was able to develop my career. And since Tom is not in good health and was never going to write this book, I owed it to him.
Q. Tom Spanbauer created the concept of “dangerous writing,” which you practice. What is it about?
A. It’s about exploring something threatening and unresolved in your life, overcoming fears from painful personal truths.
Q. What advice, as a writer, would you have given to yourself as a young person?
A. Relax. You need to take your time to publish something that matters; you only have one first novel.
Q. In your case, it was Fight Club. You did take your time… you wrote it when you were 33.
A. I was still young, wasn’t I? [Laughs]
Q. How did you manage to keep grounded after its success?
A. It was not a success, on the contrary. During my first promotional tour, in Seattle two people showed up, and in San Francisco, nobody. And even though the film rights were acquired, nothing indicated that it would actually be filmed. When it was finally released, it lasted a couple of weeks in the theaters. By then, it had hardly been sold; almost all copies of the book remained in a warehouse. It wasn’t until Fox released it on DVD that it really found its audience.
Q. Is it true that after you were introduced to Brad Pitt on the set, you wanted to get his lips?
A. [Laughs] We all have our insecurities. I, for example, have been trying to hide my neck since I was a child. It’s too long. That’s why I always had my promotional photos taken with a turtleneck. But I hadn’t paid attention to my mouth until a friend told me: “Have you noticed how the attractive thing about Brad Pitt are his perfect lips?” They are very pronounced, very full. That made me self-conscious about mine; they are quite thin. I needed lips like those. So I called several cosmetic surgery offices to get information and tried one of those telemarketing-style inventions that do suction to achieve a fuller effect. It was a complete disaster. And I took the opportunity to write about it, of course.
Q. Why are you so keen on exploring the limits of the body?
A. Funny you should mention it, because I have realized that the stories that most attract me as a reader are those that include some physical element. And that is always present in my writing: it could be in violence, in sex, in drugs or in illness. Creating a very intense feeling of the character’s body generates a physical reaction in the reader.
Q. When would you say you moved on from your obsession with provoking?
A. The 1990s was the decade of transgressive novels. It started with American Psycho and continued with Trainspotting and Fight Club. Novels about bored kids who would try anything to feel alive. But everything changed with 9/11. Suddenly, anything transgressive was in danger of being accused of inciting terrorism, and publishers decided not to take legal responsibility for their authors. That is why there was such a strong revival of codified formulas of transgression, such as horror. I published my own horror trilogy: Lullaby, Diary and Haunted. I had to sharpen my wits to hide the message. I don’t see it as something bad; on the contrary, it forces the reader to exercise their intelligence to decode what you’re really telling them.
Q. You have a short story, Guts, about risky forms of masturbation that can end in tragedy. It is famous for causing fainting among the audience. Why do you like to read it in public so much?
A.Guts comes from true stories. I wrote it as a personal challenge, thinking about Shirley Jackson and her story The Lottery. When she published it in The New Yorker in the 1950s, the magazine lost subscribers; some people were very offended. I was obsessed with the idea: what would a story capable of amassing the same level of anger look like today? Reading it in public is the most humiliating thing I can do, because I have to put all my dignity aside. It is a message especially for the youngest: in order to create, the first thing you have to lose is shame – only then do you end up facing your own fears.
Q. Shirley Jackson’s daughter sold her mother’s ashes online, and gave you some. Where do you keep them?
A. They are too precious a relic to keep in my hands. I bought two beautiful wooden boxes from an antiques dealer, split them up and sent them to my agent and publisher. The truth is that I’m not particularly fetishist.
Q. In your book, you raise two unanswered questions: why are we so obsessed with stories about losers? Why do high culture tales end badly?
A. In most movies of my generation the good guys used to lose. Rocky lost, Rosemary gave birth to the devil’s son, Taxi Driver croaks, Carrie kills everyone and then herself, Midnight Cowboy ends terribly… Everyone goes after an ideal and loses the battle, although many persevere. Someone named this “romantic fatalism.” We had seen the failure of Vietnam, Nixon’s corruption, the environmental crisis… Nobody was going to go for a nice ending, we had to see the hero try and try and fail. The decline of the Summer of Love would give rise to the Me Generation of the 1970s and the yuppies of the 1980s. And so, we have remained in love with tragic endings until today.
Q. In 2018, you experienced a particularly difficult moment: you lost the income of your last years due to the embezzlement committed by your literary agency’s accountant. What was it like to suddenly find yourself in scarcity?
A. It was disturbing, but it helped me not to be so confident. In any case, I didn’t start writing for money, and it has never been my main goal. I’m not a big spender either. So, essentially, nothing changed. At that time, much worse things happened to me, like the death of my father-in-law from cancer.
Q. You have always been very discreet about your relationship with your husband, with whom you’ve been with for almost 30 years. But you now talk about it more openly. What has changed?
A. The death of my parents was decisive. I didn’t want to embarrass them when they were alive, because homosexuality wasn’t something they quite agreed with. Also, my husband feels more comfortable with it. In 2018, we were invited to the Rome Film Festival, and when I walked the red carpet we posed together and he hugged me from behind. It was a natural gesture that we don’t usually do in public.
Q. You’ve had no problem writing about your addiction to sedatives, but I read that you’ve given them up. What drove you to do it?
A. I started because I suffer from insomnia. I can spend weeks wandering sleeplessly. Then I discovered that they were a fantastic tool for writing in one sitting or for keeping up with the pace of promotional tours. Vicodin or Ambien were useful to turn my body into a machine that responded to the need to rest or to be awake when needed. Until I was invited to a cultural festival in Borelo, Palermo, and I got hammered mixing pills with booze. I ended up acting like a jerk in front of people I admire, like the writer John Irving. On my return to Portland, I was so embarrassed that I said to myself: never again.
Norway’s prime minister said Friday the country, which has become Europe’s biggest supplier of natural gas, had accepted military contributions from France, Germany and Britain to secure its oil and gas sector.
Published: 30 September 2022 19:01 CEST
File Photo: Norway’s Prime Minister Jonas Gahr Store addresses the 77th session of the United Nations General Assembly at the UN headquarters in New York City on September 22, 2022. (Photo by Tomothy A. Clary / AFP)
“We are in discussions with our allies to increase the (military) presence in the Norwegian sector and have accepted German, French and British contributions,” Norwegian Prime Minister Jonas Gahr Store told a press conference, following the alleged sabotage of the Nord Stream pipelines in the Baltic Sea.
His comments came days after four leaks were discovered in the Nord Stream gas pipelines in the Baltic Sea, which bring Russian gas to Europe.
The leaks were caused by underwater explosions corresponding to hundreds of kilogrammes of explosives and look like a deliberate act, a Danish-Swedish report said Friday.
“I understand that people are worried about the consequences that the situation in the Baltic Sea may have and that something similar may happen to the oil installations,” Store said.
“We have no indication that there are any direct threats to the Norwegian oil sector,” the Norwegian leader added.
Following the Nord Stream explosions and leaks, Norway had already said it would beef up security around its oil installations, amid allegations of sabotage.
“The government has decided to put measures in place to increase security at infrastructure sites, land terminals and platforms on the Norwegian continental shelf,” Norwegian Energy Minister Terje Aasland said in a statement on Tuesday.
Norway has become Europe’s main gas supplier in the wake of the war in Ukraine, taking the place of Russia.
The Scandinavian country has a vast network of pipelines, stretching for almost 9,000 kilometres, linking it to the continent, which experts have said are at risk of sabotage.
On Friday, Støre said that two Norwegian Coast Guard vessels had been diverted to patrol near oil platforms and that the area was also being monitored by a maritime patrol aircraft.
The Norwegian prime minister met several European leaders and the head of NATO on Friday, and is expected to visit the Sleipner oil platform in the North Sea on Saturday.
Norway, as well as Britain, France, and Germany, are all members of the NATO military alliance.
Although the last publications in Ladino – or Judeo-Spanish – have been surviving in Turkey against all odds, this Romance language is about to disappear.
“We are the last generation of Sephardic Jews who speak Ladino… even my children barely understand it,” warns Ivo Molinas, 60, director of the weekly Salom and the monthly El Amaneser. Both papers – founded 75 years ago – are published entirely in the language used by the Sephardic community in Turkey.
Molinas notes that he directs the only press in the world that has published uninterruptedly in Ladino. The reasons he gives for the decline in the language – which is in real danger of extinction – are both demographic and cultural. The Turkish Sephardic community has decreased over the last few decades from about 50,000 to only 16,000 members, with the vast majority concentrated in Istanbul. Meanwhile, the new generation prefers to speak Turkish, English… and now Spanish, since Spain granted Spanish nationality to the descendants of Jews expelled in 1492 by Queen Isabella and King Ferdinand. It makes more sense to use some of the world’s major languages, rather than learning a minor one that’s on life support.
“In fact, while 40% of the community understands it, we no longer speak Ladino like our parents did,” Molinas explains. However, he believes that the use of the old language will survive through the newspapers: more than 3,000 copies of Salom are sold weekly, with even more readers checking out the online version. He thinks that there will always be someone to take care of these publications – even if it’s just out of love.
Newspapers written entirely in Ladino were very popular in Turkey in the past. Since 1492 – when Jews were expelled from Spain – the language laid down roots in the area. In Izmir – where there was once a large Sephardic community – three newspapers with many readers were published at the end of the 19th century: La Buena Esperanza, El Novelista and El Meseret. In the first years of the 20th century, El Pregonero, La Boz de Izmir, La Boz del Pueblo and El Comercial joined the list, according to Dina Damon, professor of Judaic Studies at Binghamton University in New York.
The director of Salom points out that Spain does not show much interest in the preservation of Ladino… although he recognizes that the real problem is the disinterest of his own community. In fact, the Cervantes Institute in Istanbul had to cancel some free Judeo-Spanish courses last year due to a lack of students. The Sephardic Jews who come to the Institute are more interested in learning Spanish.
Gonzalo Manglano, director of the Cervantes Institute in Istanbul, argues that Spain does everything possible so that Ladino does not disappear: “Together, with the Saramago Foundation of Portugal and the Jewish community of Turkey, the Cervantes Institute has requested a tender within the EU Horizon Program for a €3-million project aimed at rescuing languages in danger of extinction.”
If the funds for this project are obtained, the Cervantes Institute will lead the project, in coordination with the Casa Sefarad of Madrid and the Turkish Ministry of Culture. This initiative plans to renovate the Selaniko synagogue in Istanbul, which will host a cultural center that promotes – using modern technology – the preservation of Ladino… a language that any Spanish-speaker can understand.